Hip Hop History Thread

The Ruler 09

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This is a thread for Hip Hop history, all of Hip Hop as a whole and history in any form. I will post historical Hip Hop videos, articles, interviews etc. Anybody of course is more than welcome to contribute...

Will start it off with this...

 

The Ruler 09

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My personal notes on the Hip Hop Summit...by Chuck D.

A table fulla mixed emotions circled myself on the tailend of the HipHop Summit. First of all, when asked about it, my answers are definitely upbeat and positive.

In response to the question "Will it work?" My answer is that they always do, especially in the case of emergency. The Hip Hop Nation is in a position to recognize the importance of governing itself before the United Snakkes government steps in with censorship rules.

In 1997, I was part of another summit in the aftermath of the killings of Biggie Smalls and Tupac just six months prior, where Minister Louis Farrakhan gathered all upon his Chicago home and Nation of Islam headquarters. It was a recognized gathering amongst Hip Hop giants ... Snoop, Russell, Suge, JT The Bigga Figga, etc.

What I remember most is that Ice Cube rented a charter jet from a movie set to get there to settle a supposed 3,000-mile east-west beef with Fat Joe, who drove 1,000 miles to Chi-Town. That summit was to save lives and it worked, although Min. Farrakhan was given very little credit for gluing the situation.
This gathering was quite different, but again, the Minister played a key role in the gathering in the days leading to and after, and yet again his importance was downplayed and even dissed. Which leads me to various [thoughts] on the speculation board.

In 1980, I was introduced to Min. Farrakhan by Professor Griff, who had been two years past his DJ days with Hank Shocklee’s Spectrum City. Griff used to bring records by occasionally and one record he brought was Min. Farrakhan’s address to the Jack The Rapper convention in 1979. In that speech he (Min. Farrakhan) directly dealt with the co-opting of Black Radio, The DJs, Record Companies, and Artists for their use of the musical art form; and with the media for manipulating the Black community into a "take from, not give back" mentality.

The one-sided exploitive use of mass communication to influence the masses was nothing new, but now it was done by elitist thinking Black folks themselves, who thought of themselves as super-negroes. Above the public who gained their profits by the categorization of calling The Masses ... Them Asses. The profound statement of 20-years-ago can be applied to right now. I sampled excerpts of that Jack The Rapper speech on "Terminator X To The Edge Of Panic," which is on Public Enemy’s Nation album.

As I flash forward to the Minister’s N.Y. Hip Hop Summit speech, which many of you by now have read, heard or heard details from, I recall as I had the privilege of sitting two seats from the Minister with Queen Latifah betwixt us, seeing the faces of the stellar audience witnessing the direct address.
As I looked to my right in the fully packed New York Hilton main ballroom, I saw LL Cool J, Afrika Bambaataa, Crazy Legs, Redman, Fat Joe in one glance. Another glance to the left picked up Puffy, Damion Dash, Sister Souljah, Grandmaster Flash. Not to mention the Manning Marables, Tricia Roses, Bob Laws and Cornel West within the mix with a gang of television cameras from the rear. From the beginning if there was any skeptical faces in the audience, they were scraped off with the look of undeniable clarity by the end.

In turn, I realized that this was the first time that many cats heard the Minister speak, and it was also the first time they heard him directly deal with a situation that is truly connected to everyone’s daily way of life. Many of them might’ve heard him before on tapes or even in person dealing with other issues, but this was frighteningly direct.

The big point that Min. Farrakhan addressed to the Hip Hop Nation was that now that the rap world was considered leaders of the youth around the planet, would it assume the same failings of the prior leadership they’ve tuned out and accused distant of its concerns? Or in other words as he put it "You’ve become fat and wealthy off the people as the leaders, now what are you going to do to feed back the people who’ve fed you?"

With that in mind, I told my Hip Hop brethren that we were fortunate to "borrow" the Minister for a few days of his important time. I told cats, "Don’t get it twisted," although Hip Hop is large, it’s only a part of real life. And having seen the Minister deal with heads of state and presidents of other lands about economies and policies, the least we could do is take his words with weight and govern ourselves.
Which brings me to the pessimistic thide of sings ... I give Russell Simmons props for using his star power for getting everybody to the same city and even the same room. It was pivotal and essential. In talking with Russell, I evidently saw a concern in protecting and yet bettering a situation needing his leadership.

After all, Russell’s involvement harks all the way back to 1979, as far as Hip Hop recorded music as Kurtis Blow’s manager; thus I’ve always deferred that power to him because of his seniority. It’s deserved to him the 100 or so millions that he sold Def Jam to Universal, because of his contributions.
However, as far as the culture is concerned, it is rather limited to think that because 5 corporations opened their wallets to a few, that they should think that they OWN what’s come out of the people. They own record masters and NOT the culture.

Thus, I was concerned with the omission of Conrad Muhammad and Rosa Clemente. At first Russell refused to bend his policy on not letting them in as well as Peter Noel, who I heard never made it inside to the minister’s speech. But myself and Pop Diesel and James Bomb of PE made headway to get Min. Conrad into the room, which he did and was able to hear the minister address him by name as well.
The summit before that seemed to address the issues protecting only the big business of Hip Hop, not the little man, the small entrepreneurs of Hip Hop who’ve been the foundation of the rap game. Yes, while the Summit addressed the protection and betterment of the Hip Hop world at the top of the food chain... there were small Black record companies from the Black communities of Chicago, Detroit, Philly and D.C. sitting in the lobby wondering why THEY were locked out of the Summit and STILL couldn’t get their records played on the same so-called ‘urban’ radio stations who broadcasted to the same community they LIVE in...
 

The Ruler 09

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Nation Of Islam Hip Hop Peace Summit April 11 1997

Major props are in order to Minister Louis Farrakhon and the Nation Of Islam for their continuous behind the scenes work with the hip hop community... For those who don't know.. last Thursday, April 3 1997... Key figures in the rap industry were summoned to the NOI Chicago headquarters for an in-depth pow wow. The meeting was the result of several preliminary meetings which had taken two weeks prior.. Two were held at the NOI Mosque in Los Angeles.. The other was held in New York and the other was held in Atlanta.. The main thrust was to put an end to this so called East/ West rivalry and to point out the outside forces that are hard at work trying to fuel it.. As the Minister noted in his address a lot of the strife going down within hip hop is the result of an 'unseen hand' and lack of communication. On hand were artist like Snoop Dog, Tha Dog Pound, Ice Cube, Bones Thugs And Harmony, Channel Live, Nate Dog, Mack 10, WC, Too Short, Willie D of The Geto Boys, The Goodie Mobb, Fat Joe, and Chuck D to name a select few... One key player who wasn't there was Sean Puffy Combs.. but his full support of this meeting was communicated to the folks in attendance. The end result of this meeting was the burying of the hatchet so to speak... In short the East/West Coast war is over and hip hop is about to embark on a whole new direction... The meeting to say the least was quite inspiring, beautiful and very spiritual.. It was the same type of vibe that existed during the Million Man March. Many of the artists who were in attendance did a lot of soul searching and dropped their egos and pride and reconciled whatever differences they had with one another...Kurupt of Tha Dogg Pound got up and offered an olive branch to

Bizzie Bone of Bones Thugs and Harmony... When the two embraced you could hear Bone saying..'Man I've been waiting to do this for a long time...'.. It was incredible...witnessing everyone just recommit themselves to uplifting and furthering hip hop... One of the most compelling and moving moments came when Ice Cube got up and hugged Common Sense from Chicago... The pair had been feuding on records and now realized the type of impact such exchanges can have within their communities.. Later on Ice Cube reconciled his differences with former partners Kam and Shorty of the Lench Mob... Kam spoke before the audience and let it be known that he had already recorded a song dissin' Cube..

but in lieu of everything that was happening in hip hop.. he would denounce that song and let everyone know that he and Cube had made peace.. One of the most passionate exchanges again involved Ice Cube and Fat Joe... Fat Joe in a very passionate way expressed the sentiment that a lot of East Coast folks had when records like 'Bow Down' and 'West Up' started circulating around.. Joe's whole point was he didn't understand why someone like Cube who had a lot of love and respect in NY would be involved in a project like the Westside Connection.. 'When I heard you were gonna be here, I got in my car and drove 15 hours just to see the whites of your eyes.. I wanted to see you face to face and ask you why you did what you did?' Fat Joe did not understand why someone who was down with the Nation Of Islam would release a record that was so divisive to the community. He noted that Cube had a lot of fans in NY who had been checking for him since his NWA days.. he noted that nowadays there are folks in NY who are looking to cause some bodily harm to Cube... Ice Cube who seemed a bit taken back responded by pointing out that artist outside of New York were feeling a lot of pain because of the continuous rejection from those who controlled the media in a city that is deemed as the hip hop Mecca... He stated that he felt like it would have to be someone of his stature to stir things up by taking his course of actions... He said he knew there would be a lot of heat on him, however he felt that there were a lot of unfair attacks upon West Coast artists... He explained that a lot of people took offense to East Coasters accusing West Coast rappers of ruining hip hop by creating 'gangsta rap'. Cube continued, by noting that the term 'gangsta' rap was not a term he or anyone he knew had ever attached to their type of music. It was always known as reality rap and early on, he and others saw themselves as street reporters... Cube also expressed his frustration that he and other west coast artists would be labeled as gangsta rappers who ruined hip hop, while these same critics would honor groups like Wu-Tang and even Fat Joe himself who were basically rapping about the same subject matter-street life. Cube further noted that his remarks by noting that having been around the world he noticed that people had different musical tastes and different outlooks on life... Everything is not like it is in New York... Yet a lot of NY media critics seemed to think so and would dis anything that didn't fit into their narrow definition of things.. He said that a lot of East Coast artists are given love on the west coast in terms of air play and magazine reviews even if their fan base in that area is not large.. Such artists are given a chance to be exposed to a west coast public. He pointed out that an artist like Fat Joe who never went gold or platinum could be heard on airwaves all out on the west coast and then you get groups like Too Short or Bones or other who are going triple platinum and being played and admired all over the country until they come to NY.. There everyone wants to dis them and say they're not even hip hop.

Cube said the type of treatment angered people. He also said the same type of shock people may have had towards him for being in Westside Connection is the same type of shock that people out west had when artists like Tim Dog came out of no where and began dissin artists from Compton. 'Just like you were asking why.. so were we.. We were asking why us? What did we do to deserve all this criticism?' He said that sort of rejection hurt and got a lot of people pissed because for the longest time, people look to NY and respected the city as the birth place of hip hop. 'It was a place where everyone wanted to get some props.. So while Cube may have gotten some props, everyone else was dissed.. and that needed to change. Hence Cube and others felt it was necessary to start kicking up dust and force a dialogue. Cube concluded that as an artist he sees nothing wrong with folks battlin' on records.. He felt like this approach had long been a tradition within hip hop. However, considering the current climate in which folks are taking things personal, neighborhoods are getting split up and people are getting killed, Cube felt like perhaps that part of hip hop culture needs to be suspended for a while until a lot of this drama dies down... Other artists like Snoop Dogg, Willie D, Celo of The Goodie Mob, Dougie Fresh and Too Short expressed themselves in ways that could only leave you knowing that a brighter day is coming.... Snoop spoke about his commitment to take his music in a whole different direction. He explained that he wants to use his influence to help save lives and build up folks.. He said he's willing to do this even if it means diminishing record sales.. Too Short remarked that he will have to do a lot of re-evaluating about the type of messages he puts in his music.. He noted that his impact and power to influence could no longer be used irresponsibly. Dougie's remarks were especially heartfelt as he was moved to tears and could barely speak.. He talked about how hip hop was when it first started and how he came up under the tutelage of pioneers like Afrika Bambaataa, Kool Herc and others.. He remarked that he could not believe how much this industry had become corrupted.. A lot of folks in the room felt Dougie's pain... He certainly left folks with an awful lot to think about..

Minister Farrakhon spit much game at those who attended.. He laid down the groundwork by reading the now infamous Willie Lynch letter... For folks who are unfamiliar with Willie Lynch.. he was a slave owner who devised a strategy for whites to control their Black slaves. The main thrust was to develop a series of divide and conquer techniques which included pitting, young against old, light skin vs dark skin, house Negroes vs field Negroes, man vs woman etc.. As was stated in the letter: 'I have outlined a number of differences among the slaves and I take these differences and make them bigger.. I use fear, distrust and envy for control purposes.. .These methods have worked on my modest plantation in the West Indies and it will work throughout the South... Take this simple list of differences and think about them. On top of my list is 'Age' but it is there only because it starts with an 'A' , the second is 'color' or shade. There is intelligence, size, sex, size of plantations, status on plantations attitude of owners, whether the slaves live in the valley or on a hill, East, West, North South, have fine hair, course hair or is tall or short. Now that you have a list of differences. I shall give you an outline of action-but before that I shall assure you that distrust is stronger than trust and envy is stronger than adulation respect or admiration... The Black slave after receiving this indoctrination shall carry on and will become self refueling and self generating for hundreds of years maybe thousands...'. As the letter was being read many on hand began to note the numerous artificial differences that have popped up to plague the rap community. Everything ranging from rap vs hip hop to old school vs new school to east vs west.. Oftentimes these differences have manifested themselves under the guise of competition..but upon closer looks one will find that such differences have been highlighted for the sake of garnering sales, attracting viewers, readers and listeners or enhancing one's reputation as a journalist or reporter. A main culprit that was identified has been the media in particular the hip hop media. Many in attendance pointed out the role that was played by publications like Vibe and The Source in heightening the East West Coast conflict... The consensus was that the type of coverage and attention that was given to this conflict was exploitative and in many ways antagonistic... Keith Clinkscale, who is the President of Vibe Magazine addressed those accusations by noting that from a journalistic perspective Vibe was correct and did a good job in it's coverage...

But from an ethical and community based perspective they may have been wrong..Whatever the case, many of the artists will be taking a long hard look at the type of coverage they are receiving from within the hip hop community.. It was mentioned that one would expect biased and unfair coverage of hip hop from those who reside within the mainstream media.. It however, is a whole other deal when there's explosive writing coming from those who claim to be within the hip hop arena... The question that needs to be answered is do hip hop journalist have a stake in the community where many of the artist they write about come from? The same question could and should be asked of record executive who oftentimes have a final say so as to what gets released and what doesn't?
 

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The West Coast Hip Hop Summit:
Who? What? Where? Why? & How?
by Davey D... 2/19/02



(Feb. 19, 2002) Last week's West Coast Hip Hop Summit held at the very posh Four Seasons Hotel in LA, was to say the least, quite an experience. For those who don't know, music mogul Russell Simmons, Minister Ben Muhammed and the Hip Hop Action Network had initially planned to host a scaled down intimate private gathering of key West Coast figures as they prepared for a much larger national event to take place in June.

However, there was so much interest up and down the West Coast that this 'intimate' meeting quickly turned into a much larger gathering. Much of this increased popularity was the result of several main components that had been set into to motion.

First, Minister Farrakhan who gave what many considered the best speech of his life at the Hip Hop Summit last June in NY was scheduled to speak again. The atmosphere was amped because The NOI was holding its Saviours Day program in LA that weekend. This meant Brothers and Sisters from all over the country were touched down in Cali and would likely attend the event. There was great anticipation that the Minister would deliver another compelling address to the Hip Hop community.



The second thing set in motion was the fact that the West Coast Hip Hop Summit coincided with the California State wide Democratic Convention which meant a large number of key elected officials would be in LA. The initial plan was to have people like Congresswoman Maxine Waters and others attend the Summit. The anticipated attendance of elected officials was extremely important since California State assemblyman Kevin Murray recently announced he would be holding hearings this spring to look into the business practice of record labels who are being accused of under reporting and underpaying artists their royalties.
Adding to that was the current move to repeal a congressional amendment won by the music industry that keeps recording artists locked into contracts longer than talent in other industries such as film and television. If that's not enough, Michigan Congressman John Conyers who will be in LA today [Tues, Feb, 19] is drafting up a Bill of Rights for Recording Artists. These and other related issues like 'How the Hip Hop Community Can Flex Its Political Muscle' were on the agenda to be discussed. Present were lobbyist like Osahar Berry of Washington, DC Linkage Group, former DC Mayor Marion Berry, Melanie Campbell of Black Youth Vote and representatives from 'Rap the Vote.'

The third wheel set in motion was the outreach efforts done by Minister Ben Muhammed who had made a trip to the San Francisco Bay Area this past November and met with a large number of artists and Hip Hop activists. He was responding to the concerns raised at last year's NY Hip Hop Summit that there were hardly any Hip Hop activists and their respective organizations included in the discussions. Hence he attempted to change that dynamic by meeting with many Bay Area Hip Hop organizations like Mindz Eye Collective, Lets Get Free, Books Not Bars, Black Dot, Youth Speaks, Urban Campfire, Third Eye Movement, Freedom Fighter Records, United Playas and the Ella Baker Center to name a few.
Many of these organizations in addition to putting out albums and performing at concerts have succeeded in making Hip Hop a viable tool for organizing and bringing about social change. From the fight against the passing of California's insidious Prop 21-(The Juvenile Crime Bill) to combating police brutality to the current fight to stop the building of a super prison for youth here in Northern Cali, these organizations have come to help shape and represent the new wave of activism among the so called Hip Hop generation. This is important since so many of us are often accused of being indifferent and apathetic. The end result was close to 30% of the West Coast Summit attendees being from the Bay Area.

Minister Ben's outreach efforts were complimented by similar leg work done in Los Angeles. Here, there was an attempt hook up with key individuals, organizations and Hip Hop activists who have been on the front line forging gang truces, quelling Black/Latino racial tensions and working with wayward youths. Individuals like former gang leader Michael Conception who was responsible for the 'We're All In The Same Gang' project along with LA NOI Minister Tony Muhammed were key figures who help gather up the troops. Outlets like The LA Bridge Program, Safe Passages Workers, and Youth Fair Chance rolled through with key cats like Mad Bone, Petey Wax, Cat, Stutterbox, Hilly, Tray Dee of the Eastsidaz and Malik Stillman to name a few. Also present were Hip Hop activists from Kansas City who had been responsible for helping forging gang truces in that area.

OG Bone who works with Hip Hop artist Mystikal noted that many of the people present from the LA area including Tray Dee were known more for their being involved and dealing with the gang situation then they were for their work in the music arena. Their presence at the Hip Hop Summit was important because you had once warring gang factions all sitting together in unison in the Four Seasons Hotel. It was great just seeing all the Hip Hop activist both from LA and the Bay all in one place. Simply put it was a beautiful thing.

The fourth wheel set in motion that really caught everyone's attention was a highly anticipated meeting of the minds between former business partners Suge Knight and Dr. Dre. When early discussions of a West Coast Summit first ensued, there were efforts to reach out to Dre to have him heavily involved. In fact the initial dates for the West Coast Summit which was scheduled several months back were scraped to accommodate Dre's schedule. Once things got reconfirmed Dre's participation was highlighted front and center.

Over the past couple of weeks, efforts to reach out to Suge Knight were made. The end result was him agreeing to attend the summit and share opening remarks with both Dr. Dre and comedian/radio personality Steve Harvey. When I first got wind of this, I like many others was a bit surprised. After all, Suge has been doing a lot of press lately and had not held back on making unsavory remarks about Dr. Dre. But if there was any place where the hatchet could be buried it would be at the Hip Hop Summit behind closed doors. Many including myself were hopeful...

MINISTER FARRAKHAN'S SPEECH

Now the Hip Hop Summit itself started off slow. People came out in force and it was a lot more then was expected. Everyone was searched which time. There was a large contingent of media folks ranging from CNN to MTV to local TV outlets. There were also lots of artists ranging from DJ Quik to the DOC who made the trek from Dallas. It was a 'Who's Who' of music industry folks. Noticeably absent were Dr. Dre and Suge Knight. Word had gotten around that Dre was a bit apprehensive about showing up. Suge sent word that he was stuck in traffic but on his way through. The hotel had to add more chairs as the lines outside the Four Seasons swelled. The Fruits of Islam were dispatched to go to the door and gather up any prominent artists who may have been stuck outside. The West Coast Hip Hop Summit began-45 minutes after its scheduled time... We all stood and prayed and Minister Farrakhan was introduced.

The Minister's speech to say the least was incredible. It built upon the landmark address he delivered at last year's Hip Hop Summit where he called upon artists to step up and accept their responsibilities as world leaders. The main themes of the speech he gave at the West Coast summit centered around the Hip Hop community becoming closer to God, recognizing the power of words and a call for the Hip Hop community to use their influence and become peace makers for the society. He noted that in order for us to establish peace we would have to take the necessary steps to be at peace with ourselves. This meant for us to become more spiritually grounded.

TRUE PATRIOTISM

He started out by talking about the current War on Terrorism and a letter he recently wrote to President Bush warning him that we as a country were headed on a path that would lead to increased war. He told the Hip Hop audience that he feared that they would be called to fight a war over policies they knew very little about. He also pointed out that many of us were dealing with chemical and biological warfare in our respective communities. He cited the crack cocaine and AIDs epidemic as key examples. He noted that it would be up to the young Hip Hop community to take the bold steps and lead the charge for peace. "The role of Hip Hop is a lot bigger then you think," he explained.

The Minister spent time focusing on the true meaning of patriotism. He told the audience that true patriots stands for righteous principles and he pointed out the important role Dr. Martin Luther King and Muhammed Ali played in standing up against the Vietnam War. He noted that when both men spoke out against the war they were considered ungrateful and unpatriotic but they were able to stand firm because they believed in something bigger then themselves. He noted that both men took stances that only a true patriot could take because it helped bring our government back to its Constitutional principles. He told the rappers never to be afraid to speak the truth. He also noted that as one gets closer to God and becomes more spiritually connected they would have less fear and feel more secure.

THE POWER OF WORDS

Minister Farrakhan spent a lot of time talking about the power and influence of the spoken word. He gave a historical break down of the African Oral Tradition and showed how it surfaced in various music forms throughout the years as coping mechanism. "Adversity is the mother of creativity," he stated. "Hip Hop was created out of our communities pain and suffering. It provided us a way to cope and ultimately change our reality."

He explained how slaves used the power of the word through spirituals to get through the horrors they experienced and to ultimately change their realities. He quoted from old spiritual songs like 'Swing Low' songs to show how the slaves cleverly used metaphors and manipulated words to secretly communicate with one another. He also spoke about the origins of other music genres like gospel, blues, jazz, soul music and R&B and showed how they too all started out as a way for us to combat oppression and ultimately serve the community. I wish I could break it down the way he did, because writing about it does no justice. All I know is that he had cats riveted to their chairs as he kicked the science.

He then asked the Hip Hop community to be responsible for their God given talent. "Little kids can't read 'dikk and Jane,' but they can recite every word to one of your raps," Minister Farrakhan noted. "You are second moms and dads to those who listen to you...We need more educational raps and more rappers willing to teach since so many kids won't go to school."
He asked the rap artists to help in the process of getting our community to move in the right direction and to start teaching knowledge so that people who listen to them will know what they need to fight in this society. He asked the rappers to use their music to help break down the system and show people how it works. "Either we're killing our people or raising them up," he said. "We need educational raps and more rappers willing to teach because so many kids won't go to school."

The Minister warned the rappers to be careful and not have their talent be used as weapons against them and the community. He pointed out that many artists like creating raps about pimps, hoes and hustlers which in turn are heavily marketed and promoted by many within the music industry. He broke it down and explained that the young people who grow up admiring these artists will strive to emulate the negative images that are being heavily promoted. He noted that reason such negativity is hyped up is to help keep our community at a level where we can be dealt with. He shrewdly pointed out, that as young easily influenced youth seek to become pimps, hoes and hustlers, they fall into the waiting arms of those who control the Prison Industrial Complex. The Minister pointed out that there are many that are making a fortune arresting 'pimps,' 'hoes' and 'hustlers.'

During his speech Farrakhan chastised those who are in key positions within the music industry for deliberately downplaying the positive messages and attempts put forth by artists. He told industry cats that many of them have become rich promoting filth and encouraging the marketing of a negative mindset. He asked label executives to use their vast resources and influence to help artists put forth positive messages calling for peace and social upliftment.
The Minister broke down the science behind media manipulation and the deliberate marketing of negative images. He cited and later gave several examples of how those with ill intent in the media can take a 30 second sound bite and make even Jesus look bad. He explained how our words and actions are often maligned and twisted to make us appear and seem a certain way especially when taken out of context. He also noted that these twisted images can sway people to think and act a certain way.

Minister Farrakhan concluded his remarks by asking the rappers to realize that what they speak on will eventually manifest itself. He noted that rappers are able to conjure up powerful images that resonate in the minds of those who listen. "You form images in the minds of young people who grow up and strive to become the images you help form," he said. He warned the artists that if they were not careful, they would one day have to answer to they type images they are helping create in their raps. I thought it was one of the Minister's most important points.

"Take up the mantle of leadership and pray to God to help you use your talents...Become architects of a brand new world, rise to your divinity and help us get back to our humanity," are the words he echoed to a standing ovation.
 

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The HipHop Declaration Of Peace

This Hiphop Declaration of Peace guides Hiphop Kulture toward freedom from violence, and establishes advice and protection for the existence and development of the international Hiphop community. Through the principles of this Hiphop Declaration of Peace we, Hiphop Kulture, establish a foundation of Health, Love, Awareness, Wealth, peace and prosperity for ourselves, our children and their children’s children, forever.
For the clarification of Hiphop’s meaning and purpose, or when the intention of Hiphop is questioned, or when disputes between parties arise concerning Hiphop; Hiphoppas shall have access to the advice of this document, The Hiphop Declaration of Peace, as guidance, advice and protection.

First Principle
Hip-hop (Hip’Hop) is a term that describes our independent collective consciousness. Ever growing, it is commonly expressed through such elements as Breakin, Emceein, Graffiti Art, Deejayin, Beatboxin, Street Fashion, Street Language, Street Knowledge and Street Entrepreneurialism. Wherever and whenever these and future elements and expressions of Hip Hop Kulture manifest; this Hiphop Declaration of Peace shall advise the use and interpretation of such elements, expressions and lifestyle.
Second Principle
Hip Hop Kulture respects the dignity and sanctity of life without discrimination or prejudice. Hiphoppas shall thoroughly consider the protection and the development of life, over and before the individual decision to destroy or seek to alter its natural development.
Third Principle
Hip Hop Kulture respects the Laws and agreements of its culture, its country, its institutions and whomever it does business with. Hip-hop does not irresponsibly break Laws and commitments.
Fourth Principle
Hip-hop is a term that describes our independent collective consciousness. As a conscious way of life, we acknowledge our influence on society, especially on children; and we shall forever keep the rights and welfare of both in mind. Hip Hop Kulture encourages womanhood, manhood, sisterhood, brotherhood, childhood and family. We are conscious not to bring any intentional disrespect that jeopardizes the dignity and reputation of our children, elders and ancestors.
Fifth Principle
The ability to define, defend and educate ourselves is encouraged, developed, preserved, protected and promoted as a means toward peace and prosperity, and toward the protection and the development of our self-worth. Through knowledge of purpose and the development of our natural and learned skills, Hiphoppas are encouraged to always present their best work and ideas.
Sixth Principle
Hiphop Kulture honors no relationship, person, event, act or otherwise wherein the preservation and further development of hip-hop’s culture, principles and elements are not considered or respected. Hip Hop Kulture does not participate in activities that clearly destroy or alter its ability to productively and peacefully exist. Hiphoppas are encouraged to initiate and participate in fair trade and honesty in all negotiations and transactions.
Seventh Principle
The essence of hip-hop is beyond entertainment: The elements of Hip Hop Kulture may be traded for money, honor, power, respect, food, shelter, information and other resources; however, hip-hop and its culture cannot be bought, nor is it for sale. It cannot be transferred or exchanged by or to anyone for any compensation at any time or at any place. Hip-hop is the priceless principle of our self-empowerment. Hip-hop is not a product.
Eighth Principle
Companies, corporations, non and not-for-profit organizations, as well as individuals and groups that are clearly benefiting from the use, interpretation and/or exploitation of the term Hiphop, (i.e. Hip Hop, hip-hop,) and the expressions and terminologies of Hip-hop, (i.e. Hip Hop, hiphop) are encouraged to commission and/or employ a full-time or part-time certified hip-hop cultural specialist to interpret and answer sensitive cultural questions regarding the principles and proper presentations of hip-hop’s elements and culture; relative to businesses, individuals, organizations, communities, cities, as well as other countries.
Ninth Principle
May 3rd is Rap Music Day. Hiphoppas are encouraged to dedicate their time and talent to self-development and for service to their communities. Every third week in May is Hip Hop Appreciation Week (HHAW). During this time, hiphoppas are encouraged to honor their ancestors, reflect upon their cultural contributions and appreciate the elements and principles of Hip Hop Kulture. November is Hip Hop History Month. During this time hiphoppas are encouraged to participate in the creating, learning and honoring of hi-hop’s history and historical cultural contributors.
Tenth Principle
Hiphoppas are encouraged to build meaningful and lasting relationships that rest upon love, trust, equality and respect. Hiphoppas are encouraged not to cheat, abuse, or deceive their friends.
Eleventh Principle
The hip-hop community exists as an international culture of consciousness that provides all races, tribes, religions and styles of people a foundation for the communication of their best ideas and works. Hip Hop Kulture is united as one multi-skilled, multi-cultural, multi-faith, multi-racial people committed to the establishment and the development of peace.
Twelfth Principle
Hip Hop Kulture does not intentionally or voluntarily participate in any form of hate, deceit, prejudice or theft at any time. At no time shall Hip Hop Kulture engage in any violent war within itself. Those who intentionally violate the principles of this Declaration of Peace or intentionally reject its advice, forfeit by their own actions the protections set forth herein.
Thirteenth Principle
Hip Hop Kulture rejects the immature impulse for unwarranted acts of violence and always seeks diplomatic, non-violent strategies in the settlement of all disputes. Hiphoppas are encouraged to consider forgiveness and understanding before any act of retaliation. War is reserved as a final solution when there is evidence that all other means of diplomatic negotiation have failed repeatedly.
Fourteenth Principle
Hiphoppas are encouraged to eliminate poverty, speak out against injustice and shape a more caring society and a more peaceful world. Hip Hop Kulture supports a dialogue and action that heals divisions in society, addresses the legitimate concerns of humankind and advances the cause of peace.
Fifteenth Principle
Hiphoppas respect and learn from the ways of Nature, regardless of where we are on this planet. Hip Hop Kulture holds sacred our duty to contribute to our own survival as independent, free-thinking beings in and throughout the Universe. This planet, commonly known as Earth is our nurturing parent and hiphoppas are encouraged to respect Nature and all creations and inhabitants of Nature.
Sixteenth Principle
Hip-hop’s pioneers, legends, teachas, elders, and ancestors shall not be inaccurately quoted, misrepresented, or disrespected at anytime. No one should profess to be a hip-hop pioneer or legend unless they can prove with facts and/or witnesses their credibility and contributions to Hip Hop Kulture.
Seventeenth Principle
Hiphoppas are encouraged to share resources. Hiphoppas should give as freely and as often as possible. It is the duty of every hiphoppa to assist, whenever possible, in the relief of human suffering and in the correction of injustice. Hip-hop is shown the highest respect when hiphoppas respect each other. Hiphop Kulture is preserved, nurtured and developed when Hiphoppas preserve, nurture and develop one another.
Eighteenth Principle
Hip Hop Kulture maintains a healthy, caring and wealthy, central hip-hop guild fully aware and invested with the power to promote, teach, interpret, modify and defend the principles of this Hip Hop Declaration of Peace.
 
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