Being from a bad neighborhood makes you a more authentic artist?

Still Benefited

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I see your point, kinda. If there was a rapper from the burps that rapped about knowledge of self and black power, would his credibility be challenged?

:ohhh:i gotta say no imo,most people wouldnt even think twice or bat a eyelash to a rapper killing,selling drugs, and preaching black power at the same time...we'd probably applaud his diversity:ohlawd:....you might have people in the conscious community who would challenge him,but them nikkas gon challenge everything:ufdup:....street cred seems to be where you gon get challenged at....i rarely see conscious rappers get called out for not practicing what they preaching and being active....people don't even care:manny:...only way you seem to get called out for that is if you are overly preachy and judgemental nikkas is looking to catch you slippin and expose you as a hypocrite.
 

Insensitive

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The face of music changed dramatically circa 2007 when the economy crashed.

At that point labels couldn't take the hit of a rapper with no universal appeal selling 45k.

Even its height the entire industry was pretty small, it was 38 billion dollars.

But the music was always in the hands of the people, social networks like youtube, Facebook, and blogs really lead us into the future.

I tell people all the time, some of my favorite rappers are all unsigned, Budden, Styles P, Ar-Ab, Scarface, Ransom, Cam'Ron.
I agree.
From 2006 and onward I think music in general took
a massive hit.
The labels couldn't afford to keep the vanity project brand
of artists on their label and in an attempt to keep their profits
up they started signing what sold the most and ignoring what
sold the least.

I think Hip Hop suffered the most in that the balance
was lost, a lot of the talent that blew up in 2007/2008 even
2009 were straight one-hit wonders with no redeeming qualities
outside of one or two really catchy singles.
From what I've heard/read they don't even develop
a lot of the Hip Hop talent they pick up.
So those one-hit wonders will never grow artistically beyond that.
While the guys you mentioned Budden Styles P, Ransom Cam'ron
etc.
Had to pay their dues before ever getting a deal and/or loved
Hip Hop enough to continue excelling at their craft.
 

Wild self

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you cant get much more street than rakim

But he grew up in L.I. and spoke about knowledge of self. Street rappers that came post Wu Tang/ Nas threw out that 5%er knowledge and went on the deep end of being the superthug and their East Coast version of Tupac (DMX, anyone?)
 

JAY?

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But he grew up in L.I. and spoke about knowledge of self. Street rappers that came post Wu Tang/ Nas threw out that 5%er knowledge and went on the deep end of being the superthug and their East Coast version of Tupac (DMX, anyone?)

theres spots in li and westchester that are more street than brooklyn
 

Suicide King

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I agree.
From 2006 and onward I think music in general took
a massive hit.
The labels couldn't afford to keep the vanity project brand
of artists on their label and in an attempt to keep their profits
up they started signing what sold the most and ignoring what
sold the least.

I think Hip Hop suffered the most in that the balance
was lost, a lot of the talent that blew up in 2007/2008 even
2009 were straight one-hit wonders with no redeeming qualities
outside of one or two really catchy singles.
From what I've heard/read they don't even develop
a lot of the Hip Hop talent they pick up.
So those one-hit wonders will never grow artistically beyond that.
While the guys you mentioned Budden Styles P, Ransom Cam'ron
etc.
Had to pay their dues before ever getting a deal and/or loved
Hip Hop enough to continue excelling at their craft.

The music is very generic now a days. Nothing that stands out. People hype Future, but I can't tell his songs apart. And its crazy artists would do a song and the first verse alone would be talking about 6 different topics, so the music comes off very superficial.
 
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