Best and worst “finally getting off this label” albums?

Uncle Baby Billy

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Spinning of the Gunna thread.

I think Snoop’s The Last Meal was pretty cool.

ChatGPT lists these:

1. 50 Cent – Before I Self Destruct (2009)

  • Context: Fulfilled his 5-album deal with Interscope, Aftermath, and Shady Records.
  • Signs: Limited promotion, tension with Interscope, delayed release.
  • Aftermath: 50 Cent went independent and launched G-Unit Records.

2. Lil Wayne – Tha Carter V (2018)

  • Context: Delayed for years due to Cash Money Records disputes.
  • Legal Battle: Wayne sued Birdman/Cash Money to be released from the contract.
  • Release: Eventually dropped after settlement, marking his exit from the label.

3. Nas – The Lost Tapes 2 (2019)

  • Context: Fans hoped for a classic; Nas later admitted it was a contract-ender.
  • Quote: “Lost Tapes 2 was just clearing out my contract.”
  • Result: Received mixed reviews; felt like a compilation of leftovers.

4. Frank Ocean – Endless (2016) (Not rap but relevant for context)

  • Why it matters: An innovative move — he dropped Endless to complete his Def Jam contract, then immediately self-released Blonde the next day, keeping all profits.
  • Impact: Inspired other artists to rethink label deals.

5. Lupe Fiasco – Drogas Light (2017)

  • Context: First of three albums announced after years of conflict with Atlantic Records.
  • Quote: “This is a contractual obligation album.”
  • Reception: Seen as weaker than his best work.

6. Joe Budden – Mood Muzik 4.5 and No Love Lost

  • Context: Joe has been open about releasing projects to wrap up his obligations with E1 and later with Shady.
  • Aftermath: Transitioned into media (The Joe Budden Podcast) and became independent.

7. The LOX – We Are the Streets (2000)

  • Context: After disputes with Bad Boy Records, the LOX publicly demanded to be released (remember the “Free The LOX” campaign). Eventually dropped the album via Ruff Ryders/Interscope.
  • Motivation: Get out from Diddy’s control.

8. A$AP Ferg – Floor Seats II (2020)

  • Context: Rumored label tensions and creative differences.
  • Reception: Fans and critics noted it felt rushed and not on par with earlier work.

9. Chief Keef – Nobody (2014)

  • Context: Released during a rocky period with Interscope.
  • Label Status: Dropped shortly afterward.
  • Feel: Low-budget and experimental, almost a protest against the industry.

 

KingSol81

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I should probably revisit as I haven't listened in 20 years or more but I hated We Are The Streets when it dropped
 
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