'Bigger than Africa' Yoruba + diaspora doc. to debut on Netflix

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Cultural Documentary ‘Bigger Than Africa’ To Stream On Netflix; Premiere Date Revealed
May 4, 2022
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Netflix
African filmmaker Toyin Ibrahim Adekeye’s first feature documentary film, Bigger Than Africa, is scheduled to premiere on global streaming platform, Netflix.

Bigger Than Africa will expose international audiences to the historical influence of Yoruba culture and how it has transcended across continents and connected the Black diaspora.

Toyin Ibrahim Adekeye, the director says, “I hope it becomes a unifying documentary for all people of African descent irrespective of their countries. It’s a film that uniquely tells the stories of our commonalities rather than our differences.”

Bigger Than Africa dives in to how the Yoruba culture of West Africa survived and transcended slavery beyond imagination to remain alive till this day in the New World. It’s a piece that takes you on a journey of 6 countries: Brazil, the United States, Cuba, Nigeria, Trinidad & Tobago, and the Republic of Benin.

Bigger Than Africa is set to debut May 13, 2022.
 

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Schomburg Center and African Film Festival Inc screen Bigger Than Africa in Harlem

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Feb 2022
In partnership with the African Film Festival Inc, the Schomburg Center for Research in Black Culture held in Harlem, a Black History Month screening of Bigger Than Africa, a film by Toyin Ibrahim Adekeye documenting the presence of the Yoruba culture in the Americas, Cuba, Brazil, and the Caribbean.

A Conversation with the film’s director Toyin Ibrahim Adekeye moderated by Rev. Malika Lee Whitney, followed the screening held on February 25, 2022.
 

Geode

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Going to watch this in June. What would you have liked to see more of?

You can spoiler the answer for others who read the thread.

It seemed a bit thrown together. I admit I was using HOTH as a template.

I was expecting to see more of the Yoruba culture in the beginning and then migrate across the Atlantic to show what survived. The North America portion was disappointing. I was expecting them to show one aspect of the culture to survive the TAST despite it being the culture most far removed.

It focused a lot on the Yoruba religion/Orishas and how that survived and still exists in Cuba and Brazil. It wasn't new to me so I was expecting more info. But they spent so much time on it.

I wanted to know more about life as a Yoruba in the new world during slavery. Maybe there isn't documentation?

Most of the speakers were just meh to me. Yes I'm used to scholarly historians in documentaries, but I tried to not penalize the show for that, because you don't need to have a degree per se to know your stuff. But some of them seem to be saying the same thing multiple times, and were not very interesting.
 

King

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Bigger than Africa or bigger than Nigeria :comeon:
 

Nkrumah Was Right

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I was thinking this because there is no real Nigerian-Yoruban influence in the USA unless they're counting Benin in that mix

Hm. I think Yorubas didn’t come to the current US in concentrated geographies (like Angolans in Louisiana or Igbos in Virginia/Maryland). Unlike Cuba, or Brazil. The Yoruba Civil Wars picked up when the US was beginning to limit its participation in the slave trade. But Cuba, Brazil and other places kept stealing Africans.
 

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Hm. I think Yorubas didn’t come to the current US in concentrated geographies (like Angolans in Louisiana or Igbos in Virginia/Maryland). Unlike Cuba, or Brazil. The Yoruba Civil Wars picked up when the US was beginning to limit its participation in the slave trade. But Cuba, Brazil and other places kept stealing Africans.

There was some slight Bight Of Benin stock in the USA but it wasn't as large as the Bight of Biafara

major-ethnicities-of-enslaved-africans-in-north-america.jpg


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In Louisiana, they had the largest proportional influence of Bight Of Benin slaves in the USA

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I don't know if this is considered Nigerian-Yoruba or Beninese-Yoruba
 

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Odunde festival returns to Philadelphia to celebrate African heritage​


  • June 12, 2022
Performers dance on South Street during the Odunde procession.

Performers dance on South Street during the Odunde procession.
A small crowd of paraders paused on the South Street Bridge Sunday to offer gifts to Oshun, the river goddess in the Yoruba belief system of West Africa. A moment of prayer preceded the throwing of offerings into the river: whole pineapples, honey-drizzled oranges, candy and streams of wine.
The ritual is central to the Odunde festival, the Yoruban New Year celebration that has been an anchor for Philadelphia’s African diaspora community since 1975. The in-person event returned this year after a two-year break due to the COVID-19 pandemic.

Nikki Powerhouse throws fruit into the Schuylkill River as an offering to Oshun during the 2022 Odunde Festival.
Nikki Powerhouse throws fruit into the Schuylkill River as an offering to Oshun during the 2022 Odunde Festival.

“We’re so excited to be back,” said festival CEO Oshunbumi Fernandez–West, who carries on the tradition in place of her mother, Lois Fernandez. “Philadelphia has been going through a lot, but Odunde has always been a peaceful and safe event.”
Some Philadelphians are feeling on edge about public events in the wake of a mass shooting on South and 3rd streets on June 5. Despite that — and a shaky weather forecast — a high-energy crowd came out to peruse hundreds of food and art booths, watch African dance troupes, and catch up with friends at the 15-block e
Two women lead the Odunde procession onto the South Street Bridge.
As of Sunday afternoon, organizers didn’t have a ballpark estimate on attendance, but said in past years the event has drawn roughly half-a-million people and made a $28 million impact on the city. It bills itself as the largest African American street festival in the country.
Two women hug during the Odunde Festival in Philadelphia.
Two women hug during the Odunde Festival in Philadelphia.

Tracey Rosa attended the festival with an organization called Black Philadelphia, which strives to create a safe space for people to talk and explore their heritage.
“We’re all one people,” she said. “We all need that connection, we all need each other.”
She has attended Odunde before but it was a first for her 12-year-old daughter, who is both African American and Italian. They both wore African dashikis — Tracey in purple and Alaana in green.
“It’s representation, it’s who we are,” Tracey Rosa said. “I wanted [my daughter] to experience her African culture as her father takes her to experience her Italian culture.”

Thousands packed the west end of South Street and Grays Ferry Avenue Sunday afternoon for the annual Odunde Festival.

Roughly 41% of Philadelphians are Black or African American, according to the U.S Census Bureau. There are an estimated 50,000 African immigrants in the Philadelphia region, mostly from Nigeria, Liberia, Ethiopia, and Ghana according to the nonprofit Global Philadelphia Association.
Odunde began June 8, with four days of educational and networking events designed to bring Philadelphians together to celebrate African, Caribbean, and African American culture.

John King walks through the Odunde Festival with his Pan-African, also known as the Afro-American, flag.
John King walks through the Odunde Festival with his Pan-African, also known as the Afro-American, flag.

Nicole Francis, who is Bahamian and Jamaican, said moving from Florida to Philadelphia recently has offered her more opportunities to introduce her three sons to their heritage. Her family drove about an hour to get to the Sunday event.
“We want them to learn their background, their roots” she said. “Especially because we’ve had some unrest and some negativity in the past.”

She was hopefuI that more awareness of Black history and culture could help rebuild a sense of community and reduce the violence that’s been plaguing the city. Some scholars have argued that gun violence prevention initiatives should include Black-led cultural education and cultivate ethnic pride.
“I think that’s one thing that could help,” she said.


Her sons expressed excitement around being at the festival.
“In social studies we learned about slavery for a little bit and that’s all I really know,” said Xavier, 11. “In my opinion I feel like you really don’t learn much about African culture.”
During the procession, community leaders discussed the importance of knowing one’s ancestors and traditions as an antidote to the “crisis” and “chaos” happening today.
A performer in the Odunde procession walks towards the South Street Bridge for the offering.
A performer in the Odunde procession walks towards the South Street Bridge for the offering.

Tracy El has been attending the Odunde festival for the last 15 years. She recently started learning about her family’s history in Georgia, dating back to 1865.
“It helps to show where you belong,” she said. “You need that affirming spirit in yourself. I keep an ancestor altar, and it keeps me grounded and inspired and motivated every day.”
 
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