Bone Thugs-n-Harmony Detail Eazy-E's Impact & Remember His Death

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Exclusive: Krayzie Bone and Flesh-n-Bone remember meeting Eazy-E, detail the Ruthless Records years and explain what the future holds for them as a group.

Next year will mark the twentieth anniversary of Bone Thugs-n-Harmony’s 1994 EP, Creepin on Ah Come Up. While the album only consisted of eight tracks and didn’t see the commercial success of its successor E. 1999 Eternal, the release put Bone on the map. It also helped put Ohio on the Hip Hop map.

Previous to the Cleveland quintet’s success, the Midwest state didn’t have a nationally renowned Hip Hop group to call its own. Ohio’s succeeding urban sound was also heavily influenced by Bone Thugs’ on-beat cadence and West Coast, synth-infused instrumentals. Or maybe that was Eazy-E. The late Eric Wright was the one who discovered and signed the group to Ruthless Records in late 1993, or actually, it was Bone who discovered him.

“We took one-way bus tickets to L.A. and decided that we were either going to do this now or we never gonna make it,” Krayzie Bone said. “Somehow we got the number to Eazy-E’s office, and we just kept calling and calling, until one day the secretary was like, ‘I’m going to make sure he calls you back ‘cause I’m tired of y’all calling in. Y’all been calling every day, and I’ll make sure he’ll call you back.’ So, one day he called us back. I rapped for him on the phone, and it was just crazy. He was just trippin’.”

In an exclusive interview with HipHopDX, Krayzie and Flesh detail how they met the N.W.A. member, when they signed with Ruthless and the affect Eazy’s death had on their lives and careers. Flesh-n-Bone admitted that Eazy-E’s passing in 1995 and subsequent shuffling of operations at Ruthless put him into withdraw, placing him in the center of a harsh drug addiction that would take him years to shake.

Recently finishing up their “20th Anniversary Reunion Tour,” during which they performed many of the classic tracks from the mid-‘90s, the group’s future musical endeavors are uncertain. Bone signed a single deal with E1 Entertainment in late August, but with Layzie’s departure, the status of a future five-member Bone album is uncertain to say the least.
 

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HipHopDX: What’s been going on recently with you guys maybe even non-musically?

Krayzie Bone: Man, there hasn’t been much going on non-musically; I just been working. We’re on the road, just had this single and when I’m not doing shyt, I’m at the house, watching movies, kicking back, playing Xbox, or just hanging out with the kids.

Flesh-n-Bone: I just got custody of all my kids and everything, so I’ve been really getting my whole domesticated life on–grocery shopping, laundry, cooking, cleaning and making beds, getting them ready for school—and I’m loving it. It’s the first time in the five years I’ve been home from prison that I’ve been able to enjoy such a privilege, and just arranging and getting things together with my kids and everything has been one of the greatest lessons. I’ve been hitting the road and everything. It’s been all family life for me, and I’ve been enjoying it and being able to have an opportunity to have all my sons and my daughter up under my wing like that. I’ve been locked away in prison for 10 years, and even the five years I’ve been home, they’ve still been waiting on the opportunity to embrace me and be with me. Now they have that opportunity, because they stay with me. They live with me, and now I tutor them, coach them and that’s my level right now.

DX: You guys recently signed a single deal with E1 Entertainment. A little different from your storied run with Ruthless and subsequent signings with Interscope and Warner Bros...

Krayzie Bone: Yeah, really it’s just a single deal. We didn’t really sign a full-fledged contract with any label; it’s just a single deal, song to song. So that’s pretty much what it is. It’s cool to reach out and still have those avenues with different people.

Flesh-n-Bone: To have a semi-home over there with E1, we’ve got a great relationship with Alan Grunblatt and the staff over there. We go way back. Alan knows the group, how to market the group, how to promote the group and work with the group. And it’s great to be working with Alan—even those at other major companies—because it’s more of a hands-on thing. It’s Bone Thugs-n-Harmony with Steve Lobel, Jamie Adler, our agent and manager working hand in hand with the president and ourselves. And it’s not all about needing to jump in full fledge and make an LP. We’re confident we can do single at a time until we can build up to a record-type situation, but right now for Bone Thugs-n-Harmony is getting back out there. Our core fans are the ones carrying us this past six or seven years.

Everything didn’t work out with Warner Bros. We were dealing with Interscope when I first came home, and then that transitioned into Warner Bros. What did not happen with these situations was the marketing campaign was not there. We were moving with no marketing or no promo. We have a solid, hardcore fan base, but right now the goal is to reach outside of that fan base and create millions of other fans. We can reach a half a billion people, and that’s not farfetched dealing with a company like E1, and having the capabilities to doing as much marketing and promo.

We’re reaching new fans, and we’re trying to open up other gates. Even the main hardcore fans we have now were introduced to us at very young ages, so our demographic reaches from the toddlers all the way up to the senior citizens. You have people who are 60-years-old today that were fans of Bone Thugs-n-Harmony when they were 40-years-old; they’re still fans, so we transcend the demographic all the way through and through. E1 does provide that as long as we’re willing to do the legwork, get in there and do the grassroots-type marketing. We can reach another billion fans that have yet to hear about Bone Thugs-n-Harmony, and this is how we continue our legacy and this is our mission right now.
 
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