@Christopher browns get in here

[thernbroom]

The woman (Vanessa Beecroft) behind Kanye West's NYFW show

A film maker reviewed her in a documentary in 2008 when Beecroft went to Sudan and specifically wanted to adopt twin Sudanese babies so that she could photograph them for an art project:

The documentary explores Beecroft’s experiment in Sudan, in which she attempts to adopt two Sudanese orphans and use them as subjects in her work. Wise to theory, Beecroft says her adoption will be “not just fetishization of the blacks. It will be a beginning of a relationship with that country.” The film documents the significant gap between Beecroft's theory and her actions.

Upon her arrival in the Sudan, Beecroft hurries to set up a photo shoot, hiding the cameras from the orphanage's sisters, calling the babies “these poor creatures.” Which baby should she photograph? “Either one or the other,” she says, “it doesn’t matter.”
Repeatedly, Beecroft claims that she “loves this culture” — but, in the film’s most disturbing scene, sisters from the orphanage try to stop her from stripping the children nude inside their abbey for an elaborate photo shoot. Beecroft refuses, complains, starts shooting again, and eventually loses a physical confrontation with one of the sisters, who takes the children away from her, furious that Beecroft is stripping children naked inside a church. “Christ, these people,” Beecroft moans, as she barricades herself inside, pushing a pew up against the door to keep the sisters out of their own abbey.

The documentary shows Beecroft arranging 30 African women across a white floor , trailing red paint across their still bodies.

 

[Amphibious]

Never ever in your life dedicate a thread to such a trash poster. Name should be 'Christopher Downs' case duke is a retard. One star.

 

[BabyFaceKillahh]

 

[SirBiatch]

!!!! @Christopher browns

 

[OG Talk]

The woman (Vanessa Beecroft) behind Kanye West's NYFW show

A film maker reviewed her in a documentary in 2008 when Beecroft went to Sudan and specifically wanted to adopt twin Sudanese babies so that she could photograph them for an art project:

The documentary explores Beecroft’s experiment in Sudan, in which she attempts to adopt two Sudanese orphans and use them as subjects in her work. Wise to theory, Beecroft says her adoption will be “not just fetishization of the blacks. It will be a beginning of a relationship with that country.” The film documents the significant gap between Beecroft's theory and her actions.

Upon her arrival in the Sudan, Beecroft hurries to set up a photo shoot, hiding the cameras from the orphanage's sisters, calling the babies “these poor creatures.” Which baby should she photograph? “Either one or the other,” she says, “it doesn’t matter.”
Repeatedly, Beecroft claims that she “loves this culture” — but, in the film’s most disturbing scene, sisters from the orphanage try to stop her from stripping the children nude inside their abbey for an elaborate photo shoot. Beecroft refuses, complains, starts shooting again, and eventually loses a physical confrontation with one of the sisters, who takes the children away from her, furious that Beecroft is stripping children naked inside a church. “Christ, these people,” Beecroft moans, as she barricades herself inside, pushing a pew up against the door to keep the sisters out of their own abbey.

The documentary shows Beecroft arranging 30 African women across a white floor , trailing red paint across their still bodies.

What in the entire fukk is this shyt?

 

[SirBiatch]

What in the entire fukk is this shyt?

Don't worry. I'm sure @Christopher browns got a great explanation for this.

 

[afterlife2009]

Holy shyt Kanye

 

[afterlife2009]

Sorry for the double but here's what he said at the Oxford lecture about her

Vanessa is very focused, she’s like my eyes, she’s a piece of my brain. She bought my daughter these three wolves, knowing the whole collection, that it’d play with the song Wolves, and based on this concept. And when my daughter saw these wolves, I’ve never seen her so happy. She was going so crazy, she was grabbing one, she was riding on top of one…I’ve never seen her happier than this moment. That level of happiness seems to be the thing that we’re fighting for every day, that we’re trying to buy back, trying to work for, especially in America

Kanye West – Oxford Lecture

 

[CrimsonTider]

@Christopher browns

 

[OnlyInCalifornia]

Who lost more, Kanye or CB?

 

[The_King_of_Everything]

The woman (Vanessa Beecroft) behind Kanye West's NYFW show

A film maker reviewed her in a documentary in 2008 when Beecroft went to Sudan and specifically wanted to adopt twin Sudanese babies so that she could photograph them for an art project:

The documentary explores Beecroft’s experiment in Sudan, in which she attempts to adopt two Sudanese orphans and use them as subjects in her work. Wise to theory, Beecroft says her adoption will be “not just fetishization of the blacks. It will be a beginning of a relationship with that country.” The film documents the significant gap between Beecroft's theory and her actions.

Upon her arrival in the Sudan, Beecroft hurries to set up a photo shoot, hiding the cameras from the orphanage's sisters, calling the babies “these poor creatures.” Which baby should she photograph? “Either one or the other,” she says, “it doesn’t matter.”
Repeatedly, Beecroft claims that she “loves this culture” — but, in the film’s most disturbing scene, sisters from the orphanage try to stop her from stripping the children nude inside their abbey for an elaborate photo shoot. Beecroft refuses, complains, starts shooting again, and eventually loses a physical confrontation with one of the sisters, who takes the children away from her, furious that Beecroft is stripping children naked inside a church. “Christ, these people,” Beecroft moans, as she barricades herself inside, pushing a pew up against the door to keep the sisters out of their own abbey.

The documentary shows Beecroft arranging 30 African women across a white floor , trailing red paint across their still bodies.

any proof that she was behind kanyes show? Link/ source that shyt is crazy if true but it doesn't really change my opinion on his music.

 

[The_King_of_Everything]

Never ever in your life dedicate a thread to such a trash poster. Name should be 'Christopher Downs' case duke is a retard. One star.

I love you too breh

!!!! @Christopher browns

Don't worry. I'm sure @Christopher browns got a great explanation for this.

I actually don't

Sorry for the double but here's what he said at the Oxford lecture about her



Kanye West – Oxford Lecture

WOW! This nikka really is c00nye now

@Christopher browns

If this album is trash I'm never fukking with this dude again
Thanks @thernbroom for shedding light I know we have our differences but you alright with me

 

[kingdizzy01]

in for this early AM fukkery

 

[The_King_of_Everything]

Who lost more, Kanye or CB?

Looks like Kanye breh

Chris smacked up a pop star and still making hits

 

[Soundwave]

The woman (Vanessa Beecroft) behind Kanye West's NYFW show

A film maker reviewed her in a documentary in 2008 when Beecroft went to Sudan and specifically wanted to adopt twin Sudanese babies so that she could photograph them for an art project:

The documentary explores Beecroft’s experiment in Sudan, in which she attempts to adopt two Sudanese orphans and use them as subjects in her work. Wise to theory, Beecroft says her adoption will be “not just fetishization of the blacks. It will be a beginning of a relationship with that country.” The film documents the significant gap between Beecroft's theory and her actions.

Upon her arrival in the Sudan, Beecroft hurries to set up a photo shoot, hiding the cameras from the orphanage's sisters, calling the babies “these poor creatures.” Which baby should she photograph? “Either one or the other,” she says, “it doesn’t matter.”
Repeatedly, Beecroft claims that she “loves this culture” — but, in the film’s most disturbing scene, sisters from the orphanage try to stop her from stripping the children nude inside their abbey for an elaborate photo shoot. Beecroft refuses, complains, starts shooting again, and eventually loses a physical confrontation with one of the sisters, who takes the children away from her, furious that Beecroft is stripping children naked inside a church. “Christ, these people,” Beecroft moans, as she barricades herself inside, pushing a pew up against the door to keep the sisters out of their own abbey.

The documentary shows Beecroft arranging 30 African women across a white floor , trailing red paint across their still bodies.