Come in Here and Tell me What Publishing is...

bigmac

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What is it specifically?

How do artists eat from it?

Who the kinda artist who is eating from it that you wouldn't necessarily expect?

:lupe:
 

The Dust King

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What is it specifically?

How do artists eat from it?

Who the kinda artist who is eating from it that you wouldn't necessarily expect?

:lupe:

in the simplest terms its the act of puttin the media out; works in any media; hence books being published, artists having publishing, video games/movies having a publisher etc

if your a publishing company its your job to make sure the artists get paid when they create the art and its put out commercially (videogame designers, artists etc)

if someone owns your publishing (like puffy did to the LOX) then they can skimp out and squeeze payments out

for example;

jadakiss asked:takedat:for advice on which beat to use and if the singer should be male or female

so :takedat:charges $$$$$$$$ for the "advice" which is now officially called production as thas what producers roles are.

a lot of artists put they children in charge of they publishing so they can collect the royalties and come into a financially stable future.

:ahh: has a great publishing deal btw
 

KillSpray

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:smugfavre:

Publishing in the music biz is the portion of a song that refers to the actual written work, and not the performance. The song writer's (the writer of the music and the writer of the lyrics, depending on how many writers are involved, the percentages break down differently) initially control the songs publishing. From that point the song can be licensed to labels, artists, or whoever is in the market for songs, and at that point the song can be recorded. Whoever owns the publishing is entitled to be paid a portion of all proceeds that result from the song. That includes all single sales, album sales, licensing, etc... Basically anytime that song generates any income from any possible source, the owners of the publishing are entitled to income.

When an artist records a song that the artist did not write, that artist doesn't own any publishing. This includes most pop stars. Their income is generally restricted to album royalties and touring.

In rap, most rappers write their own material, so if they didn't sign their publishing over, they are entitled to at least 50% of a songs publishing (the lyrics half). The producer, who is the writer of the music, is entitled to the other 50% of the song's publishing -- the music half.

Artists who eat of publishing heavily are song writers who write big songs for other artists. Someone like the Dream for example, who has written major hits for Beyonce and Rihanna, is an example of a guy who really banks off publishing (for example he wrote "Single Ladies" by Beyonce, so he gets paid for every sale of the song single, for every sale of the album that song appears on, any commercial use of the song in advertising and movies, anytime the song is played in stadiums or other public venues where music is played, anytime that song is streamed on internet services, anytime the song is played on radio, etc...).

When rappers produce and write their own material, then there is the somewhat rarer case where one individual controls 100% of the publishing for the whole song. Eminem is an artist who at the height of his popularity was writing and producing his own music. He made insane amounts of publishing money.

Producers, aka guys who write music, also get publishing. When producers sample, sometimes the original artist who performed the sample demands a portion or all of the producer's publishing for the right to use the sample. shyt can hurt.

A publishing company partners up with song writers, and in exchange for a piece of the publishing income, handles all aspects of the song, including getting the song placed on an artist's project, collecting royalties from the publishing, suing violators of the copyright (ie people who sample without permission), and anything else you can think of that comes up in the business of the selling of songs.

The best way to think about it is, publishing is the part of the music business that deal with WRITERS. Writers include writers of lyrics and writers of music.
 
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KillSpray

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There are four main types of royalties:

1) Mechanical licenses – when a song mechanically reproduced and sold on some form of media (CDs, iTunes, vinyl, cassette tapes). The songwriter is paid a mechanical royalty every time an album or single is sold. In the United States, the amount songwriters are owed is set by law at 9.1 cents or 1.75 cents per minute of playing time, whichever is greater. In other words, a songwriter earns 9.1 cents every time a three minute pop song is sold. On the other hand, if the song is 8 minutes long, the songwriter earns 1.75 cents*8 = 14 cents per sale. I know what you're thinking, when has anyone ever written an 8 minute pop song? Don McLean's 1971 song "American Pie" clocks in at 8 minutes 33 seconds and therefore earns him a nearly 15 cent royalty every time it sells!

Today the average artist earns $2 per CD sold, 25 cents for every iTunes download and $0.005 per digital stream.

2) Performing rights – any time a song is performed publicly (radio, sporting events, nightclubs, coffee shops and cover versions). When you're waiting on hold and the 800 number plays music, a songwriter somewhere is earning a performance royalty. As we learned in our interview with Gary Portnoy: "In the case of "public performances"- those on TV, radio, internet, etc- the size of the royalty will vary depending on whether a song is used on a major television network or on just one local station… and whether it is played on a radio station in a big city or on one in a sparsely populated rural area. There are performing rights organizations (ASCAP, BMI, and SESAC) that track all of these various performances and collect fees on the writer's behalf. These monies are generally distributed on a quarterly basis. And in these modern times, more often than not, they are deposited directly into the writer's bank account." In a recent interview, Don McClean revealed that even 40+ years later, "American Pie" is still played at least 500 times every day on radio stations around the world, and he earns a royalty each time.

An average hit song on the radio today will earn the songwriter $600-800,000 in performance royalties. For example, The Black Eyed Peas song "Boom Boom Pow" has had 6.3 million single sales and 3.15 million album sales to date which equates to $860,000 in songwriting royalties. Since the song was written by all four band members, each person has earned roughly $215,000 just off performance royalties.

3) Synchronization rights – any time a song is used on TV, in a movie, in a commercial. Whoever owns the master copyrights of a song (typically the record company) dictates when a song is licensed and for how much. Artists can earn $300,000 if their song is used in a national commercial or film and $50,000 for a prime time television show. As we learned with Gary though, if you write the actual theme song, your royalty stream can be much more valuable.

4) Print rights – a rare royalty paid any time the printed sheet music is sold.

A few months back we interviewed Gary Portnoy, the guy who wrote and sang the theme song for the television show Cheers. One of the most interesting facts we learned from Gary is that writing a hit TV theme song is a great way to make residual income for life. Gary told us that he made enough money off "Where Everybody Knows Your Name" to give him a very comfortable life without ever having to work again. Every time Cheers airs and every time the song is used in any other format, Gary, as the songwriter/performer gets paid. The vast majority of hit songs have a very short window of popularity. Gary is lucky because his song is permanently attached to one of the most popular and highly syndicated televisions shows of all time. Can you imagine the income stream people like Paul McCartney or Bob Dylan have?

http://www.celebritynetworth.com/ar...le-to-retire-off-royalties-from-one-hit-song/
 

imirza

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in the simplest terms its the act of puttin the media out; works in any media; hence books being published, artists having publishing, video games/movies having a publisher etc

if your a publishing company its your job to make sure the artists get paid when they create the art and its put out commercially (videogame designers, artists etc)

if someone owns your publishing (like puffy did to the LOX) then they can skimp out and squeeze payments out

for example;

jadakiss asked:takedat:for advice on which beat to use and if the singer should be male or female

so :takedat:charges $$$$$$$$ for the "advice" which is now officially called production as thas what producers roles are.

a lot of artists put they children in charge of they publishing so they can collect the royalties and come into a financially stable future.

:ahh: has a great publishing deal btw

What kind of Publishing deal does Nas have, since you mentioned it? Also, was this once he signed over to Def Jam? (Although I know that a recording contract and publishing is different.)
 

bigmac

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When rappers produce and write their own material, then there is the somewhat rarer case where one individual controls 100% of the publishing for the whole song
I guess I kinda see why why nikkas like Cudi and Mac Miller decided to sack off the help of other producers and start producing their own shyt. Creatively you might suffer, but financially :ohh:

Cudi probably made more off Satellite Flight than he did off MOTM2. Crazy. :wow:

Dream reeealllly out here eating :ohlawd:
 

Piff Perkins

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I was about to post that Ryan Leslie video, it really explains it in simple terms. When you own your publishing you essentially own your music - so anytime it is bought or played you're getting the majority piece of that money. So if you own something that sells well for years and years, like The Beatles catalog or Led Zeppelin's catalog, you'll cake forever. In rap very few people own their publishing. I think Jay-Z owns his masters/publishing for the early Roc albums, dunno about now.

Interesting note: drummers were often left out of publishing agreements back in the day, which is why a lot of drummers tend to be the guys who want to reunite after a band breaks up. That's probably why Led Zeppelin doesn't give a shyt about reuniting, even though they could make millions on millions of dollars. They broke up shortly after their drummer died, the surviving members all have multiple song credits on the albums so they're like
:yeshrug:
 

Aje

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Interesting note: drummers were often left out of publishing agreements back in the day, which is why a lot of drummers tend to be the guys who want to reunite after a band breaks up. That's probably why Led Zeppelin doesn't give a shyt about reuniting, even though they could make millions on millions of dollars. They broke up shortly after their drummer died, the surviving members all have multiple song credits on the albums so they're like
:yeshrug:
Bohnam was the main reason Zeppelin was dope imo, too.
 

malc

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I was about to post that Ryan Leslie video, it really explains it in simple terms. When you own your publishing you essentially own your music - so anytime it is bought or played you're getting the majority piece of that money. So if you own something that sells well for years and years, like The Beatles catalog or Led Zeppelin's catalog, you'll cake forever. In rap very few people own their publishing. I think Jay-Z owns his masters/publishing for the early Roc albums, dunno about now.

Interesting note: drummers were often left out of publishing agreements back in the day, which is why a lot of drummers tend to be the guys who want to reunite after a band breaks up. That's probably why Led Zeppelin doesn't give a shyt about reuniting, even though they could make millions on millions of dollars. They broke up shortly after their drummer died, the surviving members all have multiple song credits on the albums so they're like
:yeshrug:
apparently JAY Z is getting full control of his masters & publishing starting Jan. 1, 2015, thanks to the deal he made when he became the president of Def Jam.

http://www.forbes.com/sites/zackoma...zs-new-publishing-deal-is-just-the-beginning/
 
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