Ed sheeran doing music drill now (song out) update: drill pluggedin freestyle on the way?

[GrindtooFilthy]

He thinks music didn’t exist before black Americans.

I think it was him who even said afrobeat was from AA

Yeah this board is delusional af

 

[ReturnOfJudah]

That shyt was garbo

 

[Kool]

UK dudes sound wack as fukk rapping. That UK accent just ruins the whole flow.

 

[Dynamite James]

This the only bad habits. fukk that culture culture Cac

 

[audemarzz]

You capping on that one big time

mento -> ska -> rocksteady -> reggae -> dancehall

grime came in from that dancehall battle element mixed in with 909 drums

Mento (influenced by Afro American gospel and Jamaican kumina)
Ska (It's literally rock and roll, wtf is wrong with you) + INFLUENCED BY FATS DOMINO AND ROSCOE GORDON
Rocksteady (it's LITERALLY ROCK AND ROLL SLOWED DOWN WITH A JAMAICAN ACCENT) INFLUENCED BY CHUBBY CHECKER.
Reggae (IT'S LITERALLY AFRICAN AMERICAN DOO WOP AND SOUL, BOB MARLEY WAS A WHOLE JAMES BROWN STAN)
@IllmaticDelta @Supper these nikkas are staunch in the cap. They've been taught, disproven, corrected, and embarrassed over 10 different times on this board regarding the same subject using the same GROWING pile of evidence.

 

[audemarzz]

Yeah this board is delusional af

So, Fela Kuti didn't get influence from African American funk musicians?
So, modern afrobeat isn't full of 808s, hi hat rolls, and US slang now?
So, modern afrobeat doesn't sound like trap music with a dancehall twist and "african instruments + language"?
So this doesn't have the guitar melody

from

pitched up?
Ok.

 

[WaveGang]

no uk drill beats are heavily garage/grime influenced

LOL wut

 

[audemarzz]

LOL wut

Isn't Todd Edwards, y'all garage "pioneer" from
NEW
JERSEY?
Didn't the name GARAGE come from a NEW YORK CITY CLUB?
didn't a GAY nikka NAMED LARRY LEVAN actually start the subgenre?
Imagine that, a whole bunch of jamaicans moving to the sound sounds of a gay nikka and a cac

It's TRUE

 

[GrindtooFilthy]

Mento (influenced by Afro American gospel and Jamaican kumina)
Ska (It's literally rock and roll, wtf is wrong with you) + INFLUENCED BY FATS DOMINO AND ROSCOE GORDON
Rocksteady (it's LITERALLY ROCK AND ROLL SLOWED DOWN WITH A JAMAICAN ACCENT) INFLUENCED BY CHUBBY CHECKER.
Reggae (IT'S LITERALLY AFRICAN AMERICAN DOO WOP AND SOUL, BOB MARLEY WAS A WHOLE JAMES BROWN STAN)
@IllmaticDelta @Supper these nikkas are staunch in the cap. They've been taught, disproven, corrected, and embarrassed over 10 different times on this board regarding the same subject using the same GROWING pile of evidence.

damn imma see if I can find the documentary that gives the exact timeline: that’s not how that came to be

So, Fela Kuti didn't get influence from African American funk musicians?
So, modern afrobeat isn't full of 808s, hi hat rolls, and US slang now?
So, modern afrobeat doesn't sound like trap music with a dancehall twist and "african instruments + language"?

Your thinking of afropop/Afrobashment, real afrobeats is straight Up Nigerian

here’s some examples of PROPER Afrobeats not the fusion shyt that them Nigerians in the uk be doing. Tell me which one sounds like trap. Your mocking it at this point





https://youtu.be/rs7PiGxBShs




again which one sounds trap or dancehall, don’t worry I’ll wait

 

[IllmaticDelta]

You capping on that one big time

mento -> ska -> rocksteady -> reggae -> dancehall

mento + OG R&B = ska

jamaican interpretation of Soul music = rocksteady

rocksteady with Funk influences + nyabinghi influences = reggae

grime came in from that dancehall battle element mixed in with 909 drums

grime actually evolved out of House music via Uk Garage--->2step +HipHop & Dancehall

that later wave of Grime had Chitown Drill and even Memphis hiphop /general southern Trap influences

 

[tremonthustler1]

UK dudes sound wack as fukk rapping. That UK accent just ruins the whole flow.

In fairness, the way we clown how UK rappers sound like is the way New Yorkers clowned Southern rappers for years. The average person thinks both of them need subtitles.


It's all an acquired taste. Gotta train your ear to it and eventually you get used to it. Some rappers have thicker accents than others.

 

[IllmaticDelta]

damn imma see if I can find the documentary that gives the exact timeline: that’s not how that came to be


Your thinking of afropop/Afrobashment, real afrobeats is straight Up Nigerian

here’s some examples of PROPER Afrobeats not the fusion shyt that them Nigerians in the uk be doing. Tell me which one sounds like trap. Your mocking it at this point

Spoiler

Spoiler

again which one sounds trap or dancehall, don’t worry I’ll wait

the style that's in here but many are glossing over is actually EDM: House/Techno variant. The 4th track posted even had the Detroit techno: Reese base

Reese bass

The bassline of Saunderson's 1988 track "Just Want Another Chance" (released under his "Reese" pseudonym on Incognito Records),[8] became very influential in the jungle and drum and bass music genres.[9][10] Notable releases incorporating the "Reese Bassline" include Renegade's "Terrorist" (Moving Shadow, 1994),[11] "Pulp Friction" by Alex Reece (Metalheadz, 1995) and "Sonar" by DJ Trace (Prototype Recordings, 1998).[12] The bassline itself was performed by a Casio CZ-5000 using simple subtractive synthesis.[13]

Hi YouTube, today I'm taking you into the world dawless sound design by addressing the Reese bassline. If you never heard of Kevin Master Reese Saunderson, I would suggest you doing some homework. Member of the Belvedere Three (alongside Derrick May and Juan Atkinson), inventor of the Reese bassline Kevin Saunderson is Techno! As creator of that crossover techno anthem Big Fun, he's been a pivotal figure in the techno scene. So creating those low drony sub basses is the thing as their used in different genres. And today we're making one on the Behringer Model D.

 

[GrindtooFilthy]

the style that's in here but many are glossing over is actually EDM: House/Techno variant. The 4th track posted even had the Detroit techno: Reese base

Yeah I’ll give you that amapiano track, that genre has a lot of house music crossovers. South Africans love house music to death though so I’m not really surprised

black coffee, destruction boyz, Sam soweto

 

[MIKE SPLEAN]

It’s going to be a madders

 

[TEH]

All them nikkas is average
The only British rapper we respect is 21 Savage

& slick Rick the ruler