I would say modern afrobeat has dancehall rhythms but the vocalizations/harmonies/production style owe alot to R&B/Hiphop, even EDM (house music) (afrobeatz most direct antecedent was HipLife and Funky House) to a degree. See thread
to expound a bit on what I posted before
some of the styles that lead to/precurssor to afrobeats that comes out of Nigeria and Ghana
UK funky (sometimes known as UKF or funky[1]) is a genre of dance music from the United
Kingdom that is heavily influenced by soulful house, soca, tribal house, broken beat, grime and
UK garage.[1] Typically, UK funky blends beats, bass loops and synths with African and Latin
percussion in the dem bow rhythm and contemporary R&B-style vocals.
UK funky uses tempos of around 130bpm. Drum patterns vary between tracks, using either "4 to the
floor" or a syncopated style. The drum patterns commonly also include percussion playing African
inspired rhythms. Instrumentation varies widely, but drum machines and synthesizers are common.
There are similarities to garage in rhythmic, musical and vocal styles. UK funky is highly
influenced by the tribal, soulful and bassline house subgenres. Similar genres include Afrobeat,
broken beat, electro and garage
US house producers such as Masters At Work, Karizma (with "Twyst This"), Quentin Harris and
Dennis Ferrer (with a remix of Fish Go Deep's "The Cure and the Cause"; and with "Hey Hey") have
had an influence on UK funky.
example
^^UK Funky's precursors are in Deep/Tribal House and Broken Beat. Examples below
Karizma - Drumz Nightmare
Karizma - Twist This
Quentin Harris ft. Cordell McClary - Travelling (Vocal Mix)
We Are Lonely (Quentin Harris Vocal Mix)
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2013
You Too Can Learn How To Dance Azonto
Azonto is both a dance and a music genre. While it's totally acceptable to enjoy the
upbeat, Ghanaian house-like rhythms on their own, it's always more fun to be a participant than
a spectator. The dance is part-miming, part-seduction, and encourages competitiveness in a way
that it is reminiscent of voguing or the short-lived LA-based dance craze known as jerking.
The form integrates older drumming and dance moves from Ghana with cues from contemporary house
and hip-hop. It became a viral phenomenon in Ghana, Nigeria, and the United Kingdom beginning in
2011
You Too Can Learn How To Dance Azonto
you-do
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2013
It's Called Afrobeats And It's Taking Over London
Afrobeats (with an "s") is bringing the sounds of Ghana and Nigeria to British dancefloors.
What has come to be known as Afrobeats (note the "s") is an umbrella name for mostly
Ghanaian "hiplife" and Nigerian "Naija." Broadly, the sound draws on the rich legacy of highlife
and Afrobeat (à la Fela Kuti), contemporary American hip-hop and R&B production, a bit of
Jamaican dancehall swagger, and Britain's grimy take on house music.
It's Called Afrobeats And It's Taking Over London
over-london
February 11, 2015
Having produced Afrobeats for a while I wanted to push myself in different ways, to fuse
that African sound with EDM, or soul and make something that cuts across markets,” he says. “Big
songs in Nigeria – good songs – haven’t been big over here, because people can’t relate to them.
So when an African decides to make a song that people here can understand, then that’s a
different thing. They react to a song like ‘Confam It’ way more than they do to songs that are
more ‘African.’” Inspired by “Confam It”’s positive reception, Omeiza is moving forward,
planning to mix the aggression of trap with the traditional music of the Hausa people.
The thing that all producers agree on, is that no matter how far they may travel from the chart
hits Fuse ODG has delivered, they are all still making Afrobeats. There is no attempt to throw
up genre walls and pin the sound down to one tempo, one set of sound tools, or one rhythm
pattern. The prevailing attitude is that a slow winding R&B-influenced number can be just as
much an Afrobeats track as a hyped up four-to-the-floor pounder. In some ways, the term has
become a less problematic, African version of “urban” – it contains a huge diversity of sounds,
but, unlike “urban,” doesn’t serve to obscure the music’s origin
Red Bull Music Academy Daily
August 30, 2016
One Africa Music Fest: Showcasing the Rise of Afrobeats
In conversations with DJs and artists, you could feel those winds of change. When we met
young artists in Ghana in 2013, they were not all embracing the term “Afrobeats.” One rapper,
still holding to the hiplife label, said that Afrobeats was a term used more in the diaspora.
Not anymore. Today, like the term “Afropop” before it, Afrobeats has become a big tent. The nod
to Fela Kuti is noted, but Afrobeats is not a style per se, like Afrobeat. It simply means the
new sounds of Africa, part roots, part rap, part reggae/dancehall, part r&b. Crooning works as
well as a dancehall growl. It’s wide open. Whether the term lasts, time will tell.
Afropop Worldwide | One Africa Music Fest: Showcasing the Rise of Afrobeats
so I checked some of the newer stuff thats hot right now
R&B vocals with jazzy horns
R&B vocals + "tropical beat" + bluesy malian guitars
reggae lilt + an "afro" beat with jazzy horns
this could be a Khalil R&B song if not for the accent
has an "afro" beat with those house-techno synths and R&B vocals
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the stuff from South Africa (the newer stuff) is pretty much based on this stripped down skeletal form of House music that existed in the USA.
and obviously Deep House