When things started happening for me, I was getting a lot of heat, being a White rapper, and XXL wrote something about that. I remember going to one of those newsstands in New York when the magazine had just started out, and I bought that and a couple of other rap magazines. I flipped to the last page first and XXL was dissing me. What the fukk? I don't even know if I read the whole article—I was used to reading things like that about me—but it hurt because I felt they didn't know me to make that kind of judgment. Coming up, I had to deal with that a lot. I wanted to be respectful because what I do is Black music. I knew I was coming into it as a guest in the house. And XXL, The Source, Rap Pages and Vibe were hip-hop bibles at the time.
I understood, at the same time, everybody's perception of a White guy coming into hip-hop and all of a sudden things start happening for him. So, if XXL would've even had a conversation with me, maybe they would've understood me more. Obviously, I was upset. And it wasn't just magazines. I had rappers left and right taking shots at me. I was used to that, too. Coming up through the battle scene, that didn't mean shyt to me, you know? I would go head-to-head with whoever.
But we patched it up. I don't remember how we got good. I don't remember what conversations took place or what sparked it. I dissed XXL at first in my song "Marshall Mathers": "And then to top it off, I walked to the newsstand/To buy this cheap-ass little magazine with a food stamp/Skipped to the last page, flipped right fast/And what do I see? A picture of my big White ass/OK, let me give you muthafukkas some help/Uh, here, XXL, XXL/Now your magazine shouldn't have so much trouble to sell/Aw, fukk it, I'll even buy a couple myself." But then later during the beef between me and Ray Benzino I said something like, "I got XXL's number anyways." So, we eventually did the cover with me, 50 and Dr. Dre when we signed 50. And the war with The Source was going on.
When I look back at my catalog, the first three albums, I'm definitely proud of them. Sometimes I go back, and I listen to them if I'm in a spot where I need some inspiration. Sometimes it helps me to go back to those songs. But then I think, Man, I could've done those vocals so much better. I could've connected this word with this word. I always do that kind of shyt.
My writing process is different now than it was back in the day. It used to be, give me whatever piece of paper is laying around and I'm going to write some ideas down. Sometimes I wish I could have that freedom back. At the beginning of my career, I had this whole canvas that I could paint on. "I haven't made a song about this, this, this. I can make a song about this." The more you paint on that canvas, all of the sudden, you've made a song about every single thing you can fukkin' possibly think of. So, I start getting in my head. If I had a choice between being the best rapper or making the best albums, I'd rather be the best rapper. That's how I rap, to be the best rapper. Obviously, all of that is subjective, and everybody's got their favorite rappers, but in my head, I would rather do that than just make good songs.
^ this explains so much

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