Eminem's ''911'' Lyrics Reflect On Him Attempted To Be Extorted By Crips

BK The Great

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EMINEM'S '911' LYRICS SAID TO REFLECT CRIPS' ATTEMPT AT EXTORTING HIM

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Published on: Oct 20, 2020, 1:55 PM
by Kyle Eustice


Eminem was recruited as a guest vocalist for Boo-Yaa T.R.I.B.E.’s song “911” alongside Cypress Hill’s B-Real in 2003. But according to The Regime rapper Monsta Gunjah — who’s also the nephew of the legendary Samoan rap group — there’s more to the story.

While speaking to Australia’s Fresh 92.7, Monsta G confirmed his uncles also moonlighted as Slim Shady’s security back in the day. He then revealed Eminem was once being extorted by the Crips in Los Angeles, which is reflected in the “911” lyrics.

“That’s how that song ‘Hip Hop is in a state of 9-1-1′ with Boo-Ya T.R.I.B.E. and B-Real, that’s how that song came about because Paul Rosenberg reached out,” Monsta G explains. “He was getting extorted by some Crips. Eminem was getting extorted by some Crips. Maybe he was paying them money and getting bullied, I don’t know the exact details.

“I do know a few phone calls were made and then that’s how the feature came about ’cause they were like, ‘Anything in return, what do you want?’ They’re like, ‘I want a feature from Em, you know what I’m saying?’ If you hear what he says, he’s like, ’40, 50 Samoans,’ he throws the lyrics out.”





“911,” which appeared on the Boo-Ya T.R.I.B.E. album West Koastra Nostra, begins with Eminem’s verse.

“Everywhere we go people know we roll deep as fukk,” he spits. “Forty, 50 Samoans, they knowin’ when D-Bo was/50, Tweezy, Obie, there won’t be no ho in us/They pop shyt like they gonna do shyt but no one does.”

He continues, “From New York down to Texas, back up to Los Angeles/We changed the way we move, so man up if you can’t adjust/You may end up getting rushed by too many to handle us (Ha)/It’s funny, I guess money does have its advantages/And it isn’t that we just think that we can’t be touched/It’s not like we’re just feeling ourselves that much, it’s just/That if someone ever does put us in the clutch.”

The chorus, also provided by Eminem, alludes to violence.

“shyt’s about to change, ’cause we ain’t playin’ no games,” he says. “We ain’t budgin’, neither are they, we ain’t sayin’ no names/shyt just ain’t the same when AK’s get to sprayin’/Hip Hop is in a state of 9-1-1/It ain’t about Hip Hop ’cause those days are gone/It ain’t about tryna rip shots to get props no more/It’s about trying not to get popped, and get dropped to the floor/’Cause Hip Hop is in a state of 9-1-1.”



Ted “Godfather” Devoux established the Boo-Ya T.R.I.B.E. in the late ’80s alongside his brothers Paul, Donald, Roscoe, Danny, David and later Vincent Devoux (who stepped in to fill David’s role once he left). Godfather passed away in April 2018, eliciting condolences from Ice-T, Cee-Lo Green, KXNG Crooked, Paul Wall, DJ Rhettmatic of The Beat Junkies, Vinnie Paz, Ras Kass and more.

In addition to Eminem, they’ve collaborated with Hip Hop artists such as Mack 10, Bone Thugs-n-Harmony’s Layzie Bone and Luniz’ Yukmouth, among others.

Listen to “911” featuring Eminem and B-Real below.

 

Piff Tannen

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:skip: an interesting story I always wonder how they were able to get that Em feature. It was probably the 60s trying to extort him, this around Suge was running around with Keita Roc.
 

KingSol81

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:skip: an interesting story I always wonder how they were able to get that Em feature. It was probably the 60s trying to extort him, this around Suge was running around with Keita Roc.
Keita was no longer over at Tha Row by that point, but whats funny to me is Boo Yaa was still down with Suge during this exact time, Ridd in particular who is essentially the front man for the group. Kinda reads to me more like the homies were extorting him and then the other homies said naw we can make that calm for you, by further extorting him.
 

Hersh

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did come out before or after em rapped bout xzibit getting jumped.. cause i think theres something there
 

Soymuscle Mike

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I forgot about this song completely but reading the lyrics with this in mind :russ:

Everywhere we go people know that we roll deep as fukk (Help me :mjcry:)
Fourty fifty Samoans, they knowing when D-Bo was
(Please :mjcry:)
50, Tweezy, Obie there won't be no ho in us
(guys you said you'd come to the session where yall at :mjcry:)
They pop shyt like they gon do shyt but no one does
From New York down to Texas, back up to Los Angeles
(Fukk am I doing here, this why I don't leave the house :mjcry:)
We've changed the way we move so man up if you can't adjust
You may end up getting rushed by too many to handle us
(How man Samoans are there in this gang, where the fukk do Samoans even come from :mjcry:)
It's funny, I guess money does have its advantages
(Maybe if I triple my contribution :mjcry:)
And it isn't that we just think that we can't be touched
It's not like we're just feeling ourselves that much
It's just, that if someone ever does put us in the clutch
We just know that y'all ain't gon be the one who's gon do it
Cause first of all you're p*ssy and everybody can see that
(This is about me :mjcry:)
You fukk around, get caught in a spot that you shouldn't be at
(Also about me :mjcry:)
That you got no business being in, we ain't even gon be in it
(Still me :mjcry:)
No one's gunna hear nothing, no one's gunna see this shyt
(FBI this is the proof yall need if I dissappear :mjcry:)
And they'll be in and up out of it, them boys is bout it, bout it
The noise from clips and rounds be drowned out by the crowd
And you'll be laying on the ground getting trampled by people dancing
Till the club closes, and clears out
And that's when they see you flatened
Nobody saw it happen, all cause your jaws are flapping
And you couldn't stop yapping and took it past rapping
(I was just speaking in character :mjcry:)
It ain't about the music no more, it's bout trying to show off
And it feels like any minute the bomb is bout to go off
(DO SOMETHING :damn:)
 
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