Esham Lawsuit: On the Run for 10 Years Over $4.6 Million

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Esham lawsuit details date back to 2003, when he was sued for a reported $4,650,000 by Detroit’s own Bridgeport Music, Southfield Music, and Westbound Records. Esham, known for not always having his business together or playing nice with others in the Detroit music scene, became difficult to track down as the case unfolded.

Copyright Claims and Sampling Issues

According to court documents, Esham sampled riffs without permission from Parliament/Funkadelic, Ohio Players, George Clinton, and the Detroit Emeralds.



Timeline of the Esham Lawsuit

The case spanned about 10 years, finally ending in 2013 with a default judgment against Rashann A. Smith (Esham) for $33,690.41, along with an additional $10,156.07 in attorney fees.

Failed Attempts to Serve Esham

The plaintiffs were frustrated throughout the case, as they were never able to properly serve Esham with official papers. Sworn testimony from Esham’s booking agent at the time, John Finberg, and Alex Abyss of Psychopathic Records stated they had no idea how to get ahold of him, noting that he simply “shows up.”

Shari Lesnick, the attorney for the plaintiffs, spent years trying to track Esham down. On July 19, 2003, she attempted to serve him at his last known residence, 18451 Schoenherr, without success. On July 22, 2003, she tried again at the Emerald Theatre, where he was scheduled to perform, but he did not appear. Finally, on October 10, 2003, she attempted to serve him on stage at Harpo’s, again without success.

Default Judgment and Final Outcome

Esham’s game of cat and mouse continued for years, but the system eventually moved forward with a default judgment of $43,846.48 for unlicensed sampling and attorney fees. That is a relatively small amount considering Esham reportedly sold millions of records in the mid-1990s, when CDs were priced around $20 each, potentially generating significant revenue during that era.

Why Esham Avoided the Courts

It is not hard to understand why he avoided the courts. Few would want to open their books and testify under oath about past earnings, especially if it could lead to a larger judgment.

Questions About Rights and Ownership

After reviewing hundreds of documents, a few questions remain. One of the main ones is whether Esham still owns the rights to his catalog. According to the documents, the plaintiffs pursued those rights, so it is unclear if he retained ownership.

Aftermath and Personal Impact

This may also explain why Esham stepped away from pursuing a career in culinary arts. Years ago, he attended school to become a certified gourmet chef, secured a job, and then suddenly stopped. It raises the question of whether the $43,846 judgment may have played a role.

Maybe the $43,846 wage garnishment hit his check. I know the “Multikillionaire‘ is smarter than that…or maybe not.

Esham lawsuit docs:

https://raptherapy.co/wp-content/uploads/2026/03/Esham-Lawsuit-001.pdf

https://raptherapy.co/wp-content/uploads/2026/03/Esham-Lawsuit-002.pdf

https://raptherapy.co/wp-content/uploads/2026/03/Esham-Lawsuit-003.pdf

https://raptherapy.co/wp-content/uploads/2026/03/Esham-Lawsuit-004.pdf

Esham Lawsuit: On the Run for 10 Years Over $4.6 Million | Rap Therapy
 

keond

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Bridgeport records is a shady company. They are owned by the Joo pictured above. They just leech off of black folks. They only exist to steal from black artist and sue black artist when they sample. They dont have any employees. Just the owner. And he has filed hundreds of lawsuits based around the hundreds of songs they "acquired" Bridgeport is the reason that 80 year old George Clinton has to tour now to eat. He owns alot of 70s funk catalogs.

He's the one that sued Pharrell over "blurred lines" btw

I hope Esham dont pop up until after this cac is dead. fukk him
 

TheMailMan

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A lot of his earlier music sampled alot of old rock songs sabbath,sugaloaf...etc etc
 
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