Fat Joe Says Major Record Labels Are Compared To A Ponzi Scheme

BK The Great

Veteran
Joined
Nov 21, 2015
Messages
63,537
Reputation
8,122
Daps
157,211
Reppin
BK NY
Fat Joe appears to have zero regrets about going independent.

While speaking to the Wall Street Journal this week, the Grammy-nominated rapper discussed his decision to leave Atlantic Records and start his own indie imprint, Terror Squad Productions. Joe, who left Atlantic about 17 years ago, said he felt unappreciated and exploited by the industry giant, and eventually lost trust in its team.

“I don’t believe in these people,” he told WSJ’s Jason Gay. “For one, I feel like the major label system is a Ponzi scheme, and they do funny math.”

Joe said he never understood how he and other artists were selling so many records but saw so little in monetary returns. “You had to be like the Fugees, who sold 30 million records, to make a dollar,” he continued. “I was talking to [Jennifer Lopez] about it—and you know J.Lo’s a megastar—and she was like, ‘Man, you know these guys, they only give you this [amount] and you never recoup.’ So, it’s a funny math.”


The 52-year-old then spoke about feeling misunderstood and overlooked by labels that prioritized business over his art. “Artists, we’re so passionate about our story, we’re so passionate about our music,” Joe said. “I would have to go walk into an office to a guy who didn’t even really understand our art and culture. They just knew how to market, how to promote and make the most profit. I used to beg ’em: ‘Are you gonna push my record? Are you really gonna press the button? Are you really gonna go for it?’”

After years under a major record label, something clicked inside Joe’s head. He realized he could step away from Atlantic and invest his own money into his career—a move that gave him more control and more money. “I’m self-funding everything,” he said. “I would go on tour for a month or two—Yugoslavia, China, anywhere you name—save all my money and then invest in making the album, making the videos, promoting it. And even though I went independent, I kept that same look.”


But his time at Atlantic wasn’t all bad. Fat Joe told Gay there was a time when he felt like a valued artist, but that all changed when his album didn’t meet expectations. “I would walk into Atlantic Records, and they would have a poster of me, six stories high,” he explained. “It was only me. ... I would walk in there and I would feel so cocky. And I would sit in the president’s office, and I thought he was my friend. And then one time we put out an album, and the same day we dropped an album, [we were competing with] Mariah Carey, Missy Elliott Jay-Z, I was telling them we were gonna lose. But we went up against some of the biggest guys you’ve ever seen in your life. And we lost, and we flopped.”

Joe said the Atlantic president looked at him and called him a “failure.” The exec then allegedly called his attention to T.I., who signed to the label in the early aughts. Joe recalled the Atlantic boss wasn’t happy he had only sold half a million records and questioned why he wasn’t as successful as Tip, who had just moved 2 million.

“Bro, they changed [my] six-story poster to T.I. so fast, right?” Joe continued. “I remember I went home and I was just looking at the ceiling thinking, ‘You know what, if you go independent and you sell an album, you make $7 profits. If I sold 500,000 records, I would make $3.5 million.’”

It was at that time Joe decided he’d try to get out of his contract. “So I go back in [the office], and I go, ‘Man, you’re right, I suck,” he recalled. “‘You ain’t gotta worry about me. I’ll never make a hit record again. I’m washed up. You’ll hear me on the old-school at noon. I’m done.’”

Joe claimed his plan ultimately worked and the label agreed to let him go.

“Then I put out the single ‘Make It Rain,’ and it sold 4 million records,” he said. “And he’s been dying ever since.”


 

Complexion

ʇdᴉɹɔsǝɥʇdᴉlɟ
Joined
Jan 1, 2018
Messages
6,352
Reputation
5,449
Daps
28,029
DMX spoke on this a lot. How they always take the cream from the one who creates it without a fair shake or equitable distribution and how its all set up for the artist to fail.

Pimps and hoes would be accurate because, in reality, these people are given positions to play and roles to uphold in exchange for a golden leash whilst you walk around with iron chains and want to be like them.

Bread and circuses. The Game is rigged. Realizing this may just save your Soul because only those who Know the Ledge peep the shadows depth and whats hidden therein.
 

Kidd Dibiase

Veteran
Supporter
Joined
Nov 23, 2013
Messages
77,837
Reputation
10,787
Daps
213,176
I remember that press conference where Atlantic was banking on TI, Fat Joe, and Trick Daddy to be the top artists on the label. So for them to not really back Joe like that is weird.

And its funny because Fat Joe was pushing Wake Up Now…an actual ponzi scheme :heh:
 

Tommy Gibbs

Superstar
Joined
Oct 22, 2017
Messages
7,253
Reputation
1,810
Daps
19,712
As I've gotten older, it's hard to understand why anyone wants to sign a record deal. As an artist, you sit at home or in the studio, create music that you will never really own or make any serious money from. I can understand if you're an artist that has songs written for you and you're nothing more than a performing artist, but for the rapper-singer/songwriter, that shyt just doesn't make sense to me. Especially those that write AND produce for themselves.
 

nyknick

refuel w/ chocolate milk
Joined
Jul 7, 2012
Messages
18,714
Reputation
6,070
Daps
90,763
fatjoe.gif
 

Kidd Dibiase

Veteran
Supporter
Joined
Nov 23, 2013
Messages
77,837
Reputation
10,787
Daps
213,176
As I've gotten older, it's hard to understand why anyone wants to sign a record deal. As an artist, you sit at home or in the studio, create music that you will never really own or make any serious money from. I can understand if you're an artist that has songs written for you and you're nothing more than a performing artist, but for the rapper-singer/songwriter, that shyt just doesn't make sense to me. Especially those that write AND produce for themselves.
Before streaming, distribution was a major reason. Bigger budgets, more networks/connections. You dont have to do the leg work signed to a major.
 

duckbutta

eienaar van mans
Joined
May 1, 2012
Messages
42,491
Reputation
11,676
Daps
163,055
Reppin
DFW
entertainment industry accounting is weird. saw some shyt where the writer for men in black has never been paid cus according to the studio its still in the red. movie made $600 million dollars :mjlol:
Still the GOAT Hollywood screwed me story:


Dude wrote forest gump. It cost around 60 million to make. It made over 500 million. Dude was supposed to get 3% of net profit. They told dude the movie was IN THE RED. They told dude a movie that made 10 times its production budget LOST MONEY. This dude died and never ever got his 3% of net profit from the Forrest Gump movie.
 

duckbutta

eienaar van mans
Joined
May 1, 2012
Messages
42,491
Reputation
11,676
Daps
163,055
Reppin
DFW
As I've gotten older, it's hard to understand why anyone wants to sign a record deal. As an artist, you sit at home or in the studio, create music that you will never really own or make any serious money from. I can understand if you're an artist that has songs written for you and you're nothing more than a performing artist, but for the rapper-singer/songwriter, that shyt just doesn't make sense to me. Especially those that write AND produce for themselves.
I mean if you a rapper you going to keep risking your life in the streets or you going to sign a record deal?

I know everyone was appalled at Summer Walker record deal when it was revealed but...she was a stripper at the time she signed it? What was she supposed to do? Say no thank you to music money and hop back up there on the pole and keep bouncing her naked ass around for a dollar bill?

It's never just "sign a record deal". It's always sign a record deal or continue with the alternative.

It's why you see record labels seek out people like that, who feel like they don't have a choice.
 

Tommy Gibbs

Superstar
Joined
Oct 22, 2017
Messages
7,253
Reputation
1,810
Daps
19,712
I mean if you a rapper you going to keep risking your life in the streets or you going to sign a record deal?

I know everyone was appalled at Summer Walker record deal when it was revealed but...she was a stripper at the time she signed it? What was she supposed to do? Say no thank you to music money and hop back up there on the pole and keep bouncing her naked ass around for a dollar bill?

It's never just "sign a record deal". It's always sign a record deal or continue with the alternative.

It's why you see record labels seek out people like that, who feel like they don't have a choice.
Not every rapper is in the streets lol. Damn near most of them from my era had honest jobs. So the alternative isn’t always getting shot in the street.
 
Top