LunaticVillage415
All Star
K. Dot's commentary on everything from Iggy Azaelia to Ferguson seems like he's trying to be PC as possible not to offend his huge cac fanbase. 
It seems like at this point cacs own him or something. That song "I" makes Pharrell's "Happy" sound like Mobb Deep "Give Up the Goods" 
. Suburban Starbucks drinking cacs seem to love K. Dot. For what reason, I do not know. I, mean, how the hell could a little suburban peckerwood Timmy or Becky relate to lyrics about witnessing drive-by's and murders before they were ten years old and fighting to stay positive and neutral in an environment torn apart by generational gang violence?
It may have to do with the fact he is from Compton. To white people, Compton is some mythical ghetto of all ghettos to which they reference for all of their anonymous online racist rants to their racist blackface college parties.
Suburban cacs nationwide were responsible for the commercial success of N.W.A.
But Kendrick seems like he is more willing to offend black people than white people at this point and not even in a constructive manner. Kendrick has become what formerly unapologetic East Coast thug rappers like Wu-Tang and Wu-Tang became in the 2000's in just a few years. That is, back in the 90's, Wu-Tang would call white people devils to their face. But now since Wu's fanbase is almost entirely white, they chilled out on all that shyt.
K. Dot could have used his success to continually push the envelope and put out more raw music but instead, he's starting to make music for suburban cacs to jog to and play on adult contemporary radio while cacs drive places in minivans with they kids.
He has some time to turn himself around, but K. Dot is proving himself to be the Nas of this generation. He takes forever coming out with music between albums and tries to gain mass appeal through watered down radio singles. The only difference is that a watered down radio single from the 90's seems potent and hard hitting compared to a pandering watered down radio single from a crossover artist today. It would be refreshing to hear some controversial subject matter to make cacs feel uncomfortable on the next album. After all, that's what West Coast Rap was based on. 
It seems like at this point cacs own him or something. That song "I" makes Pharrell's "Happy" sound like Mobb Deep "Give Up the Goods" . Suburban Starbucks drinking cacs seem to love K. Dot. For what reason, I do not know. I, mean, how the hell could a little suburban peckerwood Timmy or Becky relate to lyrics about witnessing drive-by's and murders before they were ten years old and fighting to stay positive and neutral in an environment torn apart by generational gang violence?It may have to do with the fact he is from Compton. To white people, Compton is some mythical ghetto of all ghettos to which they reference for all of their anonymous online racist rants to their racist blackface college parties.
Suburban cacs nationwide were responsible for the commercial success of N.W.A.But Kendrick seems like he is more willing to offend black people than white people at this point and not even in a constructive manner. Kendrick has become what formerly unapologetic East Coast thug rappers like Wu-Tang and Wu-Tang became in the 2000's in just a few years. That is, back in the 90's, Wu-Tang would call white people devils to their face. But now since Wu's fanbase is almost entirely white, they chilled out on all that shyt.
K. Dot could have used his success to continually push the envelope and put out more raw music but instead, he's starting to make music for suburban cacs to jog to and play on adult contemporary radio while cacs drive places in minivans with they kids.
He has some time to turn himself around, but K. Dot is proving himself to be the Nas of this generation. He takes forever coming out with music between albums and tries to gain mass appeal through watered down radio singles. The only difference is that a watered down radio single from the 90's seems potent and hard hitting compared to a pandering watered down radio single from a crossover artist today. It would be refreshing to hear some controversial subject matter to make cacs feel uncomfortable on the next album. After all, that's what West Coast Rap was based on. 
UNCLE TOM WAS NOT A SELL OUT. SAMBO IS THE BAD CHARACTER.
KOONDRICKS COMMENTS THO...
And probably other rappers too.
So if Dead Prez can call cacs crackers to their face and still sellout shows with nothing but cacs and fukk hella groupie cac bytches, what is stopping K. Dot from pandering so much? 
When Cube was a rapper at his peak, he said what needed be said about L.A. in the early 90's. That Death Certificate made elderly cacs stomachs turn. 
And that is what West Coast Rap is about.