How Engineer Alex Tumay Turned Young Thug's Entire Year Around

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The Deep State
How Engineer Alex Tumay Turned Young Thug's Entire Year Around
Me_bb8hwe.jpg

BY JUSTIN DAVIS


Originator of the sober post. Follow @OGJOHNNY5 for chaos.


6 HOURS AGO
alex-tumay-and-young-thug_bn5esr.jpg


Image via Instagram
On July 15, Young Thug was arrested by U.S. Marshals in his Georgia homeunder allegations that he threatened to shoot a mall security guard. As serious as that sounds, it was chalked up as just another incident in a long year of controversy for the 24-year-old Atlanta rapper. His friendship—and working relationship—with frequent collaborator Rich Homie Quan had deteriorated; barbs were thrown by both men during shows and on social media. Thug’s relationship with his father figure Birdman would phase out as well after the shocking and disturbing allegations that they conspired to kill Lil Wayne. Rich Gang, as we knew it, was over. And the issues in his personal life were only compounded by the mess of his music rollout. His debut "retail mixtape,” titled Barter 6, was mired in controversy with Lil Wayne. Plus, just a few weeks after its release, over 100 songs from Thug's catalog were leaked online. From the outside, it seemed like Thug's work and personal lives were spiraling, and as his circle got tighter, cracks started to form as rap’s weirdest new star became his own worst enemy.

Thug’s most trusted friend—and engineer, DJ, and executive producer—Alex Tumay, was out of town for less than 10 hours when he got a call that Thug had been arrested. “They seized everything," Tumay says. "Hard drives, computer screens, everything. We had to re-buy it all. Luckily, I make copies of everything, and I had all of his music with me.” His foresight single handedly saved hundreds of Thug songs from simply just becoming police evidence.

Long before Metro Boomin persuaded Tumay to work with Young Thug on 19 and Boomin, the 29-year-old Queens, N.Y., native spent most of his teenage years in Ft. Lauderdale, Fla. His father, a classical pianist, influenced him to play piano and guitar growing up. “But rap was all I listened to,” he says. “I remember having FUBU jerseys and all that, but I was into heavy metal too.” He went from high school band to small garage bands. “When I decided I couldn’t find a major in college, I dropped out and I was at home working restaurant jobs,” he says. “My buddy pulled up Logic one day, and I tried to use it, but I had no idea what I was doing, so I enrolled in Full Sail University to learn how to. It was like a one-month decision.”

After Tumay graduated in 2010, he moved to Atlanta and started working at Maze Studios, which was frequented by producer Ben Allen. The two started working closely together, and Allen, who has produced for Youth Lagoon and Animal Collective, taught him the ropes for almost three years. “It came to a point where there was no room for growth there,” he says. “There was a competition between me and, like, three other dudes. Obviously, I didn’t win, and I was on the outs with music [again].” He went around to every studio in Atlanta with his resume, taking on internships, and eventually linked with his manager, Monica Tannian of Milk Money Consulting, through his work with Allen. She eventually helped him get a gig at Dallas Austin’s legendary DARP Studios, where he was brought on as a technician. “I ended up rewiring the whole studio. Just being [in the studio all the time] brought me these opportunities. That’s the trick in this industry: If you’re just there, you get better," he says."


alex-tumay-and-young-thug_bn5esr.jpg
alex-tumay-and-young-thug_bn5esr.jpg

Image via Instagram
Just being around the studio led to his work with artists like T.I. and Hustle Gang, and eventually, Waka Flocka Flame, PARTYNEXTDOOR, and Tinashe, among others. Tumay’s ability to learn quickly and adapt on the fly was put to the test in 2013 when he started working more closely with Thug––who is extremely elusive when it comes to being in the studio. “We’d do a song, he would hand me a hard drive, and then be gone for weeks. [We had] a safe in the studio just for him,” Tumay says. When they first started working together through mutual friend Metro Boomin, things were more tense. “We used to get in a lot more arguments about music. Slowly but surely, Thug became more comfortable working with Tumay. Together, they knocked out hit songs like “Danny Glover/2 bytches” as well as the entirety of the Rich Gang mixtape.

The key to earning Thug’s trust was being able to keep up with his speed and unorthodox way of recording. “He records in a way that nobody else does,” Tumay says. “I recommended [another engineer] because I was sick once, and he was like ‘How the fukk do you do this?’ because the way he records fukks with your whole idea of how you record people. He’ll have me punch him in with empty space before the song because he wants to rap before the beat comes in, then pick an arbitrary time to start and he’ll nail it. He has an absurd sense of timing that no one else has.”

Even as Thug was reaching a peak in his mainstream visibility with Quan and Birdman, Tumay was steadily earning trust and maneuvering in the shadows. He was holed up in a Miami studio that Birdman bought out for months, recording and mixing more than 100 songs for Thug and the collective of artists that were around him. The fever pitch of Internet hype led to a huge demand for Thug’s music, and in a truly fascinating amount of backdoor dealings between message board members and bystanders in the studio, a lot of the songs he worked on leaked last spring. This massive debacle that took the wind out of the sails of his Barter 6 mixtape––which Tumay says is his “most important record” and led to him speaking out on the Hip-Hop Heads section of Reddit, too. Had the leaks not appeared, the release schedule of Thug’s music may have looked a lot different this year. “Half of those songs could have been huge, but the fact is that the surprise is a huge part of the success [of music]. How you deliver and package the music is so important,” Tumay says.

The bad news didn’t stop there, as Thug’s personal issues were also coming to a head at the same time. After Thug’s arrest in July, police searched his home and hit him with drug and weapons charges on top of a “terroristic threats” charge. Thug was released from jail two days later on $10,000 bail, and according to Tumay he was surprised at how fans were clamoring for more music immediately after his release. In order to keep up with the demand, the two got right back to work. He and Tumay hunkered down in his home studio, one of the only two places he records now, and prepared for the release of Slime Season. The mixtape was originally supposed to be a collaborative effort between Thug and London on da Track. Following a different set of rules—no phones in the studio, no snippets on Periscope, no emailing songs—Tumay pieced together the project and even re-engineered a number of leaked songs so they would sound nothing like they did before. “Prior to this year, I wanted to output less," Tumay says. "Then the leaks [happened], and people saw the level of quality we had—so we had to take control of what we lost."



Screen%20Shot%202015-12-28%20at%2012.48.38%20PM_o02xh2.png

Image via Instagram
The only song that Young Thug was adamant about adding to the project was a collab between him and Lil Wayne titled “Take Kare.” The song was recorded in the summer of 2014, long before the tensions between Wayne and Birdman spilled out into the public. Tumay says that Thug didn’t even know that Wayne was going to be on the song and that Birdman kept the feature a tightly guarded secret. “He recorded that song in Miami [before Lil Wayne’s engineer sent the vocals to Birdman], and [when he came back to Atlanta] they gave me a bunch of sessions. One of them was called ‘Take Kare,’” Tumay says. “Birdman sent me a bounce and told me to put headphones on. I mixed it and Bird went to get Thug, so I played the song. When Wayne comes in at the end, [Thug turned] around and put his hand on his mouth like ‘Oh shyt.’ It’s all we listened to that night, for six hours straight.”

While the Slime Season mixtapes kept fans pleased this year, and with the leaks under control, Tumay is looking to be more hands on with the release of Thug’s long awaited, debut album, Hy!£UN35. This year, Tumay has worked on major projects from Travi$ Scott, Lil Durk, and Future, and his role has gone from primarily engineer to executive producer, tour DJ, and more. Thug has continued to work on lots of songs, some of which could end up on that first official album, but even if he says he has 10 projects in the stash right now, Tumay says they're just “in flux until they are complete."

The strange, controversial rise of Young Thug has been interesting to watch over the last two years. From obscure Atlanta rapper to weirdo critical fave to the Rich Gang rise and fall, Thug's career has been exhausting to keep track of, let alone live. But thanks to Tumay, and the bond between him and Thugger, it seems like he's back on the right path, just in time for the release of his debut LP.
















:wow:



:wow:



:banderas:
 
Last edited:

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Mass Appeal wrote a great article last month. Engineer Alex Tumay On Channeling Young Thug's Creative Process | Mass Appeal


Engineer Alex Tumay On Channeling Young Thug’s Creative Process


In a booth with the lights turned all the way down, Young Thug sat waiting for a new engineer to come in. He’d already kicked a few out of the room that day, and now it was Alex Tumay’s turn. The young engineer had heard Thugger’s 1017 Thug tape and some other tracks, but had never worked with him before. Their first project would be a blind one. The producers had left the room, so Tumay was in the studio alone, unable to see Thugger sitting there behind the glass. “It was like some phantom shyt,” Tumay says. “I didn’t even see him leave.” Apparently, things went well, because the two have worked together steadily since.

That reputation for mysteriousness is something Young Thug continues cultivating to this day, intentionally or not. Interviewing him can be a gamble, as a lot ofjournalists can attest, and he frequently resorts to clipped, non-answers. It doesn’t always seem confrontational though—if you watch him speak, he just seems quietaround some new people or plain distracted.

Now that his fame is rising and he’s got more of a public history, the interviews have started piling up and we’ve begun to learn more. Unfortunately, too many questions directed at him are more about his style of dress and beef with other artists than his creative process.

Thug-Tumay.jpg


There’s a lot of thoughtful pieces on Thug’s output, but the best ones don’t usually include interviews with the man himself. In fact, he once complained outright, “I hate explaining. I can show you though.” And he’s done just that, quiet that a few times, allowing people in for a glimpse of the process, but one or two sittings can’t paint a full enough picture.

As his engineer, Tumay is someone who’s been there alongside Thug in the studio for the majority of his work, and as a result, he’s able to provide some unique insight into things. He’s also Metro Boomin’s engineer, one of Thug’s most frequent collaborators. (Although, when Metro works with Future, they use his engineer, Seth Firkins.) Tumay has even contributed to a lot of the music on a creative level.

“I kind of have a unique situation with Thug,” he tells me. “I do a lot more than the typical recording and mixing, because he trusts me. I also do vocal production, working on harmonies, etc.” He even executive produced his newest tape, Slime Season 2. But Tumay is quick to point out that it’s not his creation, and that he’s just there to help. “At the end of the day, it’s their music. I’m trying to make it better, but it’s not mine.”


Working on vocal production is a pretty exceptional part of the process, though. Thug’s tones, pitches, warbles, and distortions are a large part of the appeal slash hate. “Rich Gang Freestyle” is a perfect example of how far his input can go. There’s a lot of vocal harmonies going on under the verses that sound almost like synth melodies. These are made from scraps Tumay keeps from sessions and uses for cases like this.

Thug might let Tumay write some of the counter melodies, but the ad libs are his alone, and usually added last. “His adlibs are all intentional,” Tumay stresses. “It’s all off the top of his head. Bar for bar.”

While harmonies are done in post-production because they’re taxing on the computer’s processor, Tumay freestyles many creative parts on the spot, sometimes alongside Thug, who’s well known for not writing anything down (or maybe drawing symbols). Tumay’s got some reliable delays, a go-to reverb, and some basic plugins, but otherwise he keeps his recording template pretty blank in order to avoid growing into any habits.

When laying down vocals, Thugger once described making his way around as trial and error: “I just think and try, think and try. I don’t really know how to sing, but I’ve been trying for years.”

Young-Thug-Alex-Tumay.jpg


In the booth, Tumay will often feed him some vocal effects into the headphones to try and communicate a vibe while he’s putting his lyrics together. The headphones also keep them on point. “The only people that can hear when we are recording are me and him,” the engineer says. “Keeps distractions down. Also, he’s quiet when talking; so when he’s telling me things, I have to be 100 percent attentive.”

Removing distractions has made Thug more focused. “There’s less gangsters, less drugs. I have a girlfriend now, so no girls,” he told The Guardian this month. “I’d have 10 girls at the studio and they would make me not rap. I’d be chilling and getting stoned.”

Although he’s always been fast—the recording of “Danny Glover” was famously lightning quick—things have become progressively streamlined. Like Wayne andGucci before him, his work ethic in the studio is hard to keep pace with. Although he may not really be recording 27 songs in 40 minutes (unless he really is an alien), the output is constant and rapid.


The time around the recording of “Calling Your Name,” off Young Thug’s mixtape Slime Season, typifies the type of marathons him and his team will go on in the studio. “We had been doing so many records at the time,” Tumay exclaims. Like five to eight a day.” But it led to one of the weirder moments on the tape, with the Ellie Goulding sample and all. “I was drained. I was like, let’s do something crazy and different. That’s when Goose pulled that out of his hat.”

“We’re always recording, so there’s always new music to mix. If I’m not constantly keeping up, I’ll fall behind.”

“Thug’s just so fast, and timing is incredibly important. A lot of engineers won’t be fast enough, and they throw off the flow. He will place lines randomly once in a blue moon. Like in the ninth bar of an empty verse. He knows what he’s going to say the other eight bars, but he liked the way that line worked for the end. Which will throw people off.”

The way they usually build together is that first, Tumay will go through a bunch of beats with him and explain why he likes them. “Then Thug will pick one, walk around the room for a few minutes, and then say, ‘Let’s go,’ and he’ll walk into the booth. 10-20 minutes later, I’ll be mixing it.” Sometimes they’ll sit together in post-production and Thug will talk about what he wants.

While every producer has cooked up with them in the studio directly, it’s sporadic when they’re actually there, although Metro Boomin and London On Da Track frequently are. But it’s different every time, really.


The recording of “Warrior,” alongside Metro for their long-awaited Metro Thugginproject, was its own type of beast, an outlier in their catalogue: “I just wanted it to be like this huge track on some old psychedelic rock style. Metro cooked up a short outro and we just kept arranging and adding more until the song was like six to seven minutes long. It was all really unorthodox. I chopped up the vocals over the arrangement. I had to pull back a little because I had gone too crazy with it. Luckily, Metro was the voice of reason. In my defense, it was like 9 a.m. It was like an eight to nine-hour mixing span.” All this after Metro and Tumay had been in the studio for a few days straight.

That type of open collaboration is what Tumay enjoys most. Not even necessarily when it’s him involved on that level creatively, he says the Metro Thuggin joints were still his favorite.”The Blanguage” is another sprawling, experimental record for that project that really shows how far they can go when working closely together as partners. That one was all Metro and Thug, Tumay says. “The project is really an artistic collaboration between the two. Not just handing off a beat. I really think that time was the most fun I’ve had in the studio. That whole era.” When I ask if it’s over, he says only, “I hope not.” (The recent Twitter volleys looked like it may have been the end, but luckily they seem to have worked it out.)

Whether it’s something mailed in or cooked on the spot, Thug usually sees the potential in whatever beat he’s decided to jump on. “I mean, if he didn’t like them, that would be weird,” Tumay muses. “Rap is all about confidence, so you gotta love what you create.

“He can make any type of track.”
 
Last edited:

Mac Casper

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How Engineer Alex Tumay Turned Young Thug's Entire Year Around
Me_bb8hwe.jpg

BY JUSTIN DAVIS


Originator of the sober post. Follow @OGJOHNNY5 for chaos.


6 HOURS AGO
alex-tumay-and-young-thug_bn5esr.jpg


Image via Instagram
On July 15, Young Thug was arrested by U.S. Marshals in his Georgia homeunder allegations that he threatened to shoot a mall security guard. As serious as that sounds, it was chalked up as just another incident in a long year of controversy for the 24-year-old Atlanta rapper. His friendship—and working relationship—with frequent collaborator Rich Homie Quan had deteriorated; barbs were thrown by both men during shows and on social media. Thug’s relationship with his father figure Birdman would phase out as well after the shocking and disturbing allegations that they conspired to kill Lil Wayne. Rich Gang, as we knew it, was over. And the issues in his personal life were only compounded by the mess of his music rollout. His debut "retail mixtape,” titled Barter 6, was mired in controversy with Lil Wayne. Plus, just a few weeks after its release, over 100 songs from Thug's catalog were leaked online. From the outside, it seemed like Thug's work and personal lives were spiraling, and as his circle got tighter, cracks started to form as rap’s weirdest new star became his own worst enemy.

Thug’s most trusted friend—and engineer, DJ, and executive producer—Alex Tumay, was out of town for less than 10 hours when he got a call that Thug had been arrested. “They seized everything," Tumay says. "Hard drives, computer screens, everything. We had to re-buy it all. Luckily, I make copies of everything, and I had all of his music with me.” His foresight single handedly saved hundreds of Thug songs from simply just becoming police evidence.

Long before Metro Boomin persuaded Tumay to work with Young Thug on 19 and Boomin, the 29-year-old Queens, N.Y., native spent most of his teenage years in Ft. Lauderdale, Fla. His father, a classical pianist, influenced him to play piano and guitar growing up. “But rap was all I listened to,” he says. “I remember having FUBU jerseys and all that, but I was into heavy metal too.” He went from high school band to small garage bands. “When I decided I couldn’t find a major in college, I dropped out and I was at home working restaurant jobs,” he says. “My buddy pulled up Logic one day, and I tried to use it, but I had no idea what I was doing, so I enrolled in Full Sail University to learn how to. It was like a one-month decision.”

After Tumay graduated in 2010, he moved to Atlanta and started working at Maze Studios, which was frequented by producer Ben Allen. The two started working closely together, and Allen, who has produced for Youth Lagoon and Animal Collective, taught him the ropes for almost three years. “It came to a point where there was no room for growth there,” he says. “There was a competition between me and, like, three other dudes. Obviously, I didn’t win, and I was on the outs with music [again].” He went around to every studio in Atlanta with his resume, taking on internships, and eventually linked with his manager, Monica Tannian of Milk Money Consulting, through his work with Allen. She eventually helped him get a gig at Dallas Austin’s legendary DARP Studios, where he was brought on as a technician. “I ended up rewiring the whole studio. Just being [in the studio all the time] brought me these opportunities. That’s the trick in this industry: If you’re just there, you get better," he says."


alex-tumay-and-young-thug_bn5esr.jpg
alex-tumay-and-young-thug_bn5esr.jpg

Image via Instagram
Just being around the studio led to his work with artists like T.I. and Hustle Gang, and eventually, Waka Flocka Flame, PARTYNEXTDOOR, and Tinashe, among others. Tumay’s ability to learn quickly and adapt on the fly was put to the test in 2013 when he started working more closely with Thug––who is extremely elusive when it comes to being in the studio. “We’d do a song, he would hand me a hard drive, and then be gone for weeks. [We had] a safe in the studio just for him,” Tumay says. When they first started working together through mutual friend Metro Boomin, things were more tense. “We used to get in a lot more arguments about music. Slowly but surely, Thug became more comfortable working with Tumay. Together, they knocked out hit songs like “Danny Glover/2 bytches” as well as the entirety of the Rich Gang mixtape.

The key to earning Thug’s trust was being able to keep up with his speed and unorthodox way of recording. “He records in a way that nobody else does,” Tumay says. “I recommended [another engineer] because I was sick once, and he was like ‘How the fukk do you do this?’ because the way he records fukks with your whole idea of how you record people. He’ll have me punch him in with empty space before the song because he wants to rap before the beat comes in, then pick an arbitrary time to start and he’ll nail it. He has an absurd sense of timing that no one else has.”

Even as Thug was reaching a peak in his mainstream visibility with Quan and Birdman, Tumay was steadily earning trust and maneuvering in the shadows. He was holed up in a Miami studio that Birdman bought out for months, recording and mixing more than 100 songs for Thug and the collective of artists that were around him. The fever pitch of Internet hype led to a huge demand for Thug’s music, and in a truly fascinating amount of backdoor dealings between message board members and bystanders in the studio, a lot of the songs he worked on leaked last spring. This massive debacle that took the wind out of the sails of his Barter 6 mixtape––which Tumay says is his “most important record” and led to him speaking out on the Hip-Hop Heads section of Reddit, too. Had the leaks not appeared, the release schedule of Thug’s music may have looked a lot different this year. “Half of those songs could have been huge, but the fact is that the surprise is a huge part of the success [of music]. How you deliver and package the music is so important,” Tumay says.

The bad news didn’t stop there, as Thug’s personal issues were also coming to a head at the same time. After Thug’s arrest in July, police searched his home and hit him with drug and weapons charges on top of a “terroristic threats” charge. Thug was released from jail two days later on $10,000 bail, and according to Tumay he was surprised at how fans were clamoring for more music immediately after his release. In order to keep up with the demand, the two got right back to work. He and Tumay hunkered down in his home studio, one of the only two places he records now, and prepared for the release of Slime Season. The mixtape was originally supposed to be a collaborative effort between Thug and London on da Track. Following a different set of rules—no phones in the studio, no snippets on Periscope, no emailing songs—Tumay pieced together the project and even re-engineered a number of leaked songs so they would sound nothing like they did before. “Prior to this year, I wanted to output less," Tumay says. "Then the leaks [happened], and people saw the level of quality we had—so we had to take control of what we lost."



Screen%20Shot%202015-12-28%20at%2012.48.38%20PM_o02xh2.png

Image via Instagram
The only song that Young Thug was adamant about adding to the project was a collab between him and Lil Wayne titled “Take Kare.” The song was recorded in the summer of 2014, long before the tensions between Wayne and Birdman spilled out into the public. Tumay says that Thug didn’t even know that Wayne was going to be on the song and that Birdman kept the feature a tightly guarded secret. “He recorded that song in Miami [before Lil Wayne’s engineer sent the vocals to Birdman], and [when he came back to Atlanta] they gave me a bunch of sessions. One of them was called ‘Take Kare,’” Tumay says. “Birdman sent me a bounce and told me to put headphones on. I mixed it and Bird went to get Thug, so I played the song. When Wayne comes in at the end, [Thug turned] around and put his hand on his mouth like ‘Oh shyt.’ It’s all we listened to that night, for six hours straight.”

While the Slime Season mixtapes kept fans pleased this year, and with the leaks under control, Tumay is looking to be more hands on with the release of Thug’s long awaited, debut album, Hy!£UN35. This year, Tumay has worked on major projects from Travi$ Scott, Lil Durk, and Future, and his role has gone from primarily engineer to executive producer, tour DJ, and more. Thug has continued to work on lots of songs, some of which could end up on that first official album, but even if he says he has 10 projects in the stash right now, Tumay says they're just “in flux until they are complete."

The strange, controversial rise of Young Thug has been interesting to watch over the last two years. From obscure Atlanta rapper to weirdo critical fave to the Rich Gang rise and fall, Thug's career has been exhausting to keep track of, let alone live. But thanks to Tumay, and the bond between him and Thugger, it seems like he's back on the right path, just in time for the release of his debut LP.
















:wow:



:wow:



:banderas:


Okay promo team members . . make your presence known :leostare:
 

Mac Casper

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This is one of the highest plains an engineer can aspire to. Once mentioned in an article a stream of the most ambitious dreamers/aspiring rappers will begin to pour in. Of course dude has to grandstand to most of these people in an effort maintain some separation and keep his right high. He'll actually charge these indie guys more than he's ever charged . .
 
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