I need a good book.

talamak

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Real talk in trying to start back reading. I told my friend girl and she wants us to find something to read together and discuss after each chapter or whatever.

Question is what books have you guys read that would be cool to do this?

Anything by black authors?
 

Dreamzeedream

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I Dont know what you into, But a good book that came out last year i got was The Family Corleone is a prequel to The Godfather. But if you looking for some street shyt Then Death b4 Dishonor or anything by Nicki Turner
 

Patrick Kane

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the-outliers-by-gladwell1.jpg


This is a book that everyone seems to enjoy. Great book, check it out.
 

Regular_P

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The Alienist and after that, The Angel of Darkness. Both by Caleb Carr and both are riveting.
 

Beegio

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Real talk in trying to start back reading. I told my friend girl and she wants us to find something to read together and discuss after each chapter or whatever.

Question is what books have you guys read that would be cool to do this?

Anything by black authors?

:ohlawd: One of my favorites of all time

Inspirational

Thank me later

"Manchild in the Promised Land" Claude Brown
Manchild in the Promised Land PDF.pdf download - 2shared

Manchild in the Promised Land (1965) is an autobiographical novel written by Claude Brown. It tells about the author's coming of age amidst poverty and violence in Harlem during the 1940s and 1950s. Published at the height of the civil rights movement, the book reached far beyond the traditional literary world, drawing new attention to the lives of those living in urban environments. It has sold more than 4 million copies and has been translated into 14 languages.
The book has frequently appeared on banned book lists for offensive language, and violence. The book is also celebrated by critics for its sense of realism.

Claude Brown's slightly fictionalized autobiography recounts his childhood and early adulthood throughout the 1940s and 1950s. Manchild in the Promised Land also documents the changing atmosphere of Harlem and the people it affected. Brown tells stories of himself as a hell-raiser, involved in theft and drug dealing, and spending time in juvenile detention centers like Wiltwyck and Warwick. He was able to establish a feared and respected name for himself both among the streetwalkers of Harlem and the inmates of the reform schools. Lacking formal education (resulting from years of playing hooky) and idolizing the criminal elements around him, he seemed to be heading down a short road of vice and danger.

Only after Brown moved to Greenwich Village shortly before turning twenty was he able to begin viewing Harlem with a more objective eye, and see the factors that led him down the downward spiral he had been traveling. One of the main reasons Brown believes he and his friends were wrought with such violence and recklessness is due to the mentality imported by their parents from the South. The thing that mattered most to them was fighting: for one's money, girl/family, and manhood (Brown 260). He feels that that rural mentality had been brought to a crowded city life that was not only incompatible with the setting, but also destructive. He laments, "it seems as though if I had stayed in Harlem all my life, I might have never known that there was anything else to life other than sex, religion, liquor, and violence" (Brown 281).

As a youth, Brown excelled in these very base attributes. It wasn't until the introduction of heroine, or "horse," as it was first introduced in the early 1950s, that he feels Harlem truly became unable to cope with their values. Instead of young men fighting for honor, they were killing and robbing for money to sustain their overwhelming addictions, introducing more guns into the neighborhood with desperate people wielding them. He witnessed his friends begin to fade away into scratching, nodding junkies. However, by this time Brown was able to leave and slowly break away from the crumbling Harlem he once knew, watching from afar many of the individuals he once hustled with fall victim to the crimes they themselves would perpetrate.

Many opted instead to stay in Harlem and live the street life. He attributes this to the attitudes of whites outside Harlem and the racism they encountered. To live a "clean" life usually meant to work for a white man who underpaid, referred to them in a racially derogatory manner, and made them perform the most labor intensive tasks. When it came to these prospects, most understandably chose the life of a self-employed drug dealer in Harlem over the self-effacing menial work elsewhere, despite the danger (Brown 287).

Where some people turned to drugs or religion to deal with these problems, Brown found his calling through more established and secular means. Education and music became outlets for him to express himself, gain a self-pride through non-criminal means, and eventually lead to a promising career as a lawyer and author.

One of the things that make this autobiography interesting is its use of language. Brown writes in a notable street dialect, however, the language itself evolves with the character. For instance, "cat" slowly comes into use around page 67 and is used throughout, though it receives less use towards the end. More notably, on page 109 the young Claude begins idolizing a street pimp named Johnny: "To Johnny, every chick was a b*tch. Even mothers were b*tches." And so on page 114 Brown writes "Jackie was a beautiful black b*tch." From then on women are regularly referred to as "b*tches" until the character matures enough to treat women with more respect, and Johnny's spell seems to have completely worn off by the time Brown falls in love with a fellow student. Likewise, the sentence structures become less erratic and grow in sophistication as the book goes on, using less slang chapter by chapter when he begins to change. This seems to be by design.

Claude Brown's personal accounts are no doubt fictionalized to some degree, for his characters go on exhaustive speeches several times, and he certainly didn't tape record them for every word. However, Brown's intentions are to present Harlem and its difficulties in approachable and creative ways. To allow readers (such as white-suburban-me) an inside look into the ways of urban life it invites an understanding and, hopefully, sympathy for the situations of the junkies, prostitutes, and drug dealers that we pass on the street. He shows them in a way that cannot be easily neglected, in intimate, personal relationships that reveal the influences and regrets that have placed them in those situations. These factors were not unique to the 1940s and 1950s. They existed before and do so today. Brown allows insight into the hardships while telling an encouraging tale of one who made it out. By personal drive and education, through art and self-expression (as this book is), he shows that the situation is not dire, but attitudes must change before the world will follow.
 

1980sCokeFlow

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The New Jim Crow
The Rothschilds: Portrait of a Dynasty
The Magic of Thinking Big
Fifty Shades of Grey
 
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