Is Pharrell number one for longevity as a top producer in the game?

Rozay Oro

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Yet he still won a Grammy in 2021 for being the only producer of The Stokes album "The New Abnormal." Started in 1984, won a Grammy in 2021. That's 37 years, longer then any other Hip Hop producer you can name with merit on paper, so my comment still stands. Rick is the top producer with the longest longevity. You say he has no technical talent but he won a Grammy 4 years ago for being a producer. So who am I going to believe? :mjlol:
He has admitted it in an interview though lol.
 

Amestafuu (Emeritus)

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He’s got some electronic dance music, some synth movie scores, and some live beats. And he’s got a Grammy with Anderson Paak.

He’s not all underground sample beats. Just mostly. lol
Sorry bro but that dance music he did for the b-b-boys and his score music sound just like his other beats. He is not the dude when we talking. Range preemo has more range. Preemo did a whole pop album with Christina
 

Amestafuu (Emeritus)

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Yet he still won a Grammy in 2021 for being the only producer of The Stokes album "The New Abnormal." Started in 1984, won a Grammy in 2021. That's 37 years, longer then any other Hip Hop producer you can name with merit on paper, so my comment still stands. Rick is the top producer with the longest longevity. You say he has no technical talent but he won a Grammy 4 years ago for being a producer. So who am I going to believe? :mjlol:
This weirdo still trying to push geriatric CAC in here... :laff:

Won a Grammy for couch surfing in yet another session.
 

skillz2

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I wanted to mention this before, but how is Supa Dupa Fly not a classic?

We wouldn't even be discussing Clipse or The Neptunes without that album. In regard to Hip Hop, Supa Dupa Fly launched Virginia into orbit as a hub for futuristic Hip Hop before The Neptunes actually found their sound. Supa Dupa Fly was really otherworldly. Sonically, nothing sounded like it. Nothing sounded or looked like Missy Elliott as a rapper. Even though Kelis isn't Hip Hop, do we even get her without Missy. Does her album sound like that without a Missy Elliott? Do The Neptunes sound like they are from planet Other without Timbaland and Missy planting the flag in 1997? Compare "Use Your Heart" from 1996 to "Lookin At Me" in 1997 to "the futuristic "Superthug" in 1998.

From Lil' Wayne to Drake to Nicki Minaj to J. Cole to ASAP Ferg to Slump God to Brent Faiyaz, they all drew inspiration from that album.

Even on the new album, does "So Be It" sound like that without a "Get Ur Freak On". I know that's from a different album, but still it and ""Big Pimpin" set off the Bollywood and Middle Eastern infatuation in Hip Hop and music as a whole.

Look Missy is super creative and obviously very talented. She earned the respect industry and deserves her flowers, Timbo is widely recognised as one of the best producer's in the game but it's debatable as to whether he has a classic hip hop album solely produced by himself.

I just view Supa Dupa Fly as more a mix of Hip Hop, R&B & Pop mainstream. Missy's appeal was very broad she did this well. So while I don't think it's a stretch to call Supa Dupa Fly a classic I just wouldn't put in the same category as illmatic, liquid swords, infamous etc. Thats just me.
 

dubsmith_nz

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The answer is clearly Dr Dre. He's made classic music in every decade since the 80's.

That recent Marsha Ambrosious album was fire.
 

JustCKing

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Look Missy is super creative and obviously very talented. She earned the respect industry and deserves her flowers, Timbo is widely recognised as one of the best producer's in the game but it's debatable as to whether he has a classic hip hop album solely produced by himself.

I just view Supa Dupa Fly as more a mix of Hip Hop, R&B & Pop mainstream. Missy's appeal was very broad she did this well. So while I don't think it's a stretch to call Supa Dupa Fly a classic I just wouldn't put in the same category as illmatic, liquid swords, infamous etc. Thats just me.

Breh, every album you named is a NY album from the same era. Of course, it doesn't fit in with Illmatic, Infamous, and Liquid Swords. There were classic Hip Hop albums before and after any of those existed. Chronic and Doggystyle are classic albums that sound nothing like those albums. OutKast's first three, Kanye West's first three (and I don't even like him), Jay's Reasonable Doubt and Blueprint, etc.

Supa Dupa Fly is a classic, iconic album. A classic is a classic whether we like the album or not. This album shifted Hip Hop.
 
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Plankton

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I knew you were going to post that Anderson Cooper interview. Now here's the Krishnan Guru-Murthy interview where he elaborates his production style on early Hip Hop records. He touches on how he has basic skills when it comes down to the drum machine beat making and record scratching. He basically says what I've been saying over and over again in this thread about how he's a "producer" similar to P Diddy. He's an overseer of the direction that the music should go.

I timestamped it for you. It starts at 13:53 and ends at 15:49

 

mrvaughn

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I knew you were going to post that Anderson Cooper interview. Now here's the Krishnan Guru-Murthy interview where he elaborates his production style on early Hip Hop records. He touches on how he has basic skills when it comes down to the drum machine beat making and record scratching. He basically says what I've been saying over and over again in this thread about how he's a "producer" similar to P Diddy. He's an overseer of the direction that the music should go.

I timestamped it for you. It starts at 13:53 and ends at 15:49



You know what we are discussing in this thread, yet persist with semantics.

You know I really mean the guy who makes the beat for this discussion.

He says the same essential thing in this video from the jump that he did in the one @Rozay Oro posted.

I feel like I’m dealing less with Plankton, and it’s more like Spongebob Crackpipe

:dead:
 
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Plankton

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You know what we are discussing in this thread, yet persist with semantics.

You know I mean the guy who makes the beat for this discussion.

I feel like I’m dealing less with Plankton, and it’s Spongebob Crackpipe instead.
:snoop:

Jesus Christ. Page 4 Post #47 I literally said to you that Preemo is my personal (not being objective) pick for top beat maker with longevity.

There is no persisting with semantics anything. If someone quotes me I'm going to respond. Or is it that you want people to quote me and me to not respond?
 

mrvaughn

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:snoop:

Jesus Christ. Page 4 Post #47 I literally said to you that Preemo is my pick for top beat maker with longevity.

There is no persisting with semantics anything. If someone quotes me I'm going to respond. Or is it that you want people to quote me and me to not respond?

I’ve just been trying to work Spongbob Crackpipe into a message in all honesty :lolbron:
 

JustCKing

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Production regardless of genre isn't just the guy who makes the beat. That line of thinking shouldn't even exist. It is how new producers get jerked and why Hip Hop production suffers. Any Hip Hop producer will tell you that there is more to producing the song than just making the beat. Beat making is really entry level in regard to producing a record regardless of genre.

KLC of Beats By the Pound really nailed this point home when working with Snoop Dogg for the first time. Snoop was in the booth recording, but just stood there while the beat played. KLC was wondering why he wasn't rapping. Then it occurred to him that Snoop was used to being produced. He needed the direction. Once KLC guided him on how to approach the beat, he was good.
 
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