jadakiss murked biggie on last day

biglescobar

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Its been confirmed by Kiss that he wrote BIG's verse on that song.....BIG specifically wanted Kiss to write it to see what he could come up with, like others said he was a big Kiss fan and saw alot of potential in him...
 

Whitty Hutton

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I for the life of me dont understand how at this point people are still responding to this idiot's threads to reason and debate with serious discussion. Either ignore or insult this fakkit and k.i.m.
 

Rapmastermind

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Its been confirmed by Kiss that he wrote BIG's verse on that song.....BIG specifically wanted Kiss to write it to see what he could come up with, like others said he was a big Kiss fan and saw alot of potential in him...

LOL, Not True. Biggie never had no Ghostwriter. Matter a fact. Kiss spit a average verse and biggie made him re-write it:

6 Last Day

FEATURING THE LOX
Produced by Havoc, co-produced by Puffy and Stevie J.

Jadakiss: When we did “Last Days,” we were still, I wouldn’t say rookies, but we were new to the Bad Boy family. We got the call from Darren [Dean] from Ruff Ryders, our manager back then. He wanted us to go to Daddy’s House. We didn’t even know we was getting on a B.I.G. album, so when he called us to get on it, we was wild happy. We go down there, walk in, and it’s smoky—they used to have it like the Shaolin Temple. Anyway, the beat’s knocking, Junior M.A.F.I.A. was in there, and we was drinking, smoking heavy, living the dream, like, “We about to get on a song with Big!”

Puff was the overseer, but song-wise, Big could do whatever he wanted. He was like, “We just going to make a hard joint,” ’cause it wasn’t going to be a single. He just told us to do us, and let us rock. We probably took a little longer than usual, ’cause it was Big and we was probably a little nervous. But after we settled down, hit a couple of blunts, we was good.

I had a verse I wanted to use, something that I had already. I was probably being lazy. I spit it to Big and he was like, “Nah Kiss, I know you can come harder than that. Don’t use that one, make something right now.” I was like, “Damn, Big told me to do it over. I know I got to come with another one.” So I came with the joint I came with, and he was just feeling that shyt crazy.

Big laid his verse last. He out-smoked everybody. nikkas was on the floor all asleep and slumped over in the booth and he went in at like six, seven in the morning, and laid some crazy shyt. We finally left right when they was setting up the mic and all of that. We was tired. We was young nikkas. All that weed was killing us back then.

Havoc: I got a call from Puff, he asked for a record for Big and he wanted some street shyt. The beat that ended up on the album wasn’t the original beat that I had done. I did a beat that Puff liked and the reel had got stolen. So I had a whole new beat. Puff co-produced it with me and then The LOX jumped on it. Puffy added like a string to it and like some weird funny sound. It was almost similar to the original beat, but the original one was way better than that. I wish that could pop up now. I had made the beat from scratch, without putting it on disc and then saving it to disc. I just recorded it straight to reel and somebody hated, and stole the reel.


Anyways, Big ripped them on his last verse:

"Who the F*ck wanna squeeze, My Desert Ease make MC's Freeze, You waking up in cold sweats it's just dreams" >>>>>>>>> Anything Jada Said

The way Biggie used "hot and cold" as metaphors in those opening bars was genius.
 

the rhyme king

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LOL, Not True. Biggie never had no Ghostwriter. Matter a fact. Kiss spit a average verse and biggie made him re-write it:

6 Last Day

FEATURING THE LOX
Produced by Havoc, co-produced by Puffy and Stevie J.

Jadakiss: When we did “Last Days,” we were still, I wouldn’t say rookies, but we were new to the Bad Boy family. We got the call from Darren [Dean] from Ruff Ryders, our manager back then. He wanted us to go to Daddy’s House. We didn’t even know we was getting on a B.I.G. album, so when he called us to get on it, we was wild happy. We go down there, walk in, and it’s smoky—they used to have it like the Shaolin Temple. Anyway, the beat’s knocking, Junior M.A.F.I.A. was in there, and we was drinking, smoking heavy, living the dream, like, “We about to get on a song with Big!”

Puff was the overseer, but song-wise, Big could do whatever he wanted. He was like, “We just going to make a hard joint,” ’cause it wasn’t going to be a single. He just told us to do us, and let us rock. We probably took a little longer than usual, ’cause it was Big and we was probably a little nervous. But after we settled down, hit a couple of blunts, we was good.

I had a verse I wanted to use, something that I had already. I was probably being lazy. I spit it to Big and he was like, “Nah Kiss, I know you can come harder than that. Don’t use that one, make something right now.” I was like, “Damn, Big told me to do it over. I know I got to come with another one.” So I came with the joint I came with, and he was just feeling that shyt crazy.

Big laid his verse last. He out-smoked everybody. nikkas was on the floor all asleep and slumped over in the booth and he went in at like six, seven in the morning, and laid some crazy shyt. We finally left right when they was setting up the mic and all of that. We was tired. We was young nikkas. All that weed was killing us back then.

Havoc: I got a call from Puff, he asked for a record for Big and he wanted some street shyt. The beat that ended up on the album wasn’t the original beat that I had done. I did a beat that Puff liked and the reel had got stolen. So I had a whole new beat. Puff co-produced it with me and then The LOX jumped on it. Puffy added like a string to it and like some weird funny sound. It was almost similar to the original beat, but the original one was way better than that. I wish that could pop up now. I had made the beat from scratch, without putting it on disc and then saving it to disc. I just recorded it straight to reel and somebody hated, and stole the reel.


Anyways, Big ripped them on his last verse:

"Who the F*ck wanna squeeze, My Desert Ease make MC's Freeze, You waking up in cold sweats it's just dreams" >>>>>>>>> Anything Jada Said

The way Biggie used "hot and cold" as metaphors in those opening bars was genius.

actually it's wordplay and weak wordplat at that biggie wordplay was average at best
 

'Lando

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Its been confirmed by Kiss that he wrote BIG's verse on that song.....BIG specifically wanted Kiss to write it to see what he could come up with, like others said he was a big Kiss fan and saw alot of potential in him...
@biglescobar, got any proof to back this up?
 

jimbean

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“When we did ‘Last Day’ with Biggie the Lox was still wet behind the ears. We had just signed a deal with Bad Boy; the music business was all new to us. We were still hanging around in the ‘hood in Yonkers when we got the call from Puffy that BIG wanted us on his Life After Death project. So you could just imagine the adrenaline and the anxiety that was going through our minds. It was like, ‘Yo, they want us to go down to Daddy’s House to get on a song with BIG!’ We get all the proper accessories for our studio session, which we really didn’t need because BIG had it already laid out. So we get there and the beat is knocking and we find out that the track was produced by Havoc [from Mobb Deep]. The whole Junior Mafia was there. The scenery and lights were just ill. There’s a bunch of weed smoke and it’s foggy. It’s crowded and there was a party atmosphere, but it was still dead serious.

I tried to get over on BIG. I had some bars already written before I got into the booth and came up with the verse that you hear today. But BIG was like, ‘Nah…I like it, but I need something else.’ Now this is BIG telling me that I have to come with something better. I used to second-guess sometimes when Puff would tell me to switch up my verse, but when BIG told me, I didn’t even think about it. I just did it.

I went back to a neutral corner and started writing. I tried to ride this beat as much I could and say some hard shyt. That’s when I came with, ‘You already know what it’s about when I run in your house…’ People loved that cadence and flow. Diddy was like, ‘You nailed it!’ BIG was the one that put the battery in my back. It was the same feeling for Styles and Sheek, if I could speak for them. BIG was the one that told us. ‘Yo, y’all are nice, man.’ Once he said that, that’s all I needed. I was on top of the world. I was ready to take this music industry on.

Jadakiss interview
http://www.vibe.com/article/unbelievable-jadakiss-remembers-recording-last-day-notorious-big
 

'Lando

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