nas verse on verbal intercourse appreciation

pointproven214

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nas rhythmic cadence on this song was ridiculous.


[Nas]
Through the lights, cameras, and action glamour glitters and gold
I unfold the scroll, plant seeds to stampede the globe
When I'm deceased, by then the beast arise like yeast
To conquer peace leaving savages to roam in the streets
Live on the run, police paying me to give in my gun
Trick my wisdom with the system that imprisoned my son
Smoke a gold leaf I hold heat, nonchalantly
I'm raunchy, the things I do is real it never haunts me
While, funny style nikkas roll in the pile
Rooster heads profile on a bus to Rikers Isle
Holding weed inside they p*ssy with they minds on the pretty things in life
Props as a true thug's wife
It's like a cycle, nikkas come home, some'll go in
Do a bullet, come back, do the same shyt again
From the womb to the tomb, presume the unpredictable
Guns salute life rapidly, that's the ritual


 
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'Lando

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style switches like a fakket, "verbal intercourse" with another dude on a track, and then "the essence" with az? .......:camby:
 
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eerieBell

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what we needed was Nas' Eye for an Eye verse appreciation. now that's some shyt

a drug dealer's dream
stash CREAM keys on a triple beam
five hundred SL green, ninety-five nickle gleam
:ahh:

Even tho everyone killed it on that track :damn: P with the you wanna bust caps I get all up in your area / kidnap your children make the situation scarier:demonic:
 

StillKill

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I heard Nas was messin up big with this verse and Rae had to toughen him up a bit so that it'd come out perfectly
 
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I heard Nas was messin up big with this verse and Rae had to toughen him up a bit so that it'd come out perfectly

Raekwon: We got in the studio. RZA played the beat. Nas was liking it, and he was trying different rhymes to it. We would sit there, and he’d say some of his shyt. But he didn’t really know which rhyme he wanted to say. And I was there, being like his little coach. And I was like, “That’s it, son.” He was like, “That’s it?” I was like, “nikka, that’s it!” But he had already went through three or four rhymes, and he couldn’t really see which one he wanted it to be. But I heard it. Once it came out his mouth, I was like, That’s it.

Our main focus was just to make sure that he get his nut off and do what he gotta do. When he did his thing, I must have wrote something real quick, just to add on and get the shyt really looking like something. Ghost just put the cherry on the top. No hook, ’cause we didn’t care about hooks like that. All we had was the “RZA, Chef, Ghost, and Nas…,” which is more or less an introductory hook. Not really a hook.

Nas: Rae would come out to Queensbridge. I would go to Staten Island. We’d just ride and hang out all night. We didn’t call each other to work. We called each other to hang out. Somehow we wound up in the studio. RZA had a couple of beats ready. He played them for me. I got on both of them. The other one never came out. (:mjcry:) I was honored to be asked to be on the album. Raekwon was ahead of his time. I knew Rae was a classic artist and the album was going to be a music classic.

Ghostface: Nas banged it out in one night. He went first with his shyt. We all came after. Son was fast. Nas had a couple verses. He spit one verse to us and then another, not on the mic. He just asked, “How this sound?” And then we picked the one he spit. He still had the pen in his hand and all the other shyt, but son got in there and just threw an ill crack verse. He was on fire.
 
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