New Mach Hommy - Duck CZN: Tiger Style

IronFist

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Duck Czn: Tiger Style begins with the track "Bone Strait", a song produced by underground Philadelphia-based producer Sadhugold. The song begins with a groovy looped instrumental sample with a boom bap drum pattern fading in around 20-25 seconds into the song. Mach-Hommy is the first voice heard on the album and delivers a smooth first verse before singing the hook in his signature unorthodox singing style. His voice while rapping is much softer than it usually is, which fits the instrumental well. Tha God Fahim then raps the second verse and, much like his performances on Dollar Menu 4 shows how much he has improved technically recently, delivering smooth flows and rhyme schemes over the beat. Despite the upbeat and somewhat cheerful mood of the production, the lyrical content is much less positive. The subject matter is mostly social commentary with Mach-Hommy saying:

No less, they won’t eat nathin’ but yo flesh
The taste of information and the data, they so obsessed
Mach seems to be criticizing unethical data mining, and he follows this up by asking while singing the hook if these corrupt individuals "have a straight bone" in their body, implying that their bones, a metaphor for their character, are entirely crooked and self-interested. On the other hand, Tha God Fahim discusses disloyal characters, rapping:

The world be so evil, so love's dead
For any bughead: back-biters get no cred
Watch who you call homes, the ones you say, "Brother" and call on
The snakes'll put the nine to your jawbone
The tempo of the production picks up on "Shakes Pears", which is also produced by Sadhugold. The song begins with an intense horn melody that transitions into a looped instrumental sample that almost sounds like it could be a vocal sample. Mach-Hommy once again raps the first verse, but this time at a much higher cadence and a much less soft delivery. Mach-Hommy compares himself to a New York hip hop legend while bragging about his success, saying:

I’m like Rakim, ain’t nothing funny when I’m rappin’
Gotta buy a fence for all the money that I’m taxin’
Free range money, got you on the bandwagon
Tha God Fahim once again raps the second verse, which is about twice as long as Mach’s. Fahim’s subject matter is mostly braggadocio as he compares himself to another New York hip hop legend and makes reference to Kendrick’s "Smoking on your top 5" line from "Family Ties".

Lookin’ at me on the low like I’m the next Nas
We smokin’ top three if you smokin’ top five
"Tiger Balm Ultra" is the first track produced by Nicholas Craven, a Montreal producer that has worked with Fahim and Mach-Hommy as well as many other underground rappers on many occasions. The track features a beautifully soulful looped vocal sample and no drums aside from the subtle drum pattern from the sample. The track displays Mach and Fahim’s chemistry, with Fahim finishing the first verse of the track repeating "Now we gon’ take it to the moon like Neil Arm" twice and Mach starting his verse immediately after, saying:

Strong, for n****s who ain’t makin’ it a hit song
Two standard deviations away from being a big star
Juju Gotti handles the third verse, a short 8-bar verse to close out the song. His soft delivery and unique voice sound perfect over the soulful production and he adds a lot to the song despite the shortness of his verse.

The following track, "Stone Hill @ Stone Barns" is the first on the album with a very somber feel to it. The track is produced by Tha God Fahim and includes a melancholic looped string sample. Fahim raps about the obstacles he’s face and how he overcame them over the gloomy instrumental, saying:

Swear that college path was hard to consider
Had to deliver regardless
Ain't no excuses, I can't cry myself a river
Stomachaches made my liver quiver
But now we eatin' dinners - a entrée full of them ducks, Your product discontinued
Mach-Hommy then delivers a verse using his half-rap, half-singing style, which is perfect for this sort of instrumental. Your Old Droog handles the third and last verse, and he delivers a great feature. Droog flows over the beat with a buttery flow and clever wordplay with lines like:

Listen, I can’t afford to have an off year
Or kick it with my old brain, had to upgrade my software
Keep my thoughts clear, speak with the same clarity
It’s crazy when your target audience is posterity
And what that mean when the end is near
There’s levels to this shyt, ask your mafukkin’ engineer
Out of the trio of Dump rappers, Your Old Droog’s verse is comfortably the most impressive on the track.

On "Chimay Bleues", Sadhugold teams up with underground producer Wino Willy, who has worked with Daniel Son, Mach, Droog, Stack Skrilla, and Fahim in the past. The beat features heavy drums, a woodwind sample, and touches of piano that all come together well to provide a great backdrop for Mach & Fahim to trade off verses without a hook. Mach-Hommy flows like butter on both verses, but especially on the second verse, delivering bars like:

Lights get shot out if it’s too bright, heightenin’
Pop out, n****s move like lightnin’, bow bow
Tha God Fahim holds his own on the track, ending the song with the lines:

I'm extra with the weaponism, exorcism, we the best that did it
That .410 take off your head and neck with it
Now gimme my respect and I'm takin' the check with it
Neck litted, Ben Frank fukkin' my account, impregnanted
The 15 second "The Way You Do It (Skit)" that follows samples a quote about tiger and crane styles of martial arts from the 1976 Chinese martial arts movie, Challenge of The Masters. The use of this sample is an obvious homage to the Wu-Tang Clan, whose use of martial arts movie samples was a trademark of their style. This is not the first time Mach or Fahim have paid homage to the Wu-Tang Clan in this fashion, a notable example being Fahim’s 2017 album, Those That Slay Dragons.

Sadhugold once again handles the production on "Love is Luh". The beat features a high pitched vocal sample that acts as the main melody of the song. Mach delivers a solid first verse, but Tha God Fahim sounds much more hungry on the track, delivering great rhyming with a smooth flow, rapping bars like:

Roll that submarine, along with submachines
My account is doubling, rap star bubbling
Ain’t no peace treaties, just tossin’ all pitches
Expose the weakness in your heart, we burn you like Swishas
Ain’t talkin’ no walk in tha park, I’m huntin’ like Richard
Juju Gotti features once again to close out the song by repeating the vocal sample used on the song but with a much lower pitch, singing:

I just wanna be
I wanna be free
And love is calling my line
You know I’d rather decline
Nicholas Craven handles the production for the second time on the album on the track "Gossamer Wings", one of the best-produced tracks of the album. It features a beautiful looped sample that includes soulful vocals and a touching string sample. The sampling on the track is very much within Craven’s signature drumless style, which is a perfect fit for Mach and Fahim to rap over. Fahim raps the first verse, which is a pretty standard braggadocious verse from Fahim with some clever lines like:

Triggers get squeezed like condiments gone empty
Fahim & Mach once again show up their chemistry, with Fahim’s verse ending with:

Another mic to me is another murder
You just another mic for the season, I’ll flip you like an apple turner
And Mach’s verse picking up right after starting with

Flip you like a vinyl drop
Its quintessential, it’s cyber crime
Flip you like a scammer, scam bible, scam diamond watch
 

IronFist

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Sadhugold handles the production for the last time on the album on the track "Wiz Marquee". The beat is the most gritty on the album, with heavy drums and a creepy electronic string sample creating a ghoulish and ominous atmosphere. Mach delivers the first verse and holds his own, but Fahim comes in for the second verse flowing effortlessly, with multisyllabic lines such as:

Run like I’m Ryan Sheckler, intel just like a Tesla
Iron lyin’ flat up on the dresser for applying pressure
Nicholas Craven once again provides excellent production for Mach-Hommy and Tha God Fahim on the track "Turbo Tariff". Craven uses three vocal samples on the song: two samples from the same song of a woman singing "to remember" and "what’s too painful" and another of a man singing "we simply choose to". For most of the song, only the two samples of the woman singing are looped, but there are a few moments where the sample of the man singing comes in right before the two samples of the woman singing, making a complete sentence: "we simply choose to remember what’s too painful". Mach delivers buttery smooth flows over the soulful instrumental, while Fahim delivers some religiously inspired raps:

It's the killer of ill omens, what's dead is not growin'
In the dark, I be still glowin', I praise the all-knowin'
Keep some shells by the bedside, the heights that I'm goin'
They can't corrupt the righteous minds with the idols that they showin'
Tha God Fahim’s faith is something that comes up relatively frequently in his music. Fahim has come a far way and put in countless hours of work to get where he is today, and it’s clear he believes he wouldn’t have made it without religion to steer him onto the right path throughout the hardships he faced growing up.

Craven provides the production for the closing track of the album, "30 Stone Grouper". The production is the most cheerful on the album, featuring an uplifting looped string sample. Mach-Hommy flows smoothly over the bright production, rapping bars like:

N****s thinkin’ shyt sweet
Switch feet, dig deep, can a n**** get free
Juju Gotti features once again to perform the hook in his signature delivery before Tha God Fahim delivers the last verse of the album, rapping about overcoming the challenges life has thrown about him with lines like:

Knocked off the poverty, I healed from my abrasions
I hustle 'til the well dry up just like raisins
I got the insight now, I run mazes
Amazin', my name bein' mentioned in daily pages
"Duck Czn: Tiger Style" is a great addition to the Dump duo’s extensive collaborative catalogue. Sadhugold and Nicholas Craven delivered consistently strong production over the course of the album, the features from Your Old Droog and Juju Gotti added a lot to their respective songs, and Mach and Fahim’s chemistry was as strong as ever. With the high level of output from the Dump collective, it surely won’t be long before we hear more from Mach-Hommy and Tha God Fahim, and perhaps even see the Duck Czn series become a trilogy.
 
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