TheDarceKnight
Veteran
@FunkDoc1112 made a good point too about producers getting more royalties. And just to add...9th Wonder got a big old check from Jay-Z and Def Jam about 6 months after The Listening dropped, and then was immediately getting placements with Destiny's Child and Mary J Blige, while full albums for Murs, Buckshot, Jean Grae, Skyzoo, etc.9th was getting paid though, lol.
Dude said he built a whole studio and started a label from funds he got from those albums, and thanked the fans. The Listening is a classic though. I copped that immediately after it dropped, and have a few copies on vinyl too. That's how much I love that album. But it seems like 9th was working privately with ABB to cut Pooh and Phonte out of bread, and that's never cool. So it's a shame they couldn't keep working together and building on that legacy. LB was a breath of fresh air for Hip Hop. Money really did them in. It's fukked up.
9th was making good producer money in an era where there were still true super producers, big album budgets, and producers like him could make five-figures per beat (and sometimes healthy five-figures). People can not like 9th for various reasons, but that's not really his fault.
Gotta be honest. I don't think 9th even would've cared enough to work to cut them out of anything. I have virtually no personal reasons to say anything positive about 9th Wonder on here, and if anything I feel a bit dissed by him. And I have nothing but love and positivity for Pooh and Phonte. But Phonte and Pooh didn't get screwed out of early LB money by 9th Wonder.
