Rap disrespect of black icons raises concerns

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http://hosted2.ap.org/APDEFAULT/4e6...y-and-Rap/id-4bf64e32852345e0a7359d7a41ca0835

Malcolm X and rap music have always fit together like a needle in the groove, connected by struggle, strength and defiance. But three recent episodes involving the use or misuse of Malcolm and other black icons have raised the question: Has rap lost touch with black history?

Chart-topping rapstress Nicki Minaj provoked widespread outrage with an Instagram post featuring one of black history's most poignant images: Malcolm X peering out the window of his home, rifle in hand, trying to defend his wife and children from firebombs while under surveillance by federal agents. Superimposed on the photo: the title of Minaj's new song, which denigrates certain black men and repeats the N-word 42 times.

That came after Minaj's mentor Lil Wayne recorded a verse last year using the civil rights martyr Emmett Till in a sexual metaphor, and the hip-hop mogul Russell Simmons posted a Harriet Tubman "sex tape" video on his comedy channel.

What is happening to mainstream rap music, which was launched by Simmons and is now ruled by the likes of Minaj and Wayne?

"I don't want to say today's rappers are not educated about black history, but they don't seem as aware as rap generations before them," said Jermaine Hall, editor-in-chief of Vibe, the hip-hop magazine and website.

While previous generations had to struggle with the racism and neglect of the 1970s or the crack epidemic of the 1980s, Hall said, today's young people have not faced the same type of racial struggle — "They're sort of getting further and further away from the civil rights movement."

"In the '80s, whether it was KRS-One, Public Enemy, or the Native Tongues, that entire movement, it was very in tune with black history," Hall said. "They knew everything about Malcolm, about Martin, about Rosa Parks. Now, the new rappers just aren't as in tune."

Indeed, Minaj issued a statement expressing disbelief at the uproar and apologizing to Malcolm's family "if the meaning of the photo was misconstrued." Wayne wrote to the Till family to "acknowledge your hurt, as well as the letter you sent to me via your attorneys." Simmons was the only one to say, "I am sincerely sorry."

The apologies did not change much for Pierre Bennu, a filmmaker and artist who said Malcolm X's life was dedicated to advocating for the humanity of black people, while Minaj's song was simply dehumanizing.

When he saw Minaj's manipulation, Bennu said, "I felt punched in the gut."

The episode inspired him to post a mash-up video (http://bit.ly/1fpoFYB) laying Minaj's song over the infamous 1941 Walter Lantz cartoon "Scrub Me Mama With A Boogie Beat," which depicts a town of lazy black people hypnotized by a seductive washerwoman.

Various mainstream rap artists seem reluctant to defend Minaj and Wayne; The Associated Press sought out five, but none returned calls for comment.

Jasiri X, a rapper whose music focuses on black empowerment and current events, said many of today's mainstream rappers use images of revolutionary black icons to promote an anti-establishment image.

"All the while, they're being funded and pushed by major corporations," he said.

"I see Nicki and other artists, whether Kanye or Jay-Z, adopting these revolutionary images or using a clip or saying their name, but never practice the principles which these revolutionaries gave their lives for," Jasiri said.

It was not always so.

Hip-hop began in the early 1970s as an alternative to gang activity. Before the music was recorded, founding fathers like DJ Afrika Bambaataa — whose slogan was "peace, love, unity and having fun" — would play Malcolm X's voice over instrumental break beats.

"Not only did it sound funky but it helped raise our consciousness," Davey wrote on his website.

Davey attended many early rap concerts at Harlem's Audubon Ballroom, where Malcolm was assassinated. As the music gained steam, X was constantly honored on wax. KRS-One duplicated Malcolm's gun-in-the-window pose on the cover of his 1988 classic album, "By Any Means Necessary." In 1991, Tupac rhymed on "Words of Wisdom": "No Malcolm X in my history text, why is that? / Cause he tried to educate and liberate all blacks."

Malcolm's voice and image appeared on so many records and videos, "many would remark that he was an emcee," Davey wrote.

Tubman also is a longtime rap staple, mentioned by everyone from Ice Cube ("She helped me run like Harriet Tubman") to Pharoahe Monch ("A railroad to underground like Harriet Tubman"). Till, too, has been mentioned in songs such as Kanye's breakthrough 2003 single "Through The Wire."

But today's rappers reflect our money-obsessed society, said Bakari Kitwana, whose Rap Sessions organization just moderated a series of community dialogues between the civil rights and hip-hop generations.

"We see a lot of things going on with our young people, and we don't feel like we are teaching them values that can compete with the way the value of money is ingrained in our culture," Kitwana said. "Everything is just focused on money. If you can get money, whatever else you're doing doesn't matter."

"It's reached a crisis point," he said. "I came up in the '70s and '80s, and greed has always been present, but I don't think I've ever seen it like it is now."

He was echoed by Paradise Gray, who performed in the 1980s with the Afrocentric rap group X Clan.

"Mainstream rap music has lost its reverence for anything besides money," Gray said.

Today's rappers threaten to kill people who disrespect them, "but they sit back and let you disrespect our legacy, our culture, our history," he said.

"What," Gray asked, "will the disrespect of your humanity and your blackness cost you?"
 

The Coochie Assassin

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It doesn't raise any concern for me cause I already know rap and many mainstream rap fans could care less...rap is just the reflection of the present ...these kids could give a damn about Malcolm X or Emmit Till.....didn't club promoters put MLK's image on their flyers on his holiday........they don't care
 

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Rap Lyrics at Heart of NJ Supreme Court Arguments

NEWARK, N.J. — A New Jersey man whose rap lyrics boasted he would "blow your face off and leave your brain caved in the street" will have his attempted murder case considered by the state's Supreme Court, which will decide whether the words he penned should have been admitted at trial.

Vonte Skinner's case is being watched closely by civil liberties advocates who contend the lyrics should be considered protected free speech under the Constitution. In an amicus brief in support of Skinner, the ACLU New Jersey contends that rap lyrics, because of their violent imagery, are treated differently than other written works.

"That a rap artist wrote lyrics seemingly embracing the world of violence is no more reason to ascribe to him a motive and intent to commit violent acts than to ... indict Johnny Cash for having 'shot a man in Reno just to watch him die,'" according to the brief.

After an initial trial ended without a verdict, Skinner was convicted at a second trial of shooting Lamont Peterson multiple times at close range in 2005, leaving Peterson paralyzed from the waist down. Peterson was reluctant initially to identify Skinner as the shooter, but eventually testified at the trial that Skinner was the assailant. Peterson testified the two men sold drugs as part of a three-man "team" and developed a dispute when Peterson began skimming some of the profits for himself.

During the trial, state prosecutors read 13 pages of rap lyrics that were found in the back seat of the car Skinner was driving when arrested. The writings, some penned three or four years before the Peterson shooting, include a reference to "four slugs drillin' your cheek to blow your face off and leave your brain caved in the street."

Another passage describes a mother in a mortuary, taking clothes "red soaked ravaged with holes" and "Wonderin' if you died in pain. Was it instant or did you feel the slugs fryin' your veins."

In a 2-1 ruling that overturned the verdict, an appellate court noted that, similar to admitting evidence of prior crimes, caution must be exercised when allowing prior writings as evidence in a trial. The judges also wrote that the lyrics weren't necessary to buttress the state's case.

"This was not a case in which circumstantial evidence of defendant's writings were critical to show his motive," the majority wrote. "Nor was such evidence important to show that defendant had the intent to kill Peterson, which the State was required to establish to prove attempted murder. This brutal shooting bespoke intent to kill."

Judge Carmen Alvarez wrote in a dissenting opinion that the lyrics' relevance in showing motive and intent outweighed their prejudicial effect on the jury, and that "defendant's songs narrated events similar to the conduct which resulted in the charged offenses."

In its brief, the ACLU said that an analysis of similar cases in other states found that in 14 of 18 instances, judges allowed rap lyrics to be admitted as evidence. The brief urges the Supreme Court to toughen the standards for admitting lyrics as evidence in a trial.

"We're not saying song lyrics can never be evidence, but that there needs to be a direct connection to the crimes," said Jeanne LoCicero, deputy legal director of the ACLU New Jersey.

The Burlington County prosecutor's office, which is to argue the case before the Supreme Court, declined to comment on the case.
 

Scientific Playa

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I blame older people for not keeping what they did alive. Older blacks love to place blame on the youth.
some are still fighting the good fight



also, Rev Calvin Butts, Bill Cosby, and C. Delores Tucker put in that work


Harlem Protest of Rap Lyrics Draws Debate and Steamroller
By CLIFFORD J. LEVY
Published: June 6, 1993

The steamroller was fueled and ready, but the Rev. Calvin O. Butts 3d decided at the last moment yesterday not to conduct a symbolic protest against explicit rap lyrics by crushing boxes of rap recordings. Confronted by demonstrators who accused him of censorship, he said that he would instead meet with the rappers who are angered by his campaign against their music.
http://www.nytimes.com/1993/06/06/n...-rap-lyrics-draws-debate-and-steamroller.html


C. Delores Tucker
http://en.wikipedia.org/wiki/C._Delores_Tucker
 

ucanthandlethetruth

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I blame older people for not keeping what they did alive. Older blacks love to place blame on the youth.
while there is truth to this our generation deserves the bulk of the blame.....there is a succesful system in place that has broken black peoples cultural cycle and unity but we cant blame old heads for not holding our hands like children. we get reminded or there is a example of the real state of race relations every single fukking day but we the ones in now 2014 who choose to turn up instead of turn it around.
 

Wild self

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A lot of black folk disrespected historical figures for a long time. People shytted on Public Enemy for being preachy, bit I see people shytting on the likes of Malcolm, Martin, and Emmitt Till. It evolved into a monster.
 
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