Spielberg secures the bag from Netflix

[THE 101]

Steven Spielberg’s Amblin Partners In Deal To Make Movies For Netflix

What a difference two years and a global pandemic make. Steven Spielberg, who a couple of years ago was quoted — his camp maintains he never said it or anything he might have said was severely taken out of context — drawing a clear line between theatrically released films and streamer films, has berthed his Amblin Partners into a partnership with Netflix that will cover multiple new feature films per year. It shows once again the Netflix-led progress toward dissolving the lines between streamed and theatrical films and symbolically it is a big deal for Netflix’s Ted Sarandos and Scott Stuber.

The Netflix deal will co-exist side by side with the one Spielberg and Amblin have at Universal Pictures. Neither will have first shot at Amblin properties; Spielberg will make some films for Universal, and others to be made for Netflix. The expectation is that Amblin will generate multiple films per year for Netflix, which has a voracious appetite for content and releases a new film per week. Amblin’s Universal deal was extended last December, at which time comments reflected the possibility that a streaming deal might be in the offing.

The two companies have been collaborating for some time in an informal capacity. Netflix released the Amblin-produced, Aaron Sorkin-directed The Trial of the Chicago 7, a film that garnered six Oscar nominations. Netflix stepped up to acquire to finance and distribute Maestro, the film that Bradley Cooper is directing and starring in on the iconic composer Leonard Bernstein. That film is in pre-production.

Said Amblin Partners chairman Spielberg on Monday in a statement: “At Amblin, storytelling will forever be at the center of everything we do, and from the minute Ted and I started discussing a partnership, it was abundantly clear that we had an amazing opportunity to tell new stories together and reach audiences in new ways. This new avenue for our films, alongside the stories we continue to tell with our longtime family at Universal and our other partners, will be incredibly fulfilling for me personally since we get to embark on it together with Ted, and I can’t wait to get started with him, Scott, and the entire Netflix team.”

Netflix Co-CEO and chief content officer Sarandos called Spielberg “a creative visionary and leader and, like so many others around the world, my growing up was shaped by his memorable characters and stories that have been enduring, inspiring and awakening. We cannot wait to get to work with the Amblin team and we are honored and thrilled to be part of this chapter of Steven’s cinematic history.”






Said Jeff Small, Amblin Partners CEO: “By deepening our ties with Netflix via this new film partnership, we are building on what has for many years been an incredibly successful working relationship in both television and film. The global platform they’ve built — with more than 200 million members — speaks for itself, and we’re extremely grateful to have the opportunity to work closely with Scott and his amazing team to deliver Amblin’s iconic brand of storytelling to the Netflix audience.”

Stuber, Netflix’s Head of Global Film, said that “Amblin and Steven Spielberg are synonymous with incredible entertainment. Their passion and artistry combine to make films that both captivate and challenge audiences. We look forward to working with Steven, Jeff and the entire Amblin family on a new slate of films that will delight generations for years to come.”

CAA advised Amblin Partners on the deal.

Amblin’s Universal output includes the Best Picture Oscar winner Green Book and the Sam Mendes-directed 1917 which won three Oscars. Upcoming is the Colin Trevorrow-directed Jurassic World: Dominion, which shot during the pandemic and will bow on June 10, 2022. Amblin is also producer on Stillwater, the Focus Features film that Tom McCarthy directed and Matt Damon stars in. That film premieres at Cannes next month.

Spielberg will direct and has also written with oft-collaborator Tony Kushner an Amblin-produced film based loosely on the master filmmaker’s childhood growing up in Arizona, with Michelle Williams, Paul Dano, Gabriel LaBelle, Seth Rogen and Julia Butters. One would assume there might be some jockeying between Universal and Netflix over a film like that, but that one will go through a theatrical release at Universal.

Steven Spielberg’s Amblin Partners In Deal To Make Movies For Netflix – Deadline

 

[Deltron]

tune sure changed

Spielberg wants to block Netflix from Oscars, should compete for Emmys

i bet he'd change his tune if he was offered a lucrative NF deal

I wonder if he'll keep the same energy when the Scorsese film is released and is actually good/potentially nominated

 

[AnonymityX1000]

tune sure changed

Spielberg wants to block Netflix from Oscars, should compete for Emmys

Anything Ambien does for Netflix should be only eligible for Emmys.
All the cinema snobs no longer making content for cinemas? I'm sure Speilberg values quality and from what I haveheard generally speaking Netflix isn't known for quality. Speilberg wants to put his storiea next to Ginnie & Georgia, Spencer Confidential and Fatherhood? Where's the ethics and standards Speilberg? Or only the bag matters?

 

[BXKingPin82]

Gonna need Wacko Yacko and Dot to go upside this uppity pasty muthafukkas head with the delux ACME mallet with the custom made grip.

 

[obarth]

Netflix is dying

 

[daemonova]

Spielberg and Cooper on the set o

f Maestro

 

[Trapperman Dave]

BTTF 4?

 

[Artificial Intelligence]

BTTF 4?

I need it..

 

[Poetical Poltergeist]

BTTF 4?

 

[Deltron]

Anything bttf won't happen without the bobs blessing or until they dead

 

[Trapperman Dave]

Get that hate out your heart

 

[FromStLouis]

Bring back An American Tail and set it in the year 2046.

Fievel Blade Runner.

 

[Poetical Poltergeist]

Get that hate out your heart

No hate involved. Just know anything bttf would be terrible.

 

[pete clemenza]

Anything Ambien does for Netflix should be only eligible for Emmys.
All the cinema snobs no longer making content for cinemas? I'm sure Speilberg values quality and from what I haveheard generally speaking Netflix isn't known for quality. Speilberg wants to put his storiea next to Ginnie & Georgia, Spencer Confidential and Fatherhood? Where's the ethics and standards Speilberg? Or only the bag matters?

You talkin' like its the 80's and 90's. Is Speilberg even that guy anymore

 

[rabbid]

interesting. Maestro looks good. The only thing we know for sure is that the milking will begin. Gonna be lots of remakes and reimaginings like Color Purple given that Spielberg/Amblin already had numerous production deals and capital.