Study: Asian cave drawings as old as European ones

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Study: Asian cave drawings as old as European ones
By SETH BORENSTEIN

Oct. 8, 2014 1:10 PM EDT


This undated handout photo provided by Nature Magazine shows stencils of hands in a cave in... Read more


WASHINGTON (AP) — Ancient cave drawings in Indonesia are as old as famous prehistoric art in Europe, according to a new study that shows our ancestors were drawing all over the world 40,000 years ago.

And it hints at an even earlier dawn of creativity in modern humans, going back to Africa, than scientists had thought.

Archaeologists calculated that a dozen stencils of hands in mulberry red and two detailed drawings of an animal described as a "pig-deer" are between 35,000 to 40,000 years old, based on levels of decay of the element uranium. That puts the art found in Sulawesi, southeast of Borneo, in the same rough time period as drawings found in Spain and a famous cave in France.

And one of the Indonesian handprints, pegged as at least 39,900 years old, is now the oldest hand stencil known to science, according to a new study published Wednesday in the journal Nature.

These are more than 100 Indonesian cave drawings that have been known since 1950. In 2011, scientists noticed some strange outcroppings — called "cave popcorn" — on the drawings. Those mineral deposits would make it possible to use the new technology of uranium decay dating to figure out how old the art is. So they tested the cave popcorn that had grown over the stencils that would give a minimum age. It was near 40,000 years.

"Whoa, it was not expected," recalled study lead author Maxime Aubert, an archaeologist and geochemist at Griffith University in Australia.

Looking at the paintings, the details on the animal drawings are "really, really well-made," Aubert said in a phone interview from Jakarta, Indonesia. "Then when you look at it in context that it's really 40,000 years old, it's amazing."

Paleoanthropologist John Shea of Stony Brook University in New York, who wasn't part of the study, called this an important discovery that changes what science thought about early humans and art.

Before this discovery, experts had a Europe-centric view of how, when and where humans started art, Aubert said. Knowing when art started is important because "it kind of defines us as a species," he said.

Because the European and Asian art are essentially the same age, it either means art developed separately and simultaneously in different parts of the world or "more likely that when humans left Africa 65,000 years ago they were already evolved with the capacity to make paintings," Aubert said. Ancient art hasn't been found much in Africa because the geology doesn't preserve it.

Shea and others lean toward the earlier art theory.

"What this tells us is that when humans began moving out of Africa they were not all that different from us in terms of their abilities to use art and symbol," Shea said in an email. "Inasmuch as many of us would have difficulty replicating such paintings, they may even have been our superiors in this respect."

http://bigstory.ap.org/article/6cea...b/study-asian-cave-drawings-old-european-ones
 

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diepkloof-engraving.jpg

Engraved Ostrich Eggshell
Diepkloof Rock Shelter (c.60,000 BCE)
This prehistoric crosshatching ranks
alongside the Earliest art ever created
by anatomically modern man.


Diepkloof Eggshell Engravings (c.60,000 BCE)
Prehistoric Abstract Art

Contents

Significance
Diepkloof Rock Shelter
Ostrich Eggshell Engravings
Related Articles

diepkloof-ostrich-eggshell.jpg

More geometric abstract symbols
found engraved on eggshells
at Diepkloof.


CHRONOLOGY OF
PREHISTORIC ART

Aurignacian Art
(40,000-25,000 BCE)
Gravettian Art
(25,000-20,000 BCE)
Solutrean Art
(20,000-15,000 BCE)
Magdalenian Art
(15,000-10,000 BCE)
Mesolithic Art
(about 10,000-6,000 BCE)
Neolithic Art
(about 6,000-2,000 BCE)

oldest Stone Age art on the planet. Recently, researchers from the Department of Archeology at the University of Cape Town, and the Institute of Prehistory and Quaternary Geology at the University of Bordeaux, have found a series of prehistoric engravings incised in Ostrich eggshells, which date back as far as 60,000 BCE. The Diepkloof discovery underlines the significance of the Blombos Cave Engravings recently unearthed at Blombosfontein Nature Reserve on the Southern Cape coastline east of Cape Town, which were dated to approximately 75,000 BCE. The prehistoric artfound at both sites is characterized by similar abstract signs, namely patterns of crosshatching. The evidence from Diepkloof and Blombos - and from other paleolithic sites such as Klasies River Cave 1 and the caves at Klein Kliphuis and Wonderwerk - indicates that there was a tradition of abstract (possibly symbolic) decoration in the region - some 30,000 years earlier than in Europe. Given the current debate about who created the first parietal art in Europe (viz, the El Castillo cave paintings in Spain) - resident Neanderthals or anatomically modern human immigrants from Africa, the excavations at Diepkloof and Blombos seem to confirm that African modern man is a more likely candidate.

To see how the Diepkloof engravings fit into the evolution of ancient crafts, see: Prehistoric Art Timeline (from 2.5 million BCE).

Stone Age art, excavation was continued by a combined team from Bordeaux and Cape Town under Pierre-Jean Texier. So far, the team have uncovered a series of archeological layers which reveal that the cave was continuously occupied from at least 130,000 BCE to about 45,000 BCE. These layers span the pre-Stillbay, Stillbay, Howiesons Poort, and post-Howiesons Poort archeological periods. The shelter contains evidence of several different Paleolithic tool cultures associated with anatomically modern humans.

Note: For a comparison with later African art, see the animal figures painted on the Apollo 11 Cave Stones (c.25,500 BCE).

abstract art used on pieces of ochre at Klasies River Cave, the caves at Klein Kliphuis, Wonderwerk and Blombos. In fact, pieces of eggshell were found dating to the entire occupation-span (130-45,000 BCE), but only from the Howiesons Poort period (55-60,000 BCE) were engraved. Of course, no one is suggesting that the ostrich eggs were a form of mobiliary art, or an example of "art for art's sake". They were almost certainly used as water containers (capacity about 1 litre), since hunter-gatherers in the region's Kalahari Desert are known to have used ostrich eggshells for this purpose throughout the Middle and Late Paleolithic era, and some still do. In addition, the pattern of decorative symbols incised upon them was probably intended to indicate who owned them and possibly what they contained. The large number of engraved shell fragments enabled researchers to conclude that there were rules for what patterns of decorative art were allowed, although some stylistic variation was permitted. In addition, patterns changed over time. Crosshatching dominated during the earlier 12 layers at Diepkloof, but were then superceded by parallel line motifs. The differing eggshell motifs are yet more evidence that these modern humans were quite capable of symbolic thought, and quite accustomed to using basic forms of applied art and design to transform ordinary items into unique ones.

The paleolithic art uncovered at Diepkloof Rock shelter, confirms that Modern man had started to develop a capacity for creating and using symbolicpictographs some 30,000 years before he arrived in Europe and created the magnificent Chauvet Cave paintings, as well as the fertility symbols known asVenus figurines that marked the beginning of prehistoric sculpture.

Petroglyphs (290,000-4,000 BCE)

• For details of stone engraving, see: Megalithic Art (9,000-2,000 BCE).

• For more about early culture, see: Ancient Art (2,500,000 BCE - 400 CE).



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