The Secret Meeting That Changed Hip Hop

SpeakherKnockin

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Not sure if this was already posted but I'm curious to hear the input from the Hip Hop heads on this site.

And yeah, It is a long read, but it's the middle of the night and you're on a message board.. so read on brehs.
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Hello,

After more than 20 years, I’ve decided to tell the world what I witnessed in 1991, which I believe was one of the biggest turning point in popular music, and ultimately American society. I have struggled for a long time weighing the pros and cons of making this story public as I was reluctant to implicate the individuals who were present that day. So I’ve simply decided to leave out names and all the details that may risk my personal well being and that of those who were, like me, dragged into something they weren’t ready for.

Between the late 80′s and early 90’s, I was what you may call a “decision maker” with one of the more established company in the music industry. Since technology and media weren’t accessible to people like they are today, the industry had more control over the public and had the means to influence them anyway it wanted. This may explain why in early 1991, I was invited to attend a closed door meeting with a small group of music business insiders to discuss rap music’s new direction. Little did I know that we would be asked to participate in one of the most unethical and destructive business practice I’ve ever seen.

The meeting was held at a private residence on the outskirts of LA. Among the attendees was a small group of unfamiliar faces who stayed to themselves and made no attempt to socialize beyond their circle. Based on their behavior and formal appearances, they didn’t seem to be in our industry. Our casual chatter was interrupted when we were asked to sign a confidentiality agreement preventing us from publicly discussing the information presented during the meeting. The agreement was only a page long but very clear on the matter and consequences which stated that violating the terms would result in job termination. We asked several people what this meeting was about and the reason for such secrecy but couldn’t find anyone who had answers for us. A few people refused to sign and walked out. I was tempted to follow but curiosity got the best of me.

Quickly after the meeting began, one of my industry colleagues thanked us for attending. He then gave the floor to a man who only introduced himself by first name and gave no further details about his personal background. He briefly praised all of us for the success we had achieved in our industry and congratulated us for being selected as part of this small group of “decision makers”. The subject quickly changed as the speaker went on to tell us that the respective companies we represented had invested in a very profitable industry which could become even more rewarding with our active involvement. He explained that the companies we work for had invested millions into the building of privately owned prisons and that our positions of influence in the music industry would actually impact the profitability of these investments. At the time, I didn’t know what a private prison was but I wasn’t the only one. Sure enough, someone asked what these prisons were and what any of this had to do with us. We were told that these prisons were built by privately owned companies who received funding from the government based on the number of inmates. The more inmates, the more money the government would pay these prisons. It was also made clear to us that since these prisons are privately owned, as they become publicly traded, we’d be able to buy shares. Most of us were taken back by this. Again, a couple of people asked what this had to do with us. At this point, my industry colleague who had first opened the meeting took the floor again and answered our questions. He told us that since our employers had become silent investors in this prison business, it was now in their interest to make sure that these prisons remained filled. Our job would be to help make this happen by marketing music which promotes criminal behavior, rap being the music of choice. He assured us that this would be a great situation for us because rap music was becoming an increasingly profitable market for our companies, and as employee, we’d also be able to buy personal stocks in these prisons. Immediately, silence came over the room. My daze was interrupted when someone shouted, “Is this a f****** joke?” Two of the men who were part of the “unfamiliar” group grabbed the man who shouted out and attempted to remove him from the house. One of them pulled out a gun and we all backed off.

My industry colleague who had opened the meeting earlier hurried out to meet us and reminded us that we had signed agreement and would suffer the consequences of speaking about this publicly or even with those who attended the meeting. I asked him why he was involved with something this corrupt and he replied that it was bigger than the music business and nothing we’d want to challenge without risking consequences. We all protested and as he walked back into the house I remember word for word the last thing he said, “It’s out of my hands now. Remember you signed an agreement.”

The next day back at the office, I was visibly out of it but blamed it on being under the weather. No one else in my department had been invited to the meeting and I felt a sense of guilt for not being able to share what I had witnessed. I thought about contacting the 3 others who wear kicked out of the house but I didn’t remember their names and thought that tracking them down would probably bring unwanted attention. I considered speaking out publicly at the risk of losing my job but I realized I’d probably be jeopardizing more than my job and I wasn’t willing to risk anything happening to my family. I thought about those men with guns and wondered who they were? I had been told that this was bigger than the music business and all I could do was let my imagination run free.

I tried to do a little bit of research on private prisons but didn’t uncover anything about the music business’ involvement. However, the information I did find confirmed how dangerous this prison business really was.

As the months passed, rap music had definitely changed direction. I was never a fan of it but even I could tell the difference. Rap acts that talked about politics or harmless fun were quickly fading away as gangster rap started dominating the airwaves. Only a few months had passed since the meeting but I suspect that the ideas presented that day had been successfully implemented. It was as if the order has been given to all major label executives. The music was climbing the charts and most companies when more than happy to capitalize on it. Each one was churning out their very own gangster rap acts on an assembly line. Violence and drug use became a central theme in most rap music. I spoke to a few of my peers in the industry to get their opinions on the new trend but was told repeatedly that it was all about supply and demand. Sadly many of them even expressed that the music reinforced their prejudice of minorities.

As the years passed, I managed to keep my secret, fearful of sharing it with the wrong person but also a little ashamed of not having had the balls to blow the whistle. But as rap got worse, my guilt grew. Fortunately, in the late 90’s, having the internet as a resource which wasn’t at my disposal in the early days made it easier for me to investigate what is now labeled the prison industrial complex. Now that I have a greater understanding of how private prisons operate, things make much more sense than they ever have. I see how the criminalization of rap music played a big part in promoting racial stereotypes and misguided so many impressionable young minds into adopting these glorified criminal behaviors which often lead to incarceration. Twenty years of guilt is a heavy load to carry but the least I can do now is to share my story, hoping that fans of rap music realize how they’ve been used for the past 2 decades. Although I plan on remaining anonymous for obvious reasons, my goal now is to get this information out to as many people as possible. Please help me spread the word. Hopefully, others who attended the meeting back in 1991 will be inspired by this and tell their own stories. Most importantly, if only one life has been touched by my story, I pray it makes the weight of my guilt a little more tolerable.

Thank you.
 

Saka

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read this back on the old boards... i could believe it rich motherfukkas tryina control what frequencies an shyt you pickin up on subconsciously . :birdman:
 

sm0ke

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the whole "secret meeting" shyt is annoying, but it's not hard to see just how easy it would be for a few choice industry leaders to steer rap music in any direction, for any reason. same can be said for any industry. we often see unfavorable trends in every day life, how much of it can be attributed to happenstance?
 

stealthbomber

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People can believe in a God you can't see, but can't accept the fact that just MAYBE a group of rich fukks could control an entire industry.

When in fact, it IS a group of rich fukks that control the entire industry

:stopitslime:

for real tho. its not like they're hiding or some shyt, its pretty obvious a few people are making all the big decisions for the music industry and they know each other. call it conspiracy or call it running the industry but they pretty much choose who :win: and who :flabbynsick: and how shyt goes down


it is what it is :yeshrug:
 

villain

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terrible

they wanted more nikkas in prison and they accomplished that by making the harshest drugs laws of any major industrialized country. plus, there is no evidence that listening to gangster music encourages people to commit crime.

nikkas commit crime because they are poor and uneducated, not because uncle murda rap about giving nikkas headshots
 

Schmoove

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terrible

they wanted more nikkas in prison and they accomplished that by making the harshest drugs laws of any major industrialized country. plus, there is no evidence that listening to gangster music encourages people to commit crime.

nikkas commit crime because they are poor and uneducated, not because uncle murda rap about giving nikkas headshots

:childplease:
 

concise

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terrible

they wanted more nikkas in prison and they accomplished that by making the harshest drugs laws of any major industrialized country. plus, there is no evidence that listening to gangster music encourages people to commit crime.

nikkas commit crime because they are poor and uneducated, not because uncle murda rap about giving nikkas headshots



Exactly. Where is the blame for significant crime rate that started in the 1970s?

Coincidentally, 1991 is the year crime started to dip nationally, but I'm sure these cosigners don't want to talk facts, they just want to talk down about gangsta rap with a poorly fitting conspiracy.
 

Da Jungles

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People can believe in a God you can't see, but can't accept the fact that just MAYBE a group of rich fukks could control an entire industry.

When in fact, it IS a group of rich fukks that control the entire industry

:stopitslime:

I guarantee that if some of the believers weren't so quick to throw in celebs to the illuminati then more people would believe.
 

Ndiema

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isn't this the gangsta music they supposedly pushed that we love so much?the dmx,50 cent,nwa,dr dre,mobb....
 
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