It was part of that esoteric, open text style. Like Digable Planets “9th Wonder”. Purposefully mixed the vocals low to make people listen to the shyt closely to figure it out.
"Ishmael Buttler stated "I read where George Clinton said the stuff that's inaudible the first couple of listens adds longevity to a record, because it draws the person in. You might catch a word or a phrase on down the road, and that makes that record all the more intriguing". Ishmael also mentioned "The vocals were to be woven in with the fabric of the music, not necessarily something that was on top. The record label was like 'nobody can hear what you're saying', but I felt like if the music was engaging enough, then over time it would provide a richer listening experience"
Same with Shakespeare, tf was that guy talking about half the time
This is it what, Lucini pouring from the sky
This is it