Push has impressive one-liners/ punchlines and is a more focused artist
but he falls flat without Malice as a contrast
And he didn't fill in the missing pieces he lost by going solo. Only thing he did was make his cadences sound more "try-hard." Only time he brought the old flow back was on "Let me Love You" with Kelly Rowland, unsurprisingly my favorite record on MNIMN
Wayne was solo in his best career years, and more singularly entertaining imo. I gotta be in a 02-09 neptunes mood to appreciate Push's shyt