To say some of the material on IWW was jarringly in opposition to his debut would be an understatement. None of the producers on the first album had purposefully gone after radio, IWW/Soute/Trackmasters did.
This.
Yet if we let these stockholm syndrome goofie nas stans have their sellout excuse based way.
Making purposeful culturally divisve pop records was cool.
To say some of the material on IWW was jarringly in opposition to his debut would be an understatement. None of the producers on the first album had purposefully gone after radio, IWW/Soute/Trackmasters did.
Just goes to show you how smart Nas was in future proofing his career and allowing Stoute at that moment to have a bigger vision regarding Nas and talent that extended beyond just Queensbridge.
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