Thinking.
In so many threads I see @Rapmastermind and a plethora of others talking about somebody flopped, or somebody did well with an album based on sales in 2015.
Albums are just used for promotion. Its a way to create a cycle where you can be in the public eye and generate tour interest.
There are no labels that depend on records sales to meet budgets or make or break their bottom-lines in 2015. You also have to factor in that it is cheaper than ever to make albums (No more super producers, No more outrageous charges for features)
The money is in touring, singles and appearances. Albums are needed to have a catalog of music to perform.
In so many threads I see @Rapmastermind and a plethora of others talking about somebody flopped, or somebody did well with an album based on sales in 2015.
Albums are just used for promotion. Its a way to create a cycle where you can be in the public eye and generate tour interest.
There are no labels that depend on records sales to meet budgets or make or break their bottom-lines in 2015. You also have to factor in that it is cheaper than ever to make albums (No more super producers, No more outrageous charges for features)
The money is in touring, singles and appearances. Albums are needed to have a catalog of music to perform.
One of the most reliable forms of streaming music is live music — in 2014, the concert industry in North America was valued at $6.2 billion, though the figure is likely much larger than that, since many festivals don’t report earnings. The most confounding quirk in the psyche of music consumers is that many people are more willing to pay to hear a song played live once than to hear a recorded version as many times as they wish./QUOTE]
It’s now accepted wisdom that few artists can make their living from album sales. Instead, records are viewed as commercials for an artist’s brand, with an eye toward monetizing in the form of tours, merchandizing, licensing deals, and so on


