Y'all nikkaz ain't got love for the Goodie?

Robbie3000

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Where my OG ATL and South nikkaz at? Sonically its much different from the classic ONP sound, but the tone and the lyrics are straight up Goodie Mo. B.
 

JulesWinfield

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Had to cut the album off after the first like 5-6 tracks. shyt was so bad. I'm gonna give it another chance. I feel like it's over for Goodie Mob though :to:
 

Illin Degenerate

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the df album was what really killed goodie. world party fractured the group, but they came back together and we're pretty much the driving force behind the df album. opinions vary, it wasnt soul food or still standing, but it was a good/very good album that showed their versatility and what they were capable of as a group within that album. i wanna say i read khujo make a comment in a magazine during promotion of the album that the df album saved goodie mob and it appeared it should have. poor promotion, single choices, whatever and that pretty much ended the group as we knew it up until they got serious about making this album. if that album would have sold we would have gotten another df album, another goodie album or possibly both within 3 years.

theres some good moments on this album, but sonically and songwise theres just too many wtf moments and stuff that just doesnt fit jo, gipp, and t-mo in any way whatsoever. some of the cee-lo centric is stuff i wouldnt even want to hear on a cee-lo record. im not making excuses, but i wonder with all the different stuff cee-lo is doing if he was capable of producing this project and having a clear direction. when kast went outside the box i felt they still managed to make the sound their own and entertaining. while a lot of stuff on this album is oil and water. thought the hooks were subpar which shouldnt happen with cee-lo being the driving force behind it.

as much as fight to win got crucified i prefer it along with night train off cee-lo's stray bullets mixtape over at least half this album.
 
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JulesWinfield

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the df album was what really killed goodie. world party fractured the group, but they came back together and we're pretty much the driving force behind the df album. opinions vary, it wasnt soul food or still standing, but it was a good/very good album that showed their versatility and what they were capable of as a group within that album. i wanna say i read khujo make a comment in a magazine during promotion of the album that the df album saved goodie mob and it appeared it should have. poor promotion, single choices, whatever and that pretty much ended the group as we knew it up until they got serious about making this album. if that album would have sold we would have gotten another df album, another goodie album or possibly both within 3 years.

theres some good moments on this album, but sonically and songwise theres just too many wtf moments and stuff that just doesnt fit jo, gipp, and t-mo in any way whatsoever. some of the cee-lo centric is stuff i even want to hear on a cee-lo record. im not making excuses, but i wonder with all the different stuff cee-lo is doing if he was capable of producing this project and having a clear direction. when kast went outside the box i felt they still managed to make the sound their own and entertaining. while a lot of stuff on this album is oil and water. thought the hooks were subpar which shouldnt happen with cee-lo being the driving force behind it.

as much as fight to win got crucified i prefer it along with night train off cee-lo's stray bullets mixtape over at least half this album.
That DF album still gets play from me. Goodie Mob were definitely the stars of that project. Cee-Lo specifically was in the zone on that album.
 
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