Shut the fukk up with the tough talk breh. Everywhere in the world can be dangerous.
Make me shut up cac. Can be don't mean that it is. That's why Yo Gotti said what he said about yaw fake ass wannabes.
Last edited:
Shut the fukk up with the tough talk breh. Everywhere in the world can be dangerous.
shyt is fukking tv show man...I hope they don't bring it to chi town and leave it in the uk...im a big fan of uk tv....they got gamgsters everywhere manGreat that it's getting a new series, for me it's the best "urban" UK show. Two enjoyable seasons but I think I preferred the first.
Not sure why people are nitpicking talking about it being "unrealistic". The only part for me that was unrealistic was when they robbed them Albanian gangsters and DuShane fukking his legal aid lawyer. But it's a TV show ffs, there were parts in The Wire that were unrealistic.
As for the whole "UK nikkas aint gangsters" thing, why are people even entertaining this debate. Theres a handful of CAC trolls on this forum that will start with this anytime a UK related thread is made. shyt is pathetic.
Make me shut up cac. Can be don't mean that it is. That's what Yo Gotti said what he said about yaw fake ass wannabes.
Great that it's getting a new series, for me it's the best "urban" UK show. Two enjoyable seasons but I think I preferred the first.
Not sure why people are nitpicking talking about it being "unrealistic". The only part for me that was unrealistic was when they robbed them Albanian gangsters and DuShane fukking his legal aid lawyer. But it's a TV show ffs, there were parts in The Wire that were unrealistic.
As for the whole "UK nikkas aint gangsters" thing, why are people even entertaining this debate. Theres a handful of CAC trolls on this forum that will start with this anytime a UK related thread is made. shyt is pathetic.
But still the best show of all time for me.Yeah right. The last Canadian I ran into I smacked him up. The last UK broad I ran into, I shoved my dikk down her throat. She admitted before she swallowed me them cats was wannabe lames.
You was in the suburbs in those states stop frontin.
A friend of mine that lived in England for a few years told me how over there a lot of the series' are short lived for some reason but Top Boy was so fukking good and unfinished I don't understand why anyone would HAVE to help bring it back let alone a dork from Canada. I binge watched that shyt in like 4 days a couple years ago.

The writing on this show was lazy but the performances were good for the most part. It's entertaining enough to be worth producing another season... the UK is not the same market at all as the US though so the demand might not be there.
Honestly though, I'm not feeling the fact that this show was written, produced and directed entirely by white men (writer/creator Ronan Bennett, directors Yann Demange & Jonathan Van Tulleken) when Africans already have a hard enough time with being represented well over there in the UK. Poverty in the UK may or may not be less segregated than here but the vast majority of the characters on this show are black and its obviously being marketed as a look into "urban black life". I'm willing to bet Bennett shopped this script around to some black directors who probably declined because they didn't want to attach their name to overtly stereotypical material.
I guess it doesn't seem stereotypical for me just cause it's based in LondonThe writing on this show was lazy but the performances were good for the most part. It's entertaining enough to be worth producing another season... the UK is not the same market at all as the US though so the demand might not be there.
Honestly though, I'm not feeling the fact that this show was written, produced and directed entirely by white men (writer/creator Ronan Bennett, directors Yann Demange & Jonathan Van Tulleken) when Africans already have a hard enough time with being represented well over there in the UK. Poverty in the UK may or may not be less segregated than here but the vast majority of the characters on this show are black and its obviously being marketed as a look into "urban black life". I'm willing to bet Bennett shopped this script around to some black directors who probably declined because they didn't want to attach their name to overtly stereotypical material.
