An under appreciated thing about James Brown cuts...

[Taadow]

Is the song titles.

You probably weren’t going to understand all the words the first time anyway,
so he put in parts you could grasp.
Sometimes the title was a whole bar or a rhyme.

“Say It Loud - I’m Black And I’m Proud”
“Get Up (I Feel Like Being A) Sex Machine”
“Hot Pants (She Use What She Got To Get What She Want)”
“Let A Man Come In And Do The Popcorn”
“Mother Popcorn (You Got To Have A Mother For Me), Parts 1&2”
“I Don’t Want Nobody To Give Me Nothing (Open The Door I’ll Get It Myself)”
“I’m Your Christmas Friend, Don’t Be Hungry”
“You Can Have Watergate, Gimme The Money And I’ll Be Straight”

You see any one of these and you like “okay I think I know what I’m getting here...”

 

[Kyle C. Barker]

Goat

 

[Taadow]

This really what the game has been missing, tbh. Real chit people can relate over funky-ass beats.
Imagine a song with this title:






“Went For A Shake & Burger, Shake Machine Broken So I Didn’t Order Further”



Ain’t that some real chit?
You already feel something about that before you press Play.
The right beat come in, and a nicca like JB come in and say a few phrases on topic
but don’t get in the way of the funk...that’s what’s up...

 

[ThrobbingHood]

The GOAT!