Bone Thugs - Shotz to the double glock = out three 6'ing three 6 mafia, years before they blew

Wacky D

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Eazy E was one of the most recognizable rappers in the game and ruthless a very successful label then....

I don't think it's a huge leap to say that if they linked up with Eazy instead, they would have had major success.


who were all these acts that were poppin from ruthless at the time?
eazy didn't have much presence in the game at the time. his EP did big numbers but they were blackballing his chit.
to minimize the highest-selling act in ruthless history as some sort of group that piggy-backed off of eazy is ridiculous.

breh, i was a 3-6 mafia fan but they were not all that popular. they made a lot of doofy music and had a cult following of cornballs & tackheads. they get way more props now, than they did back then. and that's mainly because of the producers that they influenced.

how would they have the same success as bone? where is their COACU, E.99 eternal, art of war? they don't even have an album as good as resurrection.
wheres their thuggish ruggish, foe the luv of $, 1st of the month, crossroads, dayz of our livez, etc etc?

we're only comparing these two groups right now because of style wars. bone had bigger fish to fry. they were competing & beefing with fellow big dogs like death row, wutang, mobb deep, etc.

cmon man. youre smarter than this.

and real rap, even some of the mo thug acts had higher potential of succes than 3-6 mafia, but bone let that all go to waste.


Bone had to run to LA to get attention. They blew up off the Eazy E co sign.

If 36 mafia went to New York or LA, they would have done the same....


they blew up off their music.
if it was really about eazy-e's cosign then he wouldn't need bone, because all those other groups he had, that went nowhere, would've blew up.

and if 3-6 mafia went to new York to try to blow, they would've been rejected. east coast wasn't bumpin that weirdo chit. they didn't start getting a lil play until they switched up, and that was really just the singles.

I think people forget that 3-6 mafia in their prime was a C-list & eventually B-list group.

they had all the opportunities in the world to match bone's success over the course of the past 20 years and counting, as they still have mainstream exposure. and yet, they still wont ever come close.

they were even under the same umbrella for a while.
 
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BO BARON

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Eazy E was one of the most recognizable rappers in the game and ruthless a very successful label then....

I don't think it's a huge leap to say that if they linked up with Eazy instead, they would have had major success.

3 6 was just some dirty ass devil worshipping coke heads from memphis

Bone was already looking like young icons with the style they mastered & plus 3 6 wouldve never created something like crossroads stop the bone slander
 
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mobbinfms

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Eazy E was one of the most recognizable rappers in the game and ruthless a very successful label then....

I don't think it's a huge leap to say that if they linked up with Eazy instead, they would have had major success.
Eazy was past his prime at this point and reeling from the Dre beef.
I agree that 36 would likely have done better with Eazy, but they weren't going 5x plat or having a number one single for 10 straight weeks or whatever it was.
 

mobbinfms

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think people forget that 3-6 mafia in their prime was a C-list & eventually B-list group
rzYpv.gif
 

Wacky D

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I'm talking strictly quality of music, song/album making and MC'ing...Bone were shells of themselves by the late 90's


bone past their peak still made better albums than 3-6 mafia's best chit.
like I said, these groups are only connected because of the beef. theyre not on bone's level at all. and that's not a diss.

MC'ing?? are your serious?? most of bone are arguably even better emcees today, than they were back then. they just waste it on bullchit records.

why would you even bring mc'ing into the convo when the group that youre vouching for was mostly made up of people who couldn't rap?


At the time AOW dropped people thought we was getting another E1999 but we got more singing and a lotta people didnt fukk with the Mo Thug 7th Sign wave and AOW was heavy on that shyt. Listen to AOW today is still like gatdamn the nostalgia.. album is a Classic. i even appreciate Wish trash ass song now ..


yea, art of war was before its time. I knew it back then tho.
it was low-key, their most influential release

btw, the bolded = the birth of nelly


Eazy was past his prime at this point and reeling from the Dre beef.
I agree that 36 would likely have done better with Eazy, but they weren't going 5x plat or having a number one single for 10 straight weeks or whatever it was.


exactly

I mean, eazy won the battle, but he was losing the war. death row had the media in their back-pocket, and way more exposure.
 
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H.I.M.

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bone past their peak still made better albums than 3-6 mafia's best chit.
like I said, these groups are only connected because of the beef. theyre not on bone's level at all. and that's not a diss.

3-6 got 5 albums as good or better e.1999 :heh:

Stop it.

Everything after Art of War is straight :doodoo::doodoo::doodoo:

That weedplate "last 2 walk" is even bettter than Resurrection and everything they released afterwards.

MC'ing?? are your serious?? most of bone are arguably even better emcees today, than they were back then. they just waste it on bullchit records.

why would you even bring mc'ing into the convo when the group that youre vouching for was mostly made up of people who couldn't rap?

Lord Infamous is shyttin on everybody in Bone lyrically...and it's not even close

Koop & Paul got better bars than everybody in Bone...it's close tho

shyt...Prophet/Hypnotize ent. nikkas like Skinny Pimp, Playa Fly, Gangsta Blac, T-Rock rap circles around everybody Bone...

And let's not even mention Project Pat :sas1:

Are we really gonna act like Bone's lyrics weren't at times, damn there every bit as repetitive as Crunchy Blac's...and their lyrical deficiencies were covered up by their all-around strong (non-lyrical) MC skills...and exceptional musicality...lyricism was not a strong point of Bone's...3-6/Prophet/HCP had waaaaaay better lyricists overall.
 

H.I.M.

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3 6 was just some dirty ass devil worshipping coke heads from memphis

Bone was already looking like young icons with the style they mastered & plus 3 6 wouldve never created something like crossroads stop the bone slander

You're going to have to explain to me why thier music wasn't hittin on nothing in their own city until they got a co-sign from one of the biggest names/labels in rap.

You do realize they had a album out before Eazy/Ruthless? And they went bankrupt/homeless trying to push the shyt cus nobody in their own hometown was fukkin with their music....their supposed supreme talent couldn't net them fanbase in their own backyard...

Meanwhile, around the same time...93-94...Paul & Juice were making so much money from their underground tapes, due to hometown/regional support...not a product of any commerical industry selling them to the public via a commercial multi-platinum superstar...that they were buying nightclubs and stores and shyt

Juicy J's place - 380 Beale St. :ahh:

HVAs5FZ.jpg


Gimisum Dungeon :ahh:

aFIAdPZ.jpg


There's nothing like building a large fanbase from scratch...when the public buys into your music without it having to be sold to via a multi-million dollar commercial industry and co-signs from superstar rappers...it's one of the best measures of true musical quality.

3-6 is self made...and were already Millionaires before they got a deal...and had the labels kickin down their doors.

Bone had to beg for a deal...and take a leap of faith (while homeless) to get a deal...not to say they weren't great & talented...but don't compare them to a clearly superior group, that had proven drawing power without industry co-signs...to a group that needed the commercial industry in order to make a name for themselves...wasn't shyt in their own hometown for fukks sake.
 

H.I.M.

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Eazy was past his prime at this point and reeling from the Dre beef.

Eazy was at the absolute peak of his popularity & commercial success at the time "Thuggish Ruggish Bone" dropped you stupid cracker

- Double Platinum EP
- Damn there top 40 single
- Highest Billboard chart performance of his career...for his single & album (EP)


Puss ass cracker MOVE AROUND

Why are in a thread about two groups that talk about street shyt...and your puss ass scared to see a nikka in your (alleged) city you gotta problem with in the streets? :jbhmm:

Your disqualified from this discussion...take that Mobb Deep shyt out your av you pink p*ssy...you a shook one :mjgrin:

It's bad enough that you a cracker...but not only are you a cracker...you're a proven nutless coward...and then want to come on here and talk to nikkas about street rap. :shaq2:

fukk outta here pigskin
 

OnlyInCalifornia

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Eazy was past his prime at this point and reeling from the Dre beef.
I agree that 36 would likely have done better with Eazy, but they weren't going 5x plat or having a number one single for 10 straight weeks or whatever it was.

You are mistaken my friend...

When Bone thugs put their first album out no one cared. At all. They went to Ruthless and Eazy E not only got them the attention they needed but he also produced For The Love Of Money with Yella....

Fast forward to the album that blew them up, E.1999 and it was Eazy E who helped get the hook done for the 1st of the month through Michael Powell. It was Eazy's death that blew up Crossroads since it was dedicated to him. Double for the videowith his "cameo" in the video.

He had a direct hand in 3 of the biggest songs they ever did....he wasnt past his prime in 93 and 94, Real Muthfukkin Gs and the 187um EP came out right as their second album (1st on ruthless) came out at the end of 93.
 

Still Benefited

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You are mistaken my friend...

When Bone thugs put their first album out no one cared. At all. They went to Ruthless and Eazy E not only got them the attention they needed but he also produced For The Love Of Money with Yella....

Fast forward to the album that blew them up, E.1999 and it was Eazy E who helped get the hook done for the 1st of the month through Michael Powell. It was Eazy's death that blew up Crossroads since it was dedicated to him. Double for the videowith his "cameo" in the video.

He had a direct hand in 3 of the biggest songs they ever did....he wasnt past his prime in 93 and 94, Real Muthfukkin Gs and the 187um EP came out right as their second album (1st on ruthless) came out at the end of 93.

You gon just downplay Creepin On Ah Come UP like that?the buzz that album created:wow:

Eazy helped Bone because he was a genius and what he did for them as a producer,as he is underated in that regard and DRe gets all the credit.

But Eazy E was cold before Bone came in and put him back in the game.

Glad to see 3-6 get some respect,but this shyt going to far just because these lil devil worshipping weirdos is into they production style....they never was on Bones level,even they production dont amaze me like it does alot of these new nikkas apparently.....3-6 wasnt even on Brotha Lynch level at the time,let along Bone:mjlol:

I dont know where yall coming from tryna rewrite history:martin:
 

Still Benefited

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For years Bone fans had to shyt on delusional Wu Tang stans,i guess now the delusional 3-6 stans want a piece:pachaha:
 

BO BARON

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You're going to have to explain to me why thier music wasn't hittin on nothing in their own city until they got a co-sign from one of the biggest names/labels in rap.

You do realize they had a album out before Eazy/Ruthless? And they went bankrupt/homeless trying to push the shyt cus nobody in their own hometown was fukkin with their music....their supposed supreme talent couldn't net them fanbase in their own backyard...

Meanwhile, around the same time...93-94...Paul & Juice were making so much money from their underground tapes, due to hometown/regional support...not a product of any commerical industry selling them to the public via a commercial multi-platinum superstar...that they were buying nightclubs and stores and shyt

Juicy J's place - 380 Beale St. :ahh:

HVAs5FZ.jpg


Gimisum Dungeon :ahh:

aFIAdPZ.jpg


There's nothing like building a large fanbase from scratch...when the public buys into your music without it having to be sold to via a multi-million dollar commercial industry and co-signs from superstar rappers...it's one of the best measures of true musical quality.

3-6 is self made...and were already Millionaires before they got a deal...and had the labels kickin down their doors.

Bone had to beg for a deal...and take a leap of faith (while homeless) to get a deal...not to say they weren't great & talented...but don't compare them to a clearly superior group, that had proven drawing power without industry co-signs...to a group that needed the commercial industry in order to make a name for themselves...wasn't shyt in their own hometown for fukks sake.

Yeah hip hop in Cleveland was poppin real heavy it was many artist doing their thing on the local & national levels :comeon:

You do realize that most of them funk bands from ohio came to ny & la to pop off right:patrice:

Now just imagine what the hip hop scene was like in the early 90s they knew what they was doing when they took that 1 way ticket wasnt no begging eazy already heard them nikkas on the phone he knew he had something special

Plus they was the only chance to put cleveland on the map in hip hop they was extremely unique so any managers, producers & wannabe local industry heads wouldnt know what to do with them

Memphis already had a rich history in hip hop especially in the underground so it was a industry out there to flourish in on your own
 
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