It was weird the first time I heard it, but interesting as hell. A few years after it came out, I was stuck in bed, sick, in a foreign country. I was too weak to look for anything else to listen too, so it stayed on repeat for a minute.
Being forced to listen to it front to back over and over made me listen actively, instead of passively. I wasn’t just waiting on something familiar or hot to grab me, just mentally absorbing what the music gave me. It made me pick up on the little subtle production queues and better visualize the shyt he was saying.
You can tell everyone involved was having a lot of fun making this and had a lot of passion for it. You can also hear an evolution of who common really seems to be. A man who’s trying learn how to open up to feeling the world around him and love (on some Earth Wind and Fire shyt).
Listening for days, mostly with my eyes closed, looking at the ceiling, or in a novel helped me better grasp the expressive freedom he was trying to get across on some of the tracks I initially though were weak. I think this was a “shaking off the chains” of his past human, and stage persona, that he started with on “can I borrow...”. I feel like the album was more for himself than his og fan base. It may not feel Harlem approved but he was possibly learning to openly express sensitivity and growing up.
It’s not my favorite common album (“one day it will make sense” is) but it’s up there, and I respect the hell out of bruh for making it. I don’t think he hates it either because he went back and experimented with “UMC”. He just wants to be him without the rough emotional outer shell that we’re all encouraged, as men, to wear growing up. If he was a visual artist he’d probably do a lot of abstract expressionism.