OnlyInCalifornia
Southern California/Vegas
I would normally dismiss this as paranoia and I love Kendrick and what he brings to the game.. I love Section 80 and GKMC and was feeling his Control verse... But I was listening to Hot 97 yesterday and was disgusted on how Ebro and Rosenberg were caping for him and dismissing the talent of anyone who doesn't sell records or sell out concert tours..
And these are supposed to be the "real heads" or "backpackers" in the industry.. If I was an upcoming NY rapper I would be discouraged...
They basically said...Unless you sell the most records or have hits in radio rotation you shouldn't have a voice in the culture...Which pretty much alienates everyone rapping today outside of like 5 artists...
They are really trying to actively cheat to protect the princes from the paupers...And they should actually be neutral and unbiased...
I think the argument is a bit different than that. Not that everyone doesn't get a voice just that some are louder than others. Usually if a guy sells a lot but is not a "good" rapper people get on em for lyrics. If a rapper happens to be above average they get lumped in that lyricist/underground realm and people get on em for not selling. Kendrick is lucky enough to have both. 9th Wonder and Young Guru brought up the same point in their little back and forth above you.
Kendrick does benefit from the Interscope machine, of course. However this idea I see people floating around that he only blew up because of the machine isnt true. If they can just make anyone blow up then why do a ton of their artist flop badly? There is a lot of people signed to Interscope or an Interscope controlled imprint.
You guys forgot that Machine Gun Kelly (flopped badly) and YELLAWOLF (not existent) are both signed to Interscope right? Last night at the Angel game I saw a super broke looking artist by the name of Mickey Avalon, also signed to Interscope, and never went anywhere.