You went up to the Polo Grounds?
Me, Stretch, and a couple other homeboys. After I laid the song, Then I got a page from this guy Jimmy telling me he wanted me to rap on Little Shawn's record. He's Little Shawn's manager, and he'd been asking me for a while to rap on this record because it's going to be a song with me and Notorious B.I.G. on Bad Boy Records and all this. He said we need you.
Now this guy I was going to charge, because I had no connections with him. I could see that they was just using me out of the blue they wanted me to do this song. So, I said, "All right, you give me seven G's and I'll do the song." So he said, "All right, I've got the money. Come." When I got finished with Ron-G, Jimmy paged, like, "You're on your way?" I said, "Yes, I'm on my way." I stopped off to get some weed, smoked the weed, and he paged me again. "Where you at? Where you at? Where you at? Why you ain't coming?" I'm like, "I'm coming, Man, I'm on my way, hold on." I wasn't thinking, Why they want me here so bad?
We got lost looking for the studio in Manhattan. And I called him like, "Where the hell is the studio?" Jimmy said, "Where you at?" I told him where we were at, which is right around the corner. He was like, "How long is it going to take you?" I was like, "Five minutes. We'll be there in five minutes."