yea, but the hilarious thing is how nuts it got post 2006. Back in 96/98 when he was with tip and they had that "umma" thing going, people were saying that something was missing from those tribe albums, i personally loved them, even the love movement, even if lyrically it wasnt as strong. Fantastic Vol. 2 again was another album where the lyrics were sub par but his production outshined alot of people. The thing is, after he died, as much as i enjoyed his stuff, i didint understand the "genius" of what he was doing. i thought he was really good, but that was it.
Some of these same people were shyttin on those two tribe albums back then, but now hail them as dark horse classics because he was involved. Dilla would be madlib status if he was around today, which is a great thing, but its not what these fukkin hipsters with vinyl parading on instagram make it out to be. Stones Throw marketed that shyt perfectly.By all accounts ive spoken to ONE person who has been in the studio with J-Dilla and the onlyl description given to me was that he was really really quiet. REALLY quiet and just liked to do his thing and leave.