This is the problem in my POV, and it's our problem by our own doing, not theirs
It's not an issue of white artists doing black music. The issue is, we don't have our platforms, so now we have black artists seeking approval from white gate keepers, and white gate keepers applying their own interpretation and agenda to black music.
It should be the other way around really. Whites doing black music should be seeking the acceptance and approval of the black gatekeepers, but that doesn't exist, so![]()
This has been brought up over and over, she got signed by Arista, they heard her voice and made her release an r&b album, that's not the music she wanted to make, like others, she was forced into a sound that wasn't her to get a record deal. She forced them to let her make her own music when her second album dropped, she didn't abandon r&b, she wanted to be an edgy skater pop singer since breaking away from her group, and even if she did abandon r&b, that sound isn't what made her popular, her second album did.im gonna speak from the r and b side. i dont have a problem with whites doing it as long as there isnt a hidden agenda. teena marie and jon b never changed their sound or anything. always stuck to their roots. look at pink- she started off with a somewhat r and b sound then went completely pop/rock. she doesnt even acknowledge that she used to do r and b. she doesnt even perform her r and b songs.
This has been brought up over and over, she got signed by Arista, they heard her voice and made her release an r&b album, that's not the music she wanted to make, like others, she was forced into a sound that wasn't her to get a record deal. She forced them to let her make her own music when her second album dropped, she didn't abandon r&b, she wanted to be an edgy skater pop singer since breaking away from her group, and even if she did abandon r&b, that sound isn't what made her popular, her second album did.
This has been brought up over and over, she got signed by Arista, they heard her voice and made her release an r&b album, that's not the music she wanted to make, like others, she was forced into a sound that wasn't her to get a record deal. She forced them to let her make her own music when her second album dropped, she didn't abandon r&b, she wanted to be an edgy skater pop singer since breaking away from her group, and even if she did abandon r&b, that sound isn't what made her popular, her second album did.
Damn near Every semi successful album went plat back then, furthermore, how would it help her to create a black audience and then switch to something that's abandons them? She'd have to start from scratch with a white audience, secondly, don't act like she's the only person in the world to sell out their original style to get a deal. Her going double plat gave her the leverage to make the demands she made for her second album. She's no different than Rihanna or Mariah who were given bubblegum pop when they actually saw a different lane for themselves, artists get put in this position all the time, especially those who are signed at a young age, pink was like 18 then and damn near homeless, you would've taken the deal too.her first album went double platinum though. ok la reid made her sing r and b. if pink felt so strongly about her true sound(pop, rock), why didnt she go against reid? it's like she used the black audience to get in the door. then once she found success, bounced.
I don't.I always recalled "Pink" as a pop artist/alt rock maybe?(not familiar w/genre)
I guess no one remembers when Pink too pride in her "Urban" sounding music and voiceDamn near Every semi successful album went plat back then, furthermore, how would it help her to create a black audience and then switch to something that's abandons them? She'd have to start from scratch with a white audience, secondly, don't act like she's the only person in the world to sell out their original style to get a deal. Her going double plat gave her the leverage to make the demands she made for her second album. She's no different than Rihanna or Mariah who were given bubblegum pop when they actually saw a different lane for themselves, artists get put in this position all the time, especially those who are signed at a young age, pink was like 18 then and damn near homeless, you would've taken the deal too.
She's no different than Rihanna or Mariah who were given bubblegum pop when they actually saw a different lane for themselves, artists get put in this position all the time, especially those who are signed at a young age, pink was like 18 then and damn near homeless, you would've taken the deal to.
So if a black man wants to open a pizzaria he should seek the approval of italian pizza chefs?
Better check wit the "gatekeepers" to see if it's okay to serve pizza with hot sauce on it.
If blacks didn't want other people messin wit hip hop they should have never left the block with it.![]()
I don't.
I specifically remember her and the hard push with
an "urban" sound, Christina Aguilera and Justin Timberlake
did the SAME THING.
I have a problem with mediocre artists being
awarded over the some of the best out.
That was and will continue to be my issue.
This thread is in response to the Macklemore debacle
and doesn't really address the idea of a talented black artist being
snubbed in favor of the GWH of the time.
A lot of posters also ignorantly assume that Black people can't see
the issue here and think it's just "Race", even though I think "Race"
definitely played a part as to why he was chosen over Kendrick Lamar.
Christina's marked changed in style is well documented.What was JT's push with a urban sound? The first cross-over record he did to get on black air play was with
"Nsync-Gone" & "Girlfriend" with Nelly -
What was Christina's hard push?
I never said I placed stock in the Grammies, I do however think artistry shouldSo you place stock in "The Grammies", you would like respectable Black artist to win categories that you
saw a not so respectable artist to Black people win? I want to hear a balanced radio airplay on FM radio but I do not.
I put the letters in bold, it shouldn't be difficult to understand what I'm saying here.On topic :
I don't have a problem with people making traditionally
black forms of music, I have a problem with mediocre artists being
awarded over the some of the best out.
That was and will continue to be my issue.
This thread is in response to the Macklemore debacle
and doesn't really address the idea of a talented black artist being
snubbed in favor of the GWH of the time.
A lot of posters also ignorantly assume that Black people can't see
the issue here and think it's just "Race", even though I think "Race"
definitely played a part as to why he was chosen over Kendrick Lamar.
I think Rappers should be rewarded for artistic achievements of any kind andSo you think "The Grammies" are something that rappers should try to win or even allow that award to hold some sort of achievement over the culture?
Couple answers for this post :A 40 year old kid saw a you-tube contest about video games, he submitted his video. The judges were all teenagers and could not really relate to the video from the 40 year old, they could relate to an extent but not all the way. The judges picked a teenage winner.
Not the best analogy but hope you get the jist, why put stock into something like The Grammy's, a institution which has historically known not to award the best for Hip Hop and r & b categories?