BK The Great
Veteran
Word, it's Kinda ironic he's rapping about that when he said on a song himself that he's
"got undercover cops that would legally pop you"
Eminem - Untouchable #Revival
- Thread starter JordanWearinThe45
- Start date
Word, it's Kinda ironic he's rapping about that when he said on a song himself that he's
"got undercover cops that would legally pop you"
larsattack
All Star
This grew on me more and more when i think of it as a concept. Plus he killed the second half
John Hull
You can’t see me!
So far the first verse got me rollin. Looks like he made it deliberately corny and filled with corn to embody the white boys he's mocking. 
Ya'll forgettin this is EMINEM fool is certifiable. If you listen to it with that in mind you will get the humor.
Ya'll forgettin this is EMINEM fool is certifiable. If you listen to it with that in mind you will get the humor.
ReasonableMatic
................................
The more I listen to it, he kinda got that Relapse flow working on the first half of the song, kinda getting into the character of the cop.
But then I had an idea...like ok, if there was any room for Royce on the album it would have been on the 2nd verse of this song.
But then I had an idea...like ok, if there was any room for Royce on the album it would have been on the 2nd verse of this song.
Man when I first heard "black boy, black boy, we don't like the sight of you" I was like "damn, em jumping out the window" But obviously kept listening and realized what it was. It's like that Joyner Lucas joint. It's dope. Not something I'd listen to every day, but it's dope.
Long Live The Kane
Tyrant Titan
So far the first verse got me rollin. Looks like he made it deliberately corny and filled with corn to embody the white boys he's mocking.
Ya'll forgettin this is EMINEM fool is certifiable. If you listen to it with that in mind you will get the humor.
This "Eminem is deliberately making horrible, unlistenable, trash corny music...As a concept, get it?" shyt that Em stans have been on for like over a decade now is
That and "Eminem has no choice but to be wack as every fukk...The label forces him to make these awful songs" are 1st ballot hall of fame stan narratives
Using anything and everything to justify that bullshyt.This "Eminem is deliberately making horrible, unlistenable, trash corny music...As a concept, get it?" shyt that Em stans have been on for like over a decade now is
That and "Eminem has no choice but to be wack as every fukk...The label forces him to make these awful songs" are 1st ballot hall of fame stan narratives
John Hull
You can’t see me!
This "Eminem is deliberately making horrible, unlistenable, trash corny music...As a concept, get it?" shyt that Em stans have been on for like over a decade now is
That and "Eminem has no choice but to be wack as every fukk...The label forces him to make these awful songs" are 1st ballot hall of fame stan narratives
Far from a Stan. I just know music.Ya'll negus try too hard here's your dap
Long Live The Kane
Tyrant Titan
Ya'll negus try too hard here's your dap
Fair enough, have no real reason to call you a stanJust reacting to the sentiment... Been hearing the appreciative wackness thing bout em projects since Encore
Rell84shots
Veteran
Well then he needs a refund because he was never the best rapper ever.Finished the song. sound quality is pretty bad doesn't even sound mixed right. Sounds like the vocal sample is speaking french.
Eminem sold his soul to be the best rapper ever and now he can't rap anymore, sucks. song is horrible. lol at this 6 minutes of trash.
Second verse is cool
“Untouchable” by Eminem Review | Pitchfork
For those still scratching their heads over Eminem’s epic Trump diss at the 2017 BET Awards, no, his wokeness wasn’t a one-off. He followed that virtual-watercooler moment with “Walk on Water,” a wan power ballad that fails superstar guest Beyoncé. Now, for his second track from next week’s album Revival, he reloads on leftish punditry with a song that could Make Keith Olbermann Love Rap Again.
The message—Em says it best here when he raps, a cappella, “Throughout history, African-Americans have been treated like shyt”—is undeniable and profoundly important. But the medium for that message is hugely flawed. There’s a level of Mackling to a white celebrity rapper following the above line with, “And I admit there have been times where it’s been embarrassing to be a white boy,” as if Marshall Mathers’ mortification is of any import here. But Olbermann will no doubt be applauding again. There’s a visceral thrill to the declaration, “fukk your Republican views/Pull ourselves up the bootstraps/Where the fukk are the boots?” But trying to engage with Slim Shady has long meant ignoring what he was saying to try to focus on how cleverly he said it—this, with its trudging guitars and didactic tone, is the opposite. It’s great that whoever wants to listen to this will be exposed to some ideas that somehow escape much of white America. If Eminem wants to embrace some other righteous causes—support any other historically marginalized groups—that’d be worth celebrating, too. But here the ultimate formalist is on point and off form.
For those still scratching their heads over Eminem’s epic Trump diss at the 2017 BET Awards, no, his wokeness wasn’t a one-off. He followed that virtual-watercooler moment with “Walk on Water,” a wan power ballad that fails superstar guest Beyoncé. Now, for his second track from next week’s album Revival, he reloads on leftish punditry with a song that could Make Keith Olbermann Love Rap Again.
The message—Em says it best here when he raps, a cappella, “Throughout history, African-Americans have been treated like shyt”—is undeniable and profoundly important. But the medium for that message is hugely flawed. There’s a level of Mackling to a white celebrity rapper following the above line with, “And I admit there have been times where it’s been embarrassing to be a white boy,” as if Marshall Mathers’ mortification is of any import here. But Olbermann will no doubt be applauding again. There’s a visceral thrill to the declaration, “fukk your Republican views/Pull ourselves up the bootstraps/Where the fukk are the boots?” But trying to engage with Slim Shady has long meant ignoring what he was saying to try to focus on how cleverly he said it—this, with its trudging guitars and didactic tone, is the opposite. It’s great that whoever wants to listen to this will be exposed to some ideas that somehow escape much of white America. If Eminem wants to embrace some other righteous causes—support any other historically marginalized groups—that’d be worth celebrating, too. But here the ultimate formalist is on point and off form.
