This was Eminem in his final form. The Slim Shady LP was mostly him telling stories, introducing himself to listeners and talking about being broke, but this was his first album as a mainstream star and a celebrity. This album is harsher, darker, and more serious than the last one. But it's also Eminem being reflective on what fame has done to his life. Not many people can make albums about hating the fact that they're famous and almost hating the people that got them there, but Eminem didn't care. He was going after everyone and everything.
A lot of people look at this as his best album, including Eminem. He said this is the album he's still chasing. I don't agree with that, but I understand. This album has Eminem at his angriest. He absolutely didn't care about the reactions he would get. He started the whole thing off with "Kill You" and ended it with "Criminal." You could feel his pain, frustration, and intensity in every verse he spit. He wasn't trying to rap 100 bars in less than a minute, he wasn't trying to impress you with his rhyme schemes, and he wasn't trying to come up with shytty punchlines. He just wanted you to feel him. By doing that, you noticed how slick he was with his pen game. He didn't have to force it on you back then.
There are a lot of great songs on here. "The Way I Am" will always be one of the best songs Eminem's ever recorded. "Criminal" is also a classic, especially the third verse when he's talking about what he'll do after he robs the bank. "Remember Me?" is ridiculous. Sticky Fingaz has the standout verse, but Eminem's able to hold his own ("Sick, sick dreams of picnic scenes/Two kids, 16, with M-16s and ten clips each/And them shyts reach through six kids each/And Slim gets blamed in Bill Clint's speech to fix these streets?"). "Amityville" is overlooked a lot, but that's mostly because it doesn't reach that higher level until Eminem's second verse. "Kill You" is prime Slim Shady, even with those questionable lines.
The only song I can't listen to is "Kim." That one didn't age well at all. If Eminem himself won't perform it in concert, even he knows he went too far. It's not really the content that bothers me, it's the shouting. I can't even try and get invested in the story because the whole song is

for the entire duration.
Either way, this is a classic and an example of what Eminem was capable of in his prime. This album proved that The Slim Shady LP wasn't a fluke and in addition to being a great rapper, he could be a great songwriter.