Mecca envy is funny to me. I'm not from New York so there's no bias here. You just have to give credit where it's due.
People forget that New York had a good 10 year headstart on all the other coasts. By the time '86 rolled around, NY had played with tons of beat and rhyme styles.
That G-Funk shyt y'all proud of? Talk to EPMD
The "Southern" bounce?
Kool Keith addresses this in more depth
As for NY running from their sound, I understand why. Frankly, the sample-based boom bap shyt is a whole other level. The stuff before that was cool, but when you start sampling (especially obscure stuff) and doing crazy beat patterns mixed with potent rhymes -- now you're making God-level music. But Keith has a point. and like anything, once everyone starts riding a wave and doing things the exact same way, that wave gets corny after a while.
This isn't to take away from the other coasts. They took the sounds NY left behind and took em to the next level.
Feel free to disagree. Receipts would be wonderful. Let's discuss.
People forget that New York had a good 10 year headstart on all the other coasts. By the time '86 rolled around, NY had played with tons of beat and rhyme styles.
That G-Funk shyt y'all proud of? Talk to EPMD
The "Southern" bounce?
Kool Keith addresses this in more depth
As for NY running from their sound, I understand why. Frankly, the sample-based boom bap shyt is a whole other level. The stuff before that was cool, but when you start sampling (especially obscure stuff) and doing crazy beat patterns mixed with potent rhymes -- now you're making God-level music. But Keith has a point. and like anything, once everyone starts riding a wave and doing things the exact same way, that wave gets corny after a while.
This isn't to take away from the other coasts. They took the sounds NY left behind and took em to the next level.
Feel free to disagree. Receipts would be wonderful. Let's discuss.