How bout movies vs. music?
Quentin Tarantino doesn't get as much flack for his films than Eminem does for his lyrics. Is this justifiable?
I mean I think you could find the same parallell in movies..but I'm not a movie buff so I couldn't tell you..
But I think that music is much easier to ingest in terms of its message and its influence, because what your ears are listening to is what your eyes begin to see...You can lie to someone's ears and their brain will produce one image, if you get what I mean...Speech, and by extention music (and its accompanying melodies and rhythm, seem to be the most powerful medium that we have for influencing the human mind and emotional state..
I'll give you a little excerpt from A D'angelo article that had me thinking about this
Shame, guilt, repentanceD'Angelo knows them well. To say that he was raised religious doesn't begin to capture it. He's the son and the grandson of Pentecostal preachers. To D'Angelo, good and evil are not abstract concepts but tangible forces he reckons with every day. In his life and in his music, he has always felt the tension between the sacred and the profane, the darkness and the light.
"You know what they say about Lucifer, right, before he was cast out?" D'Angelo asks me now. "Every angel has their specialty, and his was praise. They say that he could play every instrument with one finger and that the music was just awesome. And he was exceptionally beautiful, Luciferas an angel, he was."
But after he descended into hell, Lucifer was fearsome, he tells me. "
There's forces that are going on that I don't think a lot of motherfukkers that make music today are aware of," he says. "It's deep. I've felt it. I've felt other forces pulling at me." He stubs out his cigarette and leans toward me, taking my hand. "This is a very powerful medium that we are involved in," he says gravely. "I learned at an early age that what we were doing in the choir was just as important as the preacher. It was a ministry in itself. We could stir the pot, you know? The stage is our pulpit, and you can use all of that energy and that music and the lights and the colors and the sound. But you know, you've got to be careful."
Read More
The Return of D'Angelo - GQ June 2012 Profile