This is how pop music has been made for decades now. Some producers/songwriters/composers/arrangers are just smarter about the shyt they jack. And they usually take elements from multiple sources to make one hybrid whole. That's music, brehs
The other day, I heard someone lift a chord progression from some Dvorak piece but with synths. I bet most listeners wouldn't even know it was jacked, even though that shyt was years ago and was a classical piece.
It's INCREDIBLY difficult as a composer in the 21st century to come up with something that hasn't existed. Every chord progression, every phrasing, every arrangement, time signature, vocal melody etc. It's been done. All you can do is try and do something barely anyone does - and that ain't gonna guarantee you pop success. So you jack the shyt you know is gonna be popular. Case in point, the 4 chords of doom
