First they came for hiphop, now they're saying the Blues came from Morocco

LuuqMaan

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No odds of it. It is bullshyt. People just say Blues, but what they don't realze is that there are different versions of Blues. What we call Blues now days which is essentially Delta Blues, evolved on plantations and in the cotton fields of the Mississippi Delta (Mississippi, Tennessee and Arkansas). Delta Blues are not the same as Appalachian Blues which is from Georgia and the Carolinas. Appalachian Blues is the closest version to what was brought from West Africa. The shyt they are calling Desert Blues is actually borrowing from Delta Blues fused with Rock and Roll which is also Delta Blues. As stated earlier Delta Blues evolved essentially in one area in the United States.
:ehh: I like this distinction. Repped
 

TEH

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Reppin
....
I hate when you have non musicians trying to define music history.

That’s what ethnomusicologists are for.

THATS LITERALLY MY JOB!

:damn:

Ain’t nobody in Africa was playing the blues. And don’t mention some damn retard ass scales as to your logic.

It’s a purely American experience from which it came from.
Elaborate

We want to hear from you, an expert, not these uninformed but loud posters.
 

IllmaticDelta

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Blues doesn't come from Gnawa music...the relationship between similar sounds in Gnawa music vs Afram Blues is in Upper West African/Griot Africa/Sahelian that make up the slave stock of Gnawa

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The parts of Africa that border near the Afro-Asiatics, have Blues-like sounding music because of similar melismatic vocals, pentatonic scales and lack over complex polyrythyms combined w/ string based instruments

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What they say bout Ethiopian music..


"At Friday's event, Gershon lectured on Ethiopian music with demonstrations by Atanaw, Dagnew, Shenkute, and Lebron. Ethiopian music, Gershon explained, is based on four five-note scales (pentatonic). Tezeta is a scale associated with "nostalgia and longing, the equivalent of blues or soul." Anchihoy is employed mainly in wedding songs, and as a jazz musician Gershon said he finds this scale congenial because of its inherent dissonance.

The song the group played to illustrate the scale bati had a propulsive, danceable beat. Shenkute snapped her fingers to it before reaching for the mike and beginning her vocal, which seemed to dive porpoiselike in and out of the instrumental accompaniment, sinking at times almost to inaudibility, then surging upward to a full-throated wail. The fourth scale, ambassel, also fits comfortably with modern jazz harmonies, Gershon said.
"

http://news.harvard.edu/gazette/2007/10.04/15-mulatu.html



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USA also had a major Muslim/Griot African stock

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