get these nets
Veteran
08/10/25
Konpa’s 70th anniversary celebrated in Florida with tribute to genre’s founder
Alix Timmer hosts event honoring Nemours Jean-Baptiste and Haiti’s signature music amid immigration concerns
A celebration marking the 70th anniversary of Haiti’s most enduring music genre, Konpa Dirèk, brought together Haitian music fans, performers and community leaders at Kasa Champet Restaurant and Lounge on Saturday, July 26.
Produced by veteran music promoter Alix Timmer, the event honored the legacy of Konpa founder Nemours Jean-Baptiste and included a formal tribute presented to his surviving adult children. The tribute was delivered by Robert Woodson on behalf of his wife, State Rep. Marie Paul Woodson, who was unable to attend in person.
The evening’s theme—white and red—paid homage to “Rouge et Blanc,” a 1965 song by Jean-Baptiste. Guests arrived in color-coordinated attire to honor the composer and his influence on Haitian identity and cultural expression.
The event featured a performance by Tabou Combo, one of the most recognized Haitian konpa bands internationally.
Tabou Combo’s songs “never fade out with time,” said one attendee.
Timmer, who has been active in promoting Haitian music and culture for over 50 years, said the event was an opportunity to reflect on Konpa’s evolution and global influence.
The legacy of Nemours Jean-Baptiste
Jean-Baptiste, often called the “Father of Konpa,” revolutionized Haitian music in the mid-20th century by blending traditional Haitian rhythms with modern instrumentation. In 1955, he officially introduced Konpa Dirèk to audiences, naming the style to reflect its direct, danceable beat. A skilled saxophonist and bandleader, Jean-Baptiste led the group Ensemble Aux Callebasses, which later became Ensemble Nemours Jean-Baptiste, producing hits that defined the golden era of Haitian dance music.
Jean-Baptiste’s innovation not only created a new musical genre but also shaped Haiti’s cultural identity, influencing generations of musicians across the Caribbean, North America and Europe. His compositions, such as “Rouge et Blanc,” remain touchstones for the Haitian diaspora, symbolizing national pride and artistic excellence.
In the early 1960s, many of Jean-Baptiste’s compositions celebrated women and healthy relationships. “Ti Carole,” composed in 1967, was one of the most played hits, remaining in the top 10 for over a year. This song gained fame and continues to be a favorite among many Konpa Dirèk fans today.
“[Konpa Dirék] is perhaps the greatest artistic achievement that Haiti has ever seen in its history as the first Black republic,” Timmer said. “This musical genre has over time become one of the greatest economic vectors of the Haitian cultural sector.”
