Or maybe they're just talking shyt and pretending like we don't have all of it already.
I'm still waiting for this piffery:
imma start with the pete rock batch.
there lies a pete rock batch somewhere in a basement storage unit in detroit. not only have i heard it but i sorta seen him make it.
.....but sometimes....just to pass the time, dilla would amuse himself and play the "this is how i would do it" game.
not even being smart...or arrogant
just "man if i had a chance to freak some **** before dadadada got to it first".....type thing".
i call it his passive agressive way of saying "im the man"
anywho....back to that pete rock batch--
dilla was ALWAYS making these ill ass beats that pete rock already made.
like his version of "for pete sake" with the "substitution" drums all demented like he did for Common.
or him flipping "Bam Bam" from Sister Nancy like Pete did on the basement.
**** that regular ears would never hear....he'd pick me up from the airport and on the floor would be a cassette and it would say "pete" or "primo" or "dre" and it was just him doing some homework trying to up his game with different challenges.---
so ABOUT THAT DAMN DILLA TAPE!
dilla worshiped pete because pete was worthy of it. i mean pete can set fire to my record room tomorrow and i just MIGHT consider dropping charges cause he made "Soul Brother #1" (say it in chapelle's "he made Thriller" voice)--but
under NO circumstance was i to let pete hear these treats.
"why?" i asked.
he might take it personal. and dilla heard too much from the other varsity team about pete and couldn't risk having his idol brand him "enemy" cause he used one "long red" break too many.
i thought dukes was buggin....i said to myself "if these beats ever got out there...then just maybe beatheads will know what me and 88 already knew from the gate:
dilla was god.
i mean break after break it was killing me to keep this secret: that "mind blowing" joint with v mojica? slum had some AMAZING **** for volume 2 called "Sentimental Love" with these drums that made the kicks in "Get It Together" and "Wordplay" seem like a sober night at the drumset.
and INI's first joint that used the Dorothy Ashby harp break was flipped something terrrrrrrible for Que-D (a fellow mc from the D) that really aint see the light of day.
i mean i heard stupid ****....sheeeit Me and D even took the Dilla flipped Crown Heights Affair "Far Out" that pete used after the "Spaces and Places" interlude on Ingredient and tried to make a jam of it on Voodoo.
Theres an unreleased batch like this sitting in his basement:
[ame]https://www.youtube.com/watch?v=N4s8TL8lmH4[/ame]




to all you brehs

what club you going to thats playing that?
I play what I want
