The uncle fukked up for this!
Instead, there’s a single, stubborn man, sitting on a catalog that includes almost all of her most famous work, as well as albums from Timbaland and Toni Braxton, and a trove of unreleased original material that’s never before been heard. The situation puts her entire musical legacy at risk of fading from memory. Year by year, streaming accounts for a greater portion of an artist’s visibility and reverence among the next generation of listeners. And he refuses to budge.
To understand Aaliyah, and the fate of her iconic catalog, you have to understand her uncle, Barry Hankerson, who groomed the singer for stardom from a young age as her manager and the co-founder of her label home, Blackground Records. The 70-year-old Harlem native was an extraordinary figure in the music business, who helped launch not just Aaliyah’s career, but also those of R. Kelly, Ginuwine, Timbaland, and Missy Elliott. But his achievements remain shrouded in mystery. “I’m consistently amazed by the things Barry Hankerson has accomplished,” says veteran music journalist Jim DeRogatis, one of the few members of the press ever to talk regularly with Hankerson, mostly during his long tenure at the
Chicago Sun-Times. “He is this Zelig-like figure. Almost nothing is known about this man.” Despite multiple requests for comment, Hankerson declined to participate in this story.
Right now, the only Aaliyah album legally available online is
Age Ain’t Nothing But a Number, the one that Hankerson doesn’t control the masters for, and the one where she sings lyrics penned by the suspected pedophile she was fraudulently married to. This does not honor her legacy.
As the years pass, there’s a bigger risk—that Aaliyah will be forgotten. Nostalgia is cyclical, and Aaliyah has already peaked as a fashion icon on Tumblr. Right now, the music industry is the midst of a shift to an all-streaming landscape.