Have not been reading the thread? Em had the skills and he was at the right place at the right time and fukked with the right people..So why hasnt any other white rapper followed the formula then? If thats all it takes doesnt sound too hard.

Yeah, you know how these internet dudes are... straight up they dont even listen to 90% of the shyt they talk about...I've been saying this for 3 days now, if you're saying Eminem is lyrically superior than the Jays and Nas' based on his style then Twista better be in your top 5. But everybody's like![]()
Listen to Em before he signed to Aftermath, and listen to the stuff after he signed, completely different, even the beats.
His style completely switched when he got signed, and it wasn't by accident. EM was really the first rapper, who was exclusively marketed to a White non Hip-Hop audience. Yeah House of Pain were huge for a minute, but they were never marketed to the non Hip-Hop audience, 'Jump Around' just happen to blow up.
Over here in DC songs from his first album, barely got played on Black radio, it was most Alt Rock stations(HFS), that played his tunes. BET for a while barely his stuff, it was MTV and VH1 playing his stuff.
Basically in Em, they saw rapper that had the skills, and respect off the Black Hip-Hop world, but they also saw someone who had the ability to pull in that White audience. Honestly for Em, it was a case of right place, right time, a couple years earlier, he would've been just like House of Pain, Sparxx and so on.
the Slim Shady LP is just the EP but with a few more songs on it and some Dre beats.Lol bruh chill, everyone knows Em can rap.
And thats what pisses people off. That he was the first white rapper that can REALLY rap. Like spit up there with the best of them on his WORST day.
But instead of using that talent to make good songs, he started putting out bullshyt, sometimes not even trying.
What people get at is that, if any other rapper who had mad talent started putting out bullshyt he would get thefrom everyone and his career would be dead. But Eminems Cac stan base gives him passes so he continues to keep making that BS.
Thats all
!!!
The way white people dikkride Eminem is disugusting. If he was black he'd be Canibus.

Listen to Em before he signed to Aftermath, and listen to the stuff after he signed, completely different, even the beats.
.
I don't think Slim Shady EP sounds that much different from SSLP or even MMLP - his style still seemed similar.Listen to Em before he signed to Aftermath, and listen to the stuff after he signed, completely different, even the beats.
His style completely switched when he got signed, and it wasn't by accident. EM was really the first rapper, who was exclusively marketed to a White non Hip-Hop audience. Yeah House of Pain were huge for a minute, but they were never marketed to the non Hip-Hop audience, 'Jump Around' just happen to blow up.
Over here in DC songs from his first album, barely got played on Black radio, it was most Alt Rock stations(HFS), that played his tunes. BET for a while barely his stuff, it was MTV and VH1 playing his stuff.
Basically in Em, they saw rapper that had the skills, and respect off the Black Hip-Hop world, but they also saw someone who had the ability to pull in that White audience. Honestly for Em, it was a case of right place, right time, a couple years earlier, he would've been just like House of Pain, Sparxx and so on.
SSLP was damn near finished product before he signed to aftermath, da fukk are you talking about?
I could be wrong here, but this doesn't make sense to me. He had already made and put out the SSEP. Why would he have re-recorded/re-made/re-released a slim shady album before even being signed? My Name Is, Guilty Conscience, and Role Model (all produced by Dre) were obviously not done. Only 3 tracks from the EP ended up on the LP.Sslp i believe was largely recorded before he signed.
I could be wrong here, but this doesn't make sense to me. He had already made and put out the SSEP. Why would he have re-recorded/re-made/re-released a slim shady album before even being signed? My Name Is, Guilty Conscience, and Role Model (all produced by Dre) were obviously not done. Only 3 tracks from the EP ended up on the LP.
Eminem was in the Rap Olympics on October 24, 1997 - and Jimmy Iovine gave Dre his demo tape shorty after that. Em signed with Aftermath on March 9, 1998. The SSLP didn't come out until February 23, 1999 (My Name Is came out on Jan 25).