I’m convinced they growing these type of rappers in a lab

GPBear

The Tape Crusader
Joined
Mar 9, 2015
Messages
20,111
Reputation
4,779
Daps
67,422
Reppin
Bay-to-PDX
I always thought they were made from play doh :manny:

play-doh-wild-hair-salon-lab-des-620x330.jpg
 

tocedaw

Pro
Joined
Jan 9, 2015
Messages
266
Reputation
60
Daps
1,292
Yall killin me...pull up any group of rappers from any era and youll find nikkas dressin, rappin, and actin alike.

If you under 25 compaining about this, you a lame. Its one thing to not fukk with it, its another to act as if Hip Hop has lost some sacred purity.

If you over 25, it aint for you bro, plain and simple. Not the fashion, not the music, not the attitude. Happens every generation and we are not special.
 
Joined
Mar 30, 2013
Messages
6,293
Reputation
3,177
Daps
54,776
Reppin
NULL
Yall killin me...pull up any group of rappers from any era and youll find nikkas dressin, rappin, and actin alike.

If you under 25 compaining about this, you a lame. Its one thing to not fukk with it, its another to act as if Hip Hop has lost some sacred purity.

If you over 25, it aint for you bro, plain and simple. Not the fashion, not the music, not the attitude. Happens every generation and we are not special.
The first part of your post is bullshyt.

Let's use Snoop as an example.

When he ran "gangsta" rap nobody was sounding like or trying to imitate Snoop. Now compare that to Lil Uzi Vert, who currently runs the emo/punk+trap scene. There are multiple examples in this thread alone of straight up clones. Taking the ad- libs, the dance moves, the whole swag.

If this type of biting happened back then niccas would be physically assaulted. Ghostface told niccas 20+ years ago on wax..."don't ever bite me or my niccas style". Ghost was dead ass.

Now niccas just want to pop as quick as possible, so they get the starter kit...double cup, whole body tatted, colored dreads, designer belt...and hope these white teens start listening to their shyt.
 

Art Barr

INVADING SOHH CHAMPION
Joined
Apr 30, 2012
Messages
71,928
Reputation
14,948
Daps
100,079
Reppin
CHICAGO
Most of these rappers don't actually look the same but this kid really look like Pump :laff:

I just saw this the other day too :mjlol:




this one is actually better than the other ones i have heard from this clone room bunch, tho.


art barr
 

MusicConsulting

All Star
Joined
Mar 18, 2014
Messages
3,352
Reputation
1,625
Daps
10,210


Sohhh I clicked this thread then this popped up in my youtube Recommendations :mjlol:]



Jesus, my prediction is coming true. Tekashi will be looked at as the "nas" of his generation compared to the next string of clout goggles movement of "GREAT TALENTS" shyt is like the apocalypse for talent. :merchant::merchant::merchant::merchant: Eventually you won't even have to say anything on a track. You can just dance in the video, you will get signed a multi million deal even if you don't even have vocals on your project. The DJ Khaled of clout goggles generation is coming. :sas2:
 

Art Barr

INVADING SOHH CHAMPION
Joined
Apr 30, 2012
Messages
71,928
Reputation
14,948
Daps
100,079
Reppin
CHICAGO
The first part of your post is bullshyt.

Let's use Snoop as an example.

When he ran "gangsta" rap nobody was sounding like or trying to imitate Snoop.

welp..
stop, right there.
snoop has had biters in every gen from g thang to even now, from sexual seduction.
so, that would not be true at all.
you are trying to use a gangsta rapper to prove a cultural hiphop point and it will not work in the context of what you want.
you merged two ideals and a culture that is anti gang into another.
plus, a gangsta rapper who only takes to nonviolent appeals after he runs into complete life altering imprisoned threatening trouble.

i think the issue is you really don't know the culture and the rest of the world does not and is making hiphop take the blame for issues it has nuffin to do with.

hiphop is not the result of what has transpired the prison economy misappropriating the business and industry of rap and segregating it away from hiphop.
somewhere in hiphop's forgiving mythos.
it has erroneously and wrongly attached itself in pr via the business of rap to the idea of being something it is against.
yet, in that.
hiphop as a culture has not benefitted culturally and socially as a whole from this more or less false allegiance.

as of right now, we are basically watching the beginning of what took place with rock misappropriating blues.
where now, this new form of digital chemical romance based music ideal and life. which has no culture and is actually and completely anarchist in a rock nature and even actual everything with a complete amalgamation of anything that took place in the ruthless label lexicon, from atban clan to nwa to cpo to bone, and any and every group or production anything in between.
as under a chemical romance with the digital age and anything derived from it and the arise of the internet and new media.

what we are watching is not rap.

it is a shame a louse like la reid falsely labeled along with future this genre as not trap music but trap and some derivative of rnb away from the actual culture ideal and sentiment embracing ideals sonically of trap music. which incorporated and also applied and was originally about cultivating some cultural sensibility.
under which all went awry as the actual label in question that even coined idea of trap music as an actual genre.
was also falsely campaigning politically via revenue and industry and not actually adhere'n in principal action and execution that resembles the mores of the pillars of what the culture of hiphop is.
as the original lead flagship artist in the trap music genre and self titled release also never wrote his actual comeuppance.
that he campaigned and played the part of a fake emcee to be as he and also other labels in the southern and also ruthless based lexicon also did not fully adhere to the culture. so trying to even adhere these artist to some cultural ideal, of hiphop needs to stop.

the genre needs to be and reflect its complete pop sensibility based origins and ideals from cheetah girls meets bjork writes madonna and cher rays of light.
to tpain and also the fake non writting voice over artist lil wayne as well.
combined with the coming of age direction of the production being used as the sonic landscape based idea, direction and palette of the generation.


so right now, we are basically looking at trap.
not trap music, but trap.
as it has been put into misappropriated print and label everything to accompany horrorcore/gangsta rap/double time rap/rnb/thug n' b/edm/disco/pop/trance etc.
so right now, trying to even look at the artist from those labels, lexicon and ideals from a hiphop standard do not apply and do not exist.


Tookalossfellback said:
Now compare that to Lil Uzi Vert, who currently runs the emo/punk+trap scene. There are multiple examples in this thread alone of straight up clones. Taking the ad- libs, the dance moves, the whole swag.

If this type of biting happened back then niccas would be physically assaulted. Ghostface told niccas 20+ years ago on wax..."don't ever bite me or my niccas style". Ghost was dead ass.

Now niccas just want to pop as quick as possible, so they get the starter kit...double cup, whole body tatted, colored dreads, designer belt...and hope these white teens start listening to their shyt.


at this point,..
we are watching what is the new marketed and controlled pop teen sector.
now, being called trap.
like rocknroll was called the taboo action of sex.
where everything popular is given precedence and it is all manufactured via digital fraud.
where the ideals of the prison industrial economy are actually controlled, manufactured and marketed as an actual fake component of life.
it is the breakdown of the protection mechanism in rap.
where cultural quality control was not able to be met.
where eventually the entire culture internally succumbbed from errant direction and leadership from the new school way of thought beginning being duped in the segregation from disco and the bronxdale area.
where eventually the culture of hiphop would be made and never able to shake its damning disco social ideal poison pagan roman catholic gay based roots and pedo based life.

at this point rap, does not exist in the idea of the genre that was misappropriated from hiphop.
nor does hiphop in its new school way of thought exist.
hiphop only exist in its real actual cultural based and living emcees, writers, breakers and turntablist.
that have moved in a visionary ideal from the prescient good faith based ideas, mores and norms from the social and artist ideas of urban intellectualism and black nationalist party brain trust.

what remains is a pop disco misappropriating realm for all the wack fakkits, and wack people who were never real can all create a fake industry.
where their corrossive damning ideas lacking good faith will eventually ruin it.
resulting in complete anarchy.
as there will come to exist no prescient urban intellectual based lexicon of revolutionary based peace out of poverty ever again.

once, hiphop and the last bboys and the bgirls of the world are done.

the world will be completely wack and lack complete essence of good faith.
as an actual prescient idea that can manifest in physical human social nature.


art barr
 
Last edited:

KENNY DA COOKER

HARD ON HOES is not a word it's a LIFESTYLE
Supporter
Joined
Jun 9, 2012
Messages
31,450
Reputation
13,231
Daps
168,617
Reppin
F
Yall killin me...pull up any group of rappers from any era and youll find nikkas dressin, rappin, and actin alike.

If you under 25 compaining about this, you a lame. Its one thing to not fukk with it, its another to act as if Hip Hop has lost some sacred purity.

If you over 25, it aint for you bro, plain and simple. Not the fashion, not the music, not the attitude. Happens every generation and we are not special.


TRUTH.COM......this is an old and tired tactic.......

that's been around since the beginning of the industry..i remember first listening to rap...and when RUN DMC came out ....every label was trying to sign acts from queens that had that MC deejay combination that was LOUD on the mic over big beats...like BLACK ROCK and RON out of queens...

this is nothing new......it's just a sad case of UNORIGINAL ARTIST DEVELOPMENT in the industry....simply "following a winning formula"

except the MAJORS not only want to decieve you that the artist IS INDEPENDENTLY creating his image and art on his own...

they find it FINANCIALLY FEASIBLE because alot of the initial legwork is done by what i like to say is SUBCONTRACTED SUB LABELS or as one artist said it best SHARECROPPERS....such as T.I.G (think it's a game....QC or the infamous THA LIGHTS GLOBAL whiich is responsible for alot of these South Florida artists like Lil Pump....

i worked for a subcontracted sub label back in the early 2000's...."hired" to do freelance work with Warner/atlantic and even did a lil promo work with Interscope at one time for a Stat Quo mixtape project....and your basically like a temp service cranking out "temporary" (expendable) hoping to be permanent artists and producers.....

we wasted alot of time and money .....for nothing basically...fortunatly one of our "alumni producers" went on to work to this day with Big Krit

it really is an industry..and it's been like that ..that's why i just :umad: when naive consumers and fans and artists speak of the so called CULTURE..

yeah right......
 

AsTheWorldBurns

Superstar
Joined
Jun 10, 2018
Messages
2,058
Reputation
1,410
Daps
15,191
Reppin
State to the Lake
Yall too young to remember how it a MILLION nikkas was tryin to rap/be like Pac after Pac died (Lil Zane off the top of my head)? I'm talking down to the nose ring and belly tats

Hell, a lotta rappers on the black consciousness tip was really just riding a wave of what was popular at the time.

You use to only hear about these copycat nikkas if they were from your city, but with the internet they get global exposure.
 
Top