It's not magazine narratives, it's what it was at the time. The mixing and mastering was polished, the Trackmasters were responsible for the overall sound of the album and sampled 80's pop records, the lead single had Lauryn Hill singing the hook (and the Fugees were looked at as comercial back then too) and the lyrics of the verses were nonsensical, the videos were flashy, and Nas turned from gritty street poet to bragadocious mafioso rapper. In retrospect, the album doesn't sound comercial, but in 96 it did and it wasn't what people who bought and celebrated illmatic wanted to hear. It was as if Kendrick Lamar had released a mumble rap record in 2014 after dropping m.a.a.d. city in 2012. That we look at the album differently today is because the overall direction of hiphop changed from gritty to flashy in 96. Funnily enough, inspired by Ready to Die, It was written set the blueprint for comercial street records such as Life after Death or Capital Punishmend that everybody followed until the early 2000's: Big radio record as a lead single, a couple of pop friendly records, mixed in with gritty producers such as premier or havoc for "street singles" whose beats were polished in the mixing room. But that didn't help Nas, whose career was looked at as being in steady decline until Stillmatic came out. That's why Jay said that he went from Nasty Nas to Escos trash and that he had a one-hot-album-every-ten-year average.